Written for John Lennon’s son Sean, ‘Beautiful Boy (Darling Boy)’ was a track on Lennon’s 1980 album Double Fantasy.
The joy is still there when I see Sean. He didn’t come out of my belly but, by God, I made his bones, because I’ve attended to every meal, and to how he sleeps, and to the fact that he swims like a fish. That’s because I took him to the ‘Y’. I took him to the ocean. I’m so proud of those things. He is my biggest pride, you see.
All We Are Saying, David Sheff
Lennon began writing the song in 1979, alternating between the titles ‘Beautiful Boy’ and ‘Darling Boy’. He recorded a home demo with guitar and vocals, which had some draft lyrics which were later changed: “Hold my hand before you cross the street/The traffic’s slow but you never know who you’re gonna meet.”
Well, what can I say? It’s about Sean. It’s self-explanatory. The music and the lyric came at the same time.
All We Are Saying, David Sheff
Lennon recorded another demo in early 1980, using an electric guitar and drum machine. He made several attempts, experimenting with different ideas until he had the final lyrics. One of these performances lasted around 10 minutes; another turned into a medley incorporating two unfinished songs, ‘Memories’ and ‘Across The River’.
A final demo was made in June 1980, ahead of the studio sessions for Double Fantasy. Lennon recorded versions of most of his songs for the album, as reference points for producer Jack Douglas and the session musicians.
Most of Lennon’s songs on Double Fantasy documented the domestic contentment he had enjoyed in the later 1970s during his househusband period. ‘Beautiful Boy (Darling Boy)’ was written for Sean Ono Lennon, who was born in 1975, and demonstrated how Lennon had fully embraced fatherhood.
Both of us wanted to be a parent for the first time is what it was. Even though both of us had children by previous incarnations. We’d both been so self-occupied. It was also wanting a child that was our child as opposed to a child – ’cause we could have adopted one, you know. Some people want a child, which I admire, too – people who have that generalised love. But we wanted our child.
All We Are Saying, David Sheff
He had become a father on 8 April 1963 when Julian Lennon was born in Liverpool. Sadly he was absent or distant for much for much of Julian’s formative years, caught up in the demands of life in The Beatles and lacking the intuition or will to be an attentive father.
Whether it was the revelations about his own parents brought about through Primal Therapy in 1970, his marriage to Yoko Ono, or simply the changed perspective that came with being an older man, by the time of Sean’s birth in 1975 Lennon was a changed man. He doted on his young son, retreating from the music industry for five years to help bring him up.
‘Beautiful Boy (Darling Boy)’ contains some of Lennon’s most memorable lyrics. Perhaps best known is the maxim “Life is what happens to you while you’re busy making other plans”, words which were given added poignancy after his murder on 8 December 1980.
The lyrics also contain a reference to The Beatles’ ‘Getting Better’, a song written with Paul McCartney for 1967’s Sgt Pepper’s Lonely Hearts Club Band.
McCartney chose ‘Beautiful Boy (Darling Boy)’ during his appearance on the 40th anniversary edition of the BBC radio show Desert Island Discs in 1982. The episode was filmed, and showed McCartney discussing his song choices with presenter Roy Plomley. In June 2007 Yoko Ono appeared on the same show and also picked ‘Beautiful Boy (Darling Boy)’ as one of her eight choices.
I think it’s a beautiful song. It’s very moving to me
In the studio
I was guilty all through the making of Double Fantasy. We had his picture pinned in the studio ’cause I didn’t want to lose contact with what I’d got. We had the picture up there all the time in between the speakers so whenever you’re checking the stereo, he was looking at me all the time.
RKO Radio
The basic track for ‘Beautiful Boy (Darling Boy)’ was recorded at New York’s Hit Factory studio on 12 August 1980. An alternative take from the session, without the later overdubs was released on the 1998 box set John Lennon Anthology.
John played a piano part for me and I harmonized his original line, which had an Asian flair, and he didn’t object. Listening to the album recently, that song hit me the strongest of anything I heard. It’s got that great line, ‘Life is what happens when you’re busy making other plans.’ I mean, who can ever forget that line? Originally, they wanted to hire a steel drum orchestra for the song. The number that was bandied about was twenty-plus. They finally decided that they could get the effect with one. He was a real Jamaican steel drum player and I had to teach him the song at the session.
