PersonnelJohn Lennon: vocals, acoustic guitar, electric guitar
Paul McCartney: harmony vocals, bass
George Harrison: harmony vocals, lead guitar
Ringo Starr: drums, tambourine
‘Baby, Let’s Play House’, recorded by Presley in 1955, had been written the previous year by a 28-year-old songwriter called Arthur Gunter. It was loosely based upon ‘I Want To Play House With You’, a 1951 country and western hit for Eddy Arnold, written by Cy Coben.
Now listen to me baby
Try to understand
I’d rather see you dead, little girl
Than to be with another man
Come back, baby, come
Come back, baby come
Come back, baby
I wanna play house with you
Gunter’s song was a fairly straightforward statement of desire. Lennon, meanwhile, took the words and turned them into a menacing threat full of possessiveness and jealousy.
I never liked ‘Run For Your Life’, because it was a song I just knocked off. It was inspired from – this is a very vague connection – from ‘Baby, Let’s Play House’. There was a line on it – I used to like specific lines from songs – ‘I’d rather see you dead, little girl, than to be with another man’ – so I wrote it around that but I didn’t think it was that important.
Rolling Stone, 1970
Lennon later expressed his dislike of the song, saying he “always hated” ‘Run For Your Life’. In 1973 he described it as his “least favourite Beatles song”, although he did claim that it was one of George Harrison’s favourites.
Just a sort of throwaway song of mine that I never thought much of, but it was always a favourite of George’s.
It has a line from an old Presley song: “I’d rather see you dead, little girl, than to be with another man” is a line from an old blues song that Presley did once.
All We Are Saying, David Sheff
John was always on the run, running for his life. He was married; whereas none of my songs would have ‘catch you with another man’. It was never a concern of mine, at all, because I had a girlfriend and I would go with other girls; it was a perfectly open relationship so I wasn’t as worried about that as John was. A bit of a macho song.
Many Years From Now, Barry Miles
In the studio
Onto this they overdubbed tambourine, acoustic guitar, electric guitars and backing vocals. The session took four and a half hours from start to finish.