The third long player of experimental recordings by John Lennon and Yoko Ono, Wedding Album was released by Apple in 1969.
It was like our sharing our wedding with whoever wanted to share it with us. We didn’t expect a hit record out of it. It was more of a… that’s why we called it Wedding Album. You know, people make a wedding album, show it to the relatives when they come round. Well, our relatives are the… what you call fans, or people that follow us outside. So that was our way of letting them join in on the wedding.
BBC
The couple’s first collaboration, Two Virgins, marked the beginning of their relationship and artistic partnership. The follow-up, Life With The Lions, mostly documented their 1968 stay in London’s Queen Charlotte Hospital, where Ono suffered a miscarriage.
Wedding Album commemorated their wedding in Gibraltar on 20 March 1969. Although it was the final instalment in their trilogy of avant garde and experimental recordings, the couple continued to document their lives on tape until Lennon’s death in 1980.
Wedding Album was credited simply to “John & Yoko”; their surnames did not appear anywhere on the sleeve or record labels.
The two sides of the vinyl disc each contained a single track. ‘John And Yoko’ was a 22-minute recording of Lennon and Ono crying, whispering, speaking and screaming each others’ names, at varying volumes and tempos, over the sound of their heartbeats.
They had previously released the sound of their unborn child’s heartbeat on the Life With The Lions track ‘Baby’s Heartbeat’, but this was the first time they had used their own non-vocal bodily sounds in their recordings.
The couple first recorded ‘John And Yoko’ at EMI Studios, Abbey Road, on 22 April 1969, in a session beginning at 11pm and finishing at 4.30am the following morning. Five days later they returned to remake the track, with recording and mixing completed between 3pm and 8pm.
The released version was a combination of the 22 and 27 April recordings. Lennon edited the two together on 1 May 1969.
The album’s second side was titled ‘Amsterdam’, and featured recordings made during their first bed-in for peace. The 25-minute track began with Ono singing ‘John John (Let’s Hope For Peace)’, which was later performed at the Toronto Rock and Roll Revival festival and released on Live Peace In Toronto 1969.
Much of ‘Amsterdam’ consisted of interviews given by Lennon and Ono, explaining their campaigns for peace, and discussions with each other. The speech was also interspersed with the sounds of seagulls, industrial noises, traffic, children playing and sitars.
Peace is only got by peaceful methods. The establishment knows how to play the game of violence. They can’t handle peaceful humour.
‘Amsterdam’
As the bed-in was discussed in the past tense during the recording, it is likely that parts of the recording were made in London or elsewhere after the event.
Four other musical interludes were also included: Lennon performing a brief blues-style composition on an acoustic guitar, featuring the words “Goodbye Amsterdam Goodbye”; Ono singing ‘Grow Your Hair’, a song about peace and staying in bed, with Lennon on guitar; an a capella rendition of The Beatles’ song ‘Good Night’; and ‘Bed Peace’, a brief recitation of the words “Bed peace” and “Hair peace”.
Cover artwork
Unusually for the time, Apple released Wedding Album as a lavish box set. It included a reproduction of the marriage certificate, a 16-page booklet of press cuttings labelled ‘The Press’, a picture of a slice of wedding cake, a poster of black-and-white photos taken on their wedding day, a ‘Hair Peace/Bed Peace’ postcard, a PVC bag labelled ‘Bagism’, and a strip of four passport photographs of the happy couple.
The vinyl disc was housed in a plain white inner sleeve, inside a laminated gatefold picture sleeve. The package was designed by John Kosh, with photography by Mlle Daniau, Richard DiLello, John Kelly, Nico Koster, David Nutter and John and Yoko.
Wedding Album was available on vinyl, cassette tape and 8-track tape. The elaborate packaging led to a delay in the album being issued. It eventually appeared in the United States on 20 October 1969, and in the United Kingdom on 14 November.
The album was digitally remastered and reissued on compact disc by the Rykodisc label in 1997. It included three bonus tracks: ‘Who Has Seen The Wind?’ was written by Yoko Ono and originally appeared as the b-side to ‘Instant Karma!’; ‘Listen, The Snow Is Falling’ was the b-side to ‘Happy Xmas (War Is Over)’; and ‘Don’t Worry Kyoko (Mummy’s Only Looking For Her Hand In The Snow)’ was a previously unreleased acoustic recording made at Queen Charlotte Hospital, London.