Starting Over, Ken Sharp
Lennon re-recorded his lead vocals on 17 September. The steel drums and sounds of waves were also added in the studio, as a reference to his time in Bermuda in 1980.
John and I played acoustic guitar on ‘Beautiful Boy’ and Hughie [McCracken] played electric. I played John’s black Yamaha acoustic guitar with a dragon on it.
Starting Over, Ken Sharp
‘Beautiful Boy (Darling Boy)’ begins with the sound of a Tibetan wishing bell, which had previously been used for the opening of ‘(Just Like) Starting Over’. It ends with a whispered message to his son: “Good night, Sean. See you in the morning. Right again.”
That was one of my arrangements and it really came off, the way it was colored and structured. Sean came by at least three or four times a week and the song was played for him in the studio.
Starting Over, Ken Sharp
Before he added the whispered ending, Lennon had experimented with an invitation for listeners to “fill in your own child’s name”. This idea was dropped in the studio. The Anthology outtake also shows how the final line was originally “Darling, darling, darling, darling boy,” rather than including Sean’s name.
At the end of the version on the Signature Box Set, John says “Good morning Sean, I’m sorry you got a cold, be better soon, mommy’s coming today”.
Just thought you might want to add that.
That line is why I came here, as I just listened to that album for the first time. What does”mommy’s coming today” mean? Was Yoko absent enough that her presence would warrant these words in a song? Or is it sort of offhand, almost like “mommy’s coming to the park with us this time”? I know she was “in the counting house,” but I just find it odd that her being there seems like an unusual thing.
The lyrics for “Beautiful Boy” were written while John and Sean were in Bermuda. The “Mommy’s coming today” was what John truly believed because every day when John called Yoko (in New York) he kept asking her when she would be joining he and Sean in Bermuda, she would lie to John and promise to join them “tomorrow.” Sadly, during this time, Yoko was having an affair with another man (Sam Green) and she was spending all of her time with him. Most likely John was aware but chose to look the other way.
If anything shows that Lennon was a phony, it’s his treatment of Julian. Sure John, save the world… maybe keep a bit for son number 1.
When Julian was born, Beatles were starting to get really big. He just didn’t have time to raise him PROPERLY. Not to talk Julian down, but it’s not like he was planned ANYWAY. John made a conscious decision not to neglect Sean like that. By that point John & Julian had a friendly relationship, as a father would have with a teenage son. It’s just one of those things in life…
I believe John and Cynthia were in their early twenties when Julian was conceived, and had known each other for five years by then. Cynthia was almost a year older than John and would have been in her second year at Liverpool College of Art when she met John in his first year. Upon returning from the last of The Beatles’ five trips to Hamburg, John and Cynthia found themselves sharing a bedroom, since she had rented his bedroom from his Aunt Mimi during his absence.
That’s true.
Julian’s birth happened to coincide with the rise of Beatlemania in the UK and John had no control over The Beatles’ busy schedule.
Mark David Chapman approves this message
At the end of the song, what Lennon actually whispers is “Goodnight, Sean. See you in the morning BRIGHT AND EARLY.”
This is such a lovely song.Wonderful heartfelt lyrics. The whole arrangement , from the ocean sounds at the beginning to John whispering to Sean at the end, is beautiful. The line, ” Life is what happens to you , while you are busy making other plans, ” are often quoted because of the tragedy that occurred only weeks later. But this line is also a great universal truth because life is unpredictable and sadly, not always in good ways.
I AGREE THIS IS A BEAUTIFUL SONG. It was played at my grandson Shauns funeral .He died on 10th dec. 2017.aged 17.
That phrase actually can be traced back to 1957 by one Allen Saunders, and re-quoted several times before John used it in this song. That certainly makes it no less prophetic.
That’s true.
It’s very sad that John didn’t live to see Sean grow up and become a musician as well.
One of my favorites from John Lennon’s post Beatles work. There’s a cool somewhat more subtle ELO-type effect on some vocal parts that blends so well with the steel drum and ringing guitar chords. Does anyone it is? It sounds to me a little chorusy, phasey, and or pitch-shifted.
It’s a vocoder.
Life is what happens to you
while you’re busy making other plans … – there is so much wisdom in John’s lyrics of the song Beautiful Boy (Darling Boy) that I would put it not only in the quotes of the great Beatle, but also as one of the British wisdoms, British proverbs …