Written and recorded by Chuck Berry in 1956, ‘You Can’t Catch Me’ inspired part of The Beatles’ song ‘Come Together’. The similarity between the two led to a court case, which resulted in John Lennon recording Berry’s song for his 1975 album Rock ‘N’ Roll.
‘Come Together’ is me, writing obscurely around an old Chuck Berry thing. I left the line in, ‘Here comes old flat-top’. It is nothing like the Chuck Berry song, but they took me to court because I admitted the influence once years ago. I could have changed it to ‘Here comes old iron face,’ but the song remains independent of Chuck Berry or anybody else on Earth.
All We Are Saying, David Sheff
Lennon was sued by music publisher Morris Levy, whose Big Seven Music Corporation owned the rights to ‘You Can’t Catch Me’. Levy argued that ‘Come Together’, which contained the line “Here come old flat top”, plagiarised Berry’s song.
Keen to avoid a court case, Lennon agreed to record at least three songs owned by Levy on his next release. Between October and December 1973 he recorded a number of rock ‘n’ roll oldies with Phil Spector, but the project was shelved when Lennon and Spector’s working relationship proved untenable. They had, however, recorded two Levy-owned songs: ‘Angel Baby’ and ‘You Can’t Catch Me’.
Lennon gave Levy a rough tape of the work in progress, which was subsequently released as Roots: John Lennon Sings The Great Rock & Roll Hits. This mail-order LP, which included ‘You Can’t Catch Me’ and 14 other tracks, was quickly withdrawn when Lennon and Capitol Records threatened to sue.
The case against Lennon was eventually concluded in July 1976, when Levy’s Big Seven Music Corporation was awarded $6,795 for breach of an oral agreement. Lennon’s countersuit, regarding the unauthorised release of Roots, resulted in him, Capitol Records and EMI Records receiving $109,700 to compensate for lost income; Lennon was awarded an additional $35,000 in punitive damages.
I like how he sang the song so that the melody blatantly sounded like Come Together.
Several years later, Roulette Records and Big Seven Music were purchased by EMI and Rhino Records.
The melody, cadence, chord structure were very similar to Berry’s track. John just slowed the song down a lot really hide the similarities.
I think he’s lying a bit there lol