The reception
Wedding Album did not chart in the UK, but peaked at number 178 in the United States. Because of it poor sales and the various elements to the release, mint condition copies are highly sought after by collectors.
The UK weekly music newspaper Melody Maker ran a notorious review written by Richard Williams, who had been given a promotional copy containing two discs, each of which contained a test signal on one side. Williams duly reviewed what he thought was a double album, noting that “constant listening reveals a curious point: the pitch of the tones alters frequency, but only by microtones or, at most, a semitone. This oscillation produces an almost subliminal, uneven ‘beat’ which maintains interest. On a more basic level, you could have a ball by improvising your very own raga, plainsong, or even Gaelic mouth music against the drone.”
Lennon and Ono were greatly amused by Williams’ review, and sent a telegram of thanks.
DEAR RICHARD THANK YOU FOR YOUR FANTASTIC REVIEW ON OUR WEDDING ALBUM INCLUDING C-AND-D SIDES STOP WE ARE CONSIDERING IT FOR OUR NEXT RELEASE STOP MAYBE YOU ARE RIGHT IN SAYING THAT THEY ARE THE BEST SIDES STOP WE BOTH FEEL THAT THIS IS THE FIRST TIME A CRITIC TOPPED THE ARTIST STOP WE ARE NOT JOKING STOP LOVE AND PEACE STOP JOHN AND YOKO LENNON
Maybe it’s the beginning of intervalic music… if it is so it’s another influence…
I wouldn’t remember when john Lennon and Yoko ono got married. I was a kid back in the nineteen sixties. however, I’ve heard about this for years. I thought it was a rather interesting album!
I’ve heard it today for the first time; This interaction this mischivous announces, this wisp between the two compensates for any bad words in the past
Have you ever listened to side 1 from A to Z? Now, this is voyeurism! the sort of joke you and your girlfriend may conceive. Not a lot of fun , and very predictable…John was consciously breaking his John Beatle image with this album. Side 2, however, is interesting, if only from an historian point of view, this series of edited press conferences while in bed in Amsterdam clearly states what was happening in the western world in the spring of 1969, so I’d give it one star, or apple, for side 2 only.
By the way, My copy isn’t the package box, but the dutch release, quite rare I believe, cost me a fortune some 40 years ago! the sleeve pictures the Lennons kissing that probably was the blueprint of the “double fantasy” sleeve, and it opens on more pictures of John&Yoko in bed in Amsterdam.
Just got the uber rare UK Box complete with all inserts. Pretty stoked. Haven’t listened yet but will if only for the historical value. I dig all things Lennon so I’m interested to hear it though I doubt it will get many spins on the old turntable. 😛
In case anyone may be interested, it’s first run of the booklet had newspaper clippings on the inside of the cover. The next run there were no clippings printed on the inside cover, only from Page 3 onwards. I had three different versions. Version 3 had no clippings till Page 4.
A bit of info for collectors.
Cheers Fab Fans.
Si
Perhaps the reason why John and Yoko’s surnames weren’t included was because their first names were so instantly recognizable that it wasn’t necessary to bill them as John Lennon and Yoko Ono.
I am a person born pre-Beatles era and have struggled to comprehend these experimental albums. I’m half inclined to think they are the pretentious codswallop of out-of touch celebrities BUT on the other hand their fame was so oppressive, they were forced to live their lives in public so they did it their way and good for them. It could be said that John and Yoko were the original reality stars. Must say, personally I would much rather listen to these three albums than watch the boring, drivelling, fake and vacuous Kardashians etc
To add to that, I think for me it was initially disappointing that the albums didn’t contain a whole lot of incredible John Lennon songs, like his other albums. It’s taken me a while to get my head around the idea that these are not meant to be records that you listen to in the way you listen to music – more that in this case vinyl is the medium for the documentation of John and Yoko’s lives, like blogs. I think it was actually very brave and they were way ahead of their time. Forgive me, fellow Lennon fans, I am learning!