Released: 6 August 1965 (UK), 13 September 1965 (US)
Paul McCartney: vocals, guitar
Tony Gilbert: violin
Sidney Sax: violin
Kenneth Essex: viola
Francisco Gabarro: cello
Written by Paul McCartney, Yesterday holds the record as the most covered song in history, according to the Guinness Book of Records.
Well, we all know about Yesterday. I have had so much accolade for Yesterday. That’s Paul’s song and Paul’s baby. Well done. Beautiful – and I never wished I’d written it.
All We Are Saying, David Sheff
Paul McCartney is said to have composed the melody in a dream while staying at the family home of Jane Asher in Wimpole Street, London.
The melody came to McCartney fully-formed, although he was initially unsure of its originality.
I was living in a little flat at the top of a house and I had a piano by my bed. I woke up one morning with a tune in my head and I thought, ‘Hey, I don’t know this tune – or do I?’ It was like a jazz melody. My dad used to know a lot of old jazz tunes; I thought maybe I’d just remembered it from the past. I went to the piano and found the chords to it, made sure I remembered it and then hawked it round to all my friends, asking what it was: ‘Do you know this? It’s a good little tune, but I couldn’t have written it because I dreamt it.’
The song’s working title was Scrambled Eggs; its second line was “Oh my baby how I love your legs. George Martin claims to have first heard the song at the George V hotel in Paris in January 1964.
Paul said he wanted a one-word title and was considering Yesterday, except that he thought it was perhaps too corny. I persuaded him that it was all right.
The Complete Beatles Recording Sessions, Mark Lewisohn
If McCartney did compose Yesterday in early 1964, it would have been left off two Beatles albums before they recorded it. McCartney’s authorised biographer Barry Miles put the date of composition at May 1965, during the filming of Help!, when he was known to have been experimenting with the song’s lyrics.
We were shooting Help! in the studio for about four weeks. At some point during that period, we had a piano on one of the stages and he was playing this ‘Scrambled Eggs’ all the time. It got to the point where I said to him, ‘If you play that bloody song any longer have the piano taken off stage. Either finish it or give up!’
A Hard Day’s Write, Steve Turner
The Shadows’ guitarist Bruce Welch recalled McCartney completing the lyrics in June 1965. McCartney took a holiday at Welch’s Portuguese villa, where he is said to have settled on the title Yesterday.
I was packing to leave and Paul asked me if I had a guitar. He’d apparently been working on the lyrics as he drove to Albufeira from the airport at Lisbon. He borrowed my guitar and started playing the song we all now know as Yesterday.
A Hard Day’s Write, Steve Turner
Although famously arranged for guitar and string quartet, McCartney considered having the BBC Radiophonic Workshop do a futuristic electronic version of Yesterday.
It occurred to me to have the BBC Radiophonic Workshop do the backing track to it and me just sing over an electronic quartet. I went down to see them… The woman who ran it was very nice and they had a little shed at the bottom of the garden where most of the work was done. I said, ‘I’m into this sort of stuff.’ I’d heard a lot about the BBC Radiophonic Workshop, we’d all heard a lot about it. It would have been very interesting to do, but I never followed it up.
Many Years From Now, Barry Miles
In the studio
Initial recording for Yesterday took place on 14 June 1965, after the band completed I’ve Just Seen A Face and I’m Down. Paul McCartney recorded his guitar and vocals simultaneously in just two takes.
McCartney was initially skeptical, and insisted the musicians perform without vibrato. McCartney and Martin worked on the score together, with the majority written by Martin.
Writing a song out with George Martin was nearly always the same process. For Yesterday he had said, ‘Look, why don’t you come round to my house tomorrow? I’ve got a piano, and I’ve got the manuscript paper. We’ll sit down for an hour or so, and you can let me know what you’re looking for’…
He would say, ‘This is the way to do the harmony, technically.’ And I’d often try to go against that. I’d think, ‘Well, why should there be a proper way to do it?’
Yesterday was typical. I remember suggesting the 7th that appears on the cello. George said, ‘You definitely wouldn’t have that in there. That would be very un-string-quartet. I said, ‘Well? Whack it in, George. I’ve got to have it.’
The strings were overdubbed on 17 June, and Paul attempted the vocals again. He didn’t use headphones, and the original vocal track leaked from the studio speakers to the second recording, giving the impression of double-tracked singing.
The string players went uncredited on Help!, the album Yesterday first appeared on. Rather than being a regular quartet, the other players were recruited by violinist Tony Gilbert especially for the session.