Television: Ringo Starr on Frost On Sunday
Ringo Starr appeared on Frost On Sunday, presented by David Frost, on this day.
Year: 1970
Mixing: Dig It
Room four, EMI Studios, Abbey Road Producer: Phil Spector Engineer: Mike Sheady Phil Spector's fourth day spent fashioning a usable long-player out of the myriad January 1969 session tapes …
Mixing: The Long And Winding Road, Let It Be, Get Back, Maggie Mae
Room four, EMI Studios, Abbey Road Producer: Phil Spector Engineer: Peter Bown Although it would later be subjected to strings, brass and choir overdubs, the stereo mixes of The …
Ringo Starr is interviewed for the BBC’s Scene And Heard
BBC radio presenter had interviewed each of The Beatles on several occasions in recent months. On this day he recorded the last of his Beatles-era interviews, with Ringo Starr …
Mixing: For You Blue, Teddy Boy, Two Of Us
Room four, EMI Studios, Abbey Road Producer: Phil Spector Engineer: Peter Bown Phil Spector's second day of creating stereo mixes from the Let It Be tapes involved work on …
Tape copying: McCartney by Paul McCartney
Studio Three, EMI Studios, Abbey Road Producer: Paul McCartney The recording of Paul McCartney's debut solo album McCartney had been finished on 25 February 1970. This, however, was the …
Mixing, editing: I’ve Got A Feeling, Dig A Pony, One After 909, I Me Mine, Across The Universe – Phil Spector’s first Let It Be session
Room 4, EMI Studios, Abbey Road Producer: Phil Spector Engineer: Peter Bown After two attempts by Glyn Johns at assembling a Get Back LP were rejected by The Beatles, …
Playback: McCartney by Paul McCartney
Studio Two, EMI Studios, Abbey Road Producer: Paul McCartney Paul McCartney had finished recording his debut album McCartney on 25 February 1970. From then he prepared artwork and the …
Filming: Sentimental Journey by Ringo Starr
A promotional clip for the title track of Ringo Starr's debut solo album Sentimental Journey was made on this day.
Mixing: Sentimental Journey by Ringo Starr
Studio Three (control room), EMI Studios, Abbey Road Producer: Chris Thomas A new mono mix of the title track of Ringo Starr's debut solo album Sentimental Journey was made …
George and Pattie Harrison move into Friar Park
On this day George and Pattie Harrison moved out of Kinfauns, their bungalow in Esher, Surrey.
George Harrison is interviewed for the BBC’s The Beatles Today
In the earlier part of The Beatles' career the BBC had broadcast a number of Beatles specials on radio and television, but as the group retreated from the public …
Recording: It Don’t Come Easy by Ringo Starr
Trident Studios, London Producer: George Harrison Recording for Ringo Starr's debut UK solo single was a curiously drawn out affair. He had recorded two versions of It Don't Come …
US single release: Let It Be
The Beatles' penultimate US single, Let It Be, was released in the United States on this day.
Recording: It Don’t Come Easy by Ringo Starr
Trident Studios, London Producer: George Harrison Ringo Starr began recording his debut UK solo single, It Don't Come Easy, on 18 and 19 February 1970. However, a second remake …
Mixing: Sentimental Journey by Ringo Starr
Room Four, EMI Studios, Abbey Road Producer: George Martin Ringo Starr's debut solo album Sentimental Journey was finally completed on this day, with a mixing session at EMI Studios.
Recording: You Always Hurt The One You Love by Ringo Starr
Morgan Studios, London Producer: George Martin The final recording session for Ringo Starr's debut solo album Sentimental Journey took place on this day.
UK single release: Let It Be
The Beatles' final UK single of their career, not including various reissues and the Anthology releases, was Let It Be.
Recording: Whispering Grass, Bye Bye Blackbird by Ringo Starr
Morgan Studios, London Producer: George Martin This, the penultimate session for Ringo Starr's debut solo album Sentimental Journey, saw two songs recorded: Whispering Grass and Bye Bye Blackbird.
Mixing: For You Blue
Room 4, EMI Studios, Abbey Road Producer: Malcolm Davies Engineer: Peter Bown Glyn Johns' two proposed Get Back albums had been rejected by The Beatles, but there was still …
