The impatience of the lyrics (“I’ve got no time for trivialities”) may have had something to do with The Beatles’ hectic schedule of the time, or Lennon’s frustration at having spent three months recording the group’s third album.
Come on, let me through
I’ve got so many things I’ve got to do
I’ve got no business being here with you
The song was influenced by Motown and US soul and R&B.
That’s me again, another Wilson Pickett, Motown sound, a four-in-the-bar cowbell song.
All We Are Saying, David Sheff
In the studio
The session for ‘When I Get Home’ took place from 7-10pm at Abbey Road’s Studio Two. It was recorded in 11 takes; after completing the song the group finished ‘Any Time At All’, after which the A Hard Day’s Night LP was complete.
Making his debut as a tape operator on the session was Ken Scott, then a 17-year-old at the start of his career in the music industry.
At that time four-track tape machines were so large that there was no room for them in the control room. They were sited along the corridor and the only contact you had with the session was via a talkback system. On this particular evening The Beatles were playing back their latest recordings to a few friends who had come in. George Martin was giving me directions over the talkback and at one point I heard him say “home”. So I put the tapes away, switched off the power, put my coat on and left the room. As I was walking along the corridor I saw George standing in the doorway. ‘Well,’ he said, ‘is the tape lined up yet?’ ‘I’m sorry?’ ‘Is the tape of ‘When I Get Home’ ready yet?’ ‘Aah, hang on George, I’ll just check and see.’ I ran up that corridor, flicked all the switches and put the tape back on as fast as lightning, acting nonchalantly as if nothing was wrong!
The Complete Beatles Recording Sessions, Mark Lewisohn