Beatles ’65, The Beatles’ fifth album on Capitol Records, included the majority of songs from Beatles For Sale, and added ‘I’ll Be Back’, ‘She’s A Woman’, and ‘I Feel Fine’.
Of the Beatles For Sale songs, it left out ‘Eight Days A Week’, ‘Words Of Love’, ‘Every Little Thing’, ‘I Don’t Want To Spoil The Party’, ‘What You’re Doing’, and ‘Kansas City/Hey-Hey-Hey-Hey!’. Those songs were included on the June 1965 album Beatles VI.
Beatles ’65 was released as Capitol T-2228 (mono) and Capitol ST-2228 (stereo). The tracklisting was:
‘I’m A Loser’
‘Baby’s In Black’
‘Rock And Roll Music’
‘I’ll Follow The Sun’
‘I’ll Be Back’
‘She’s A Woman’
‘I Feel Fine’
‘Everybody’s Trying To Be My Baby’
The album was a huge commercial success, jumping from number 98 to the top spot on the Billboard album chart, which was the highest leap to the number one position in the chart’s history.
Also on this day...
- 1969: Plastic Ono Band live: Lyceum Ballroom, London
- 1969: Mixing, editing: Get Back album
- 1969: John Lennon and Yoko Ono’s ‘War Is Over’ poster campaign is launched
- 1969: Ringo Starr records a charity appeal for BBC radio
- 1966: Recording, mixing: Strawberry Fields Forever
- 1963: Television: Thank Your Lucky Stars
- 1962: Live: Majestic Ballroom, Birkenhead
- 1961: Live: Tower Ballroom, New Brighton, Wallasey
- 1961: Live: Cavern Club, Liverpool (lunchtime)
Want more? Visit the Beatles history section.
I find it mystifying as to why Capitol chose to create fake stereo (“Duophonic”) versions of ‘She’s a Woman’ and ‘I Feel Fine’ for the stereo release of “Beatles ’65” when Parlophone had created true stereo mixes in time for inclusion. One assumes Parlophone would have made the true stereo tapes available had Capitol asked for them.
In the case of “She’s a Woman”, a true stereo mix had been created on 12 Oct, a full nine days earlier (!) than the mono mix Capitol ended up using as the source of their fake stereo creation (RM2, from 21 October).
In the case of “I Feel Fine”, a true stereo mix was created on 4 Nov, the same day as many of the other stereo mixes Capitol used on “Beatles ’65”, so it could not have been due to the stereo mix being created too late for US sequencing and mastering.