Written by: Lennon-McCartney
Recorded: 20, 26 April; 17, 18, 22, 23 July; 11 August 1969
Producers: George Martin, Chris Thomas
Engineers: Jeff Jarratt, Phil McDonald
Released: 26 September 1969 (UK), 1 October 1969 (US)
Available on:
Abbey Road
Anthology 3
Personnel
Paul McCartney: vocals, backing vocals, piano
John Lennon: backing vocals, guitar
George Harrison: backing vocals, bass guitar
Ringo Starr: drums
Billy Preston: organ
This retro-style rocker, written by Paul McCartney, was originally attempted by The Beatles during the Get Back sessions, but was eventually released as an album track on Abbey Road.
Having been some years since he deployed the larynx-shredding rock ‘n’ roll stylings of I’m Down and Long Tall Sally (1968’s Helter Skelter being a notable exception), McCartney broke his voice back in carefully.
Living in Cavendish Avenue, just two streets away from Abbey Road, Paul McCartney got in the habit of arriving before the other Beatles to record his vocals for the song.
Paul came in several days running to do the lead vocal on Oh! Darling. He’d come in, sing it and say, ‘No, that’s not it, I’ll try it again tomorrow.’ He only tried it once per day, I suppose he wanted to capture a certain rawness which could only be done once before the voice changed. I remember him saying, ‘Five years ago I could have done this in a flash,’ referring, I suppose, to the days of Long Tall Sally and Kansas City.
The Complete Beatles Recording Sessions, Mark Lewisohn
In 1969 McCartney thought his voice was too clear to do the song justice, and claimed he “wanted it to sound as though I’d been performing it on stage all week”.
I mainly remember wanting to get the vocal right, wanting to get it good, and I ended up trying each morning as I came into the recording session. I tried it with a hand mike, and I tried it with a standing mike, I tried it every which way, and finally got the vocal I was reasonably happy with. It’s a bit of a belter, and if it comes off a little bit lukewarm, then you’ve missed the whole point. It was unusual for me, I would normally try all the goes at a vocal in one day.
Many Years From Now, Barry Miles
John Lennon rated the song highly, though he was characteristically guarded in his praise.
Oh! Darling was a great one of Paul’s that he didn’t sing too well. I always thought that I could’ve done it better – it was more my style than his. He wrote it, so what the hell, he’s going to sing it. If he’d had any sense, he should have let me sing it. [Laughs.]
All We Are Saying, David Sheff
In the studio
The Beatles first rehearsed Oh! Darling on 27 January 1969, during a Get Back session at the Apple Studio in London’s Savile Row. With Billy Preston on keyboards, the somewhat ragged recording turns into an improvised jam, ending with John Lennon’s announcement that “I’ve just heard that Yoko’s divorce [from Tony Cox] has just gone through. Free at last!”
As preserved on Anthology 3, Lennon then sang, to the tune of Oh! Darling:
I’m free
This morning
Baby told the lawyer it’s OK
Believe me when I tell you
I’ll never do you no harm
The Beatles began recording the song properly at Abbey Road on 20 April, under the working title Oh Darling (I’ll Never Do You No Harm).
They recorded 26 takes of the rhythm track, the last of which was chosen as the basis for the album version.
The eight-track tape had George Harrison’s bass guitar on track one; Ringo Starr’s drums on two; Billy Preston’s organ on three; Paul McCartney’s piano on four; John Lennon’s guitar on five; and McCartney’s guide vocals on six.
Preston only played on some of the takes. One such attempt, take four, appears on some editions of the 50th anniversary reissue of Abbey Road. Furthermore, take seven from this date was in fact a cover version of The Games People Play by Joe South, a contemporary hit.
On 26 April McCartney made his first attempt at a lead vocal, though this was unused, as were two takes of backing vocals.
McCartney returned to the song on 17 July, beginning a series of single-take attempts in the early afternoon. The final lead vocals were recorded on 23 July.
The three-part doo-wop vocal harmonies were taped by McCartney, Lennon and Harrison on 11 August, after which Oh! Darling was complete. 11 August, incidentally, was John Lennon’s final Beatles recording session.
Well … if you listen quiet closely to Oh Darling and Healter Skelter you can see the amount of work and training it took Paul to form his voice into what it was in this song . There’s a lot more flexibility and control over the voice even though it was placed years after the other songs with such notes , Paul handled the notes perfectly even though he didn’t do the recording his style it came out to be a rarely beautiful track which wouldn’t have happened if it wasn’t for Mac’s hard work and also his inspiring way of thinking .
Other than how incredible this song is there should be credit to George fo great instrumenting as always .
Next I would mention that I believe that John always credited Paul for his songs even when he was performing them solo . This wasn’t much about a feud between them it was mostly about how John always praised himself and his mischievous sense of humor also how things weren’t as good after the disbanding! So I believe it was never such big matter !
Still this song is golden and very dear to me ??????
New info from the Abbey Road box set states that Lennon is on guitar, McCartney on piano, Harrison on bass
Really ??? Very interesting . I wonder how di they get to that conclusion, only listening to the sessions, I guess …
Now with the abbey road 50th, documentation seems to imply that it’s Paul on piano, which I’ve always suspected since it’s not an easy part, George on bass and it’s john playing the lead guitar, which also does sound like him.
you read this documentation ?
Sound more like Paul on guitar.
Always thought it was Paul-piano, John-guitar, George -not sure. But knowing he played bass on She Said She Said (which is excellent) then I’ll go with George on bass.
I agree with John on guitar. It has his feel. Paul on piano. George in bass. He was a fine bassist.
One of the things that become clear with the remix is the last line of the bridge, which goes : “Well you know I nearly FELL down and died ” , while everyone thought it was like the first line : ” I nearly broke down”.