She Loves You single artwork - NorwayWritten by: Lennon-McCartney
Recorded: 1 July 1963
Producer: George Martin
Engineer: Norman Smith

Released: 23 August 1963 (UK), 16 September 1963 (US)

Available on:
Past Masters
Anthology 1
On Air – Live At The BBC Volume 2


John Lennon: vocals, rhythm guitar, harmonica
Paul McCartney: vocals, bass, handclaps
George Harrison: backing vocals, lead guitar, handclaps
Ringo Starr: drums, handclaps

Written by John Lennon and Paul McCartney as the intended follow-up to ‘From Me To You’, ‘I’ll Get You’ was instead released as the b-side to the international smash hit single ‘She Loves You’.

That was Paul and me trying to write a song and it didn’t work out.
John Lennon
All We Are Saying, David Sheff

The song was composed at John Lennon’s aunt Mimi’s house on Menlove Avenue, Liverpool. Lennon and McCartney rarely wrote at the house because of Mimi’s disapproval of their music.

As with ‘She Loves You’, ‘I’ll Get You’ was full of ‘yeah’s; The Beatles’ use of the word in the songs earned them the nickname The Yeah-Yeahs throughout Europe.

‘I’ll Get You’ became one of Paul McCartney’s favourite Beatles tracks. It was frequently played live by the group too – a version from the London Palladium, recorded on 13 October 1963, appears on Anthology 1.

It’s got an interesting chord in it: ‘It’s not easy to pre-tend…’ That was nicked from a song called ‘All My Trials’ which is on an album I had by Joan Baez: ‘There’s only one thing that money can’t buy.’ It’s like D, which goes to an A minor, which is unusual, you’d normally go from a D to an A major. It’s a change that had always fascinated me, so I put it in. I liked that slightly faggy way we sang. ‘Oh yeah, oh yeah,’ which was very distinctive, very Beatley.
Paul McCartney
Many Years From Now, Barry Miles

In the studio

The Beatles recorded ‘I’ll Get You’ on 1 July 1963, after they’d finished taping ‘She Loves You’. It originally had the working title ‘Get You In The End’.

Details no longer exist of the number of takes required to complete the song, as EMI’s documentation was somewhat haphazard at the time. However, the stumbling over the vocals in the middle eight – Lennon sings “I’m gonna make you mine”, instead of the correct “gonna change your mind” – suggest that the group dashed it off quickly.

After taping the rhythm track John Lennon overdubbed his harmonica part, and the rest of The Beatles contributed handclaps.