I was trying to write something nasty, and I really didn’t feel that nasty, but there’s some interesting musical stuff on it.
All We Are Saying, David Sheff
Klein had taken control of The Beatles’ business affairs in 1969, after the financial situation at Apple had become chaotic. He was also hired as John Lennon’s financial manager, and signed management contracts with George Harrison and Ringo Starr.
Klein’s appointment at Apple was always bitterly opposed by Paul McCartney, who was forced to sue Klein and the three other Beatles in 1970 in order to dissolve their business partnership.
The management contracts Klein held with Lennon, Harrison and Starr ended in 1973, by which time their previous enthusiasm for his working methods had soured. On 1970’s All Things Must Pass Harrison sang ‘Beware Of Darkness’, a thinly-veiled attack on Klein.
Although Lennon never admitted that ‘Steel And Glass’ was about Klein, it was widely interpreted as an attack on the pugnacious businessman. However, although he was trying to extricate himself from their contract, Lennon remained friends with Klein throughout the 1970s.
It actually isn’t about one person in particular, but it has been about a few people and, like a novel writer, if I’m writing about something other than myself, I use other people I know or have known as examples. If I want to write a ‘down’ song, I would have to remember being down, and when I wrote ‘Steel And Glass’ I used various people and objects. If I had listed who they were, it would be a few people, and you would be surprised. But it really isn’t about anybody. I’m loathe to tell you this, because it spoils the fun. I would sooner everybody think, ‘Who’s it about?’ and try and piece it together. For sure, it isn’t about Paul and it isn’t about Eartha Kitt.
Lennon recorded a guitar demo of ‘Steel And Glass’ in the summer of 1973, prior to studio work on Mind Games. At this stage he had the melody and a few lines of lyrics, but it would be another year before the song became the bitter diatribe as heard on Walls And Bridges.
A piano demo was taped in 1974. Again, the final lyrics were yet to be written. Although Lennon’s ideas were taking shape, it was largely based upon a single piano chord – a far cry from the embellished final studio recording.
Prior to recording Walls And Bridges in July 1974, Lennon spent around 10 days in pre-production at Sunset Studios and Record Plant East, New York. During this time he rehearsed a number of songs with the musicians he had recruited for the sessions.
An edited version of ‘Steel And Glass’ from this time was included on the posthumous collection Menlove Ave, released in 1986. A stark rendition with Lennon’s steel-string guitar to the fore, it lacked the string arrangement of the final version.
Walls And Bridges was recorded in July and August 1974. Take 8 of ‘Steel And Glass’ was released on the 1998 box set John Lennon Anthology, and sounded closer than ever to the final version, although with the reggae rhythms of the chorus more pronounced.
Take nine was the one used on Walls And Bridges. Once the basic track was complete a number of overdubs were added, including strings and brass. The soaring and swooping violins, in particular, were a clearly-intended echo of How Do You Sleep from 1971’s Imagine – an attack on Paul McCartney which featured lines suggested by Allen Klein.