Rubber Soul album artworkWritten by: Lennon-McCartney
Recorded: 11 November 1965
Producer: George Martin
Engineer: Norman Smith

Released: 3 December 1965 (UK), 6 December 1965 (US)

Paul McCartney: vocals, bass, piano
John Lennon: backing vocals
George Harrison: backing vocals, rhythm guitar, tambourine
Ringo Starr: drums
Mal Evans: Hammond organ

Available on:
Rubber Soul

Written by Paul McCartney about his then-faltering relationship with Jane Asher, You Won't See Me was recorded during The Beatles' last session for the Rubber Soul album.

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It was written at her parents' house in London's Wimpole Street, while Asher had temporarily moved away from McCartney to perform in an adaptation of Great Expectations at the Old Vic theatre in Bristol. The song recounts McCartney's frustration and vulnerability at being unable to contact her.

At 3'23", You Won't See Me was The Beatles' longest recording to date. The song was written by McCartney alone, and was inspired by the Tamla Motown sound.

This was written around two little notes, a very slim phrase, a two-note progression that I had very high on the first two strings of the guitar: the E and the B strings. I had it high up on the high E position, and I just let the note on the B string descend a semitone at a time, and kept the top note the same, and against that I was playing a descending chromatic scale. Then I wrote the tune for You Won't See Me against it...

To me it was very Motown-flavoured. It's got a James Jamerson feel. He was the Motown bass player, he was fabulous, the guy who did all those great melodic bass lines. It was him, me and Brian Wilson who were doing melodic bass lines at that time, all from completely different angles, LA, Detroit and London, all picking up on what each other did.

Paul McCartney
Many Years From Now, Barry Miles

In the studio

The Beatles took part in a 13-hour session to finish Rubber Soul, beginning at 6pm on 11 November 1965 and ending at 7am the following morning.

The group recorded two takes of the rhythm track and a number of overdubs. These included a Hammond organ part played by The Beatles' assistant Mal Evans, whose contribution was limited to a single note held throughout the final verse.

The Beatles also recorded Girl during the same session, and completed the songs Wait and I'm Looking Through You by adding additional overdubs to existing rhythm tracks.