Unreleased 11-minute mix of Revolution 1 surfaces
A rough mix of The Beatles’ ‘Revolution 1’, which reveals how the latter song evolved into ‘Revolution 9’, has surfaced […]
Studio
Recording: Let It Be – The Beatles’ last recording session as a group
Studio two, EMI Studios, Abbey Road Producer: George Martin Engineer: Phil McDonald Although there were two further recording sessions for
The Abbey Road cover photography session
All four Beatles gathered at EMI Studios on the morning of Friday 8 August 1969 for one of the most
Recording: Oh! Darling, Octopus’s Garden
Studio Two, EMI Studios, Abbey Road Producer: Chris Thomas/The Beatles Engineer: Jeff Jarratt The Beatles began work on Ringo Starr’s
Ringo Starr rejoins The Beatles
Having walked out of The Beatles on 22 August 1968, Ringo Starr rejoined the group on this day.
Recording: Magical Mystery Tour
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The Beatles began work on the title track
Cover shoot for Sgt Pepper
Prior to a late night recording session at Abbey Road, The Beatles visited Michael Cooper’s London photographic studio where the
Recording: And Your Bird Can Sing
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The Beatles returned to John Lennon’s ‘And Your
Recording, mixing: Love You To, Paperback Writer
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The Beatles completed George Harrison’s Indian-flavoured ‘Love You
Recording, mixing: Got To Get You Into My Life, Love You To
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The Beatles returned after the weekend to continue
Recording: Got To Get You Into My Life
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The first Revolver session to take place in
Recording: Tomorrow Never Knows, Got To Get You Into My Life
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The second day of recording for The Beatles’
Recording: Tomorrow Never Knows
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The first session for The Beatles’ Revolver took
Recording: overdubs for The Beatles At Shea Stadium
CTS Studios, London Producer: George Martin Following their record breaking concert at New York’s Shea Stadium on 15 August 1965,
Mixing: 12-Bar Original
Room 65, EMI Studios, Abbey Road Engineer: Norman Smith The Beatles had recorded ‘12-Bar Original’ on 4 November 1965 for
Mixing: I’m Looking Through You, You Won’t See Me, Girl, Wait, The Word, Michelle
Studio One (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith With recording for Rubber Soul completed
Recording, mixing: The Word, You Won’t See Me, Girl, Wait, I’m Looking Through You
Room 65, Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The last day of recording for
Recording, mixing: Run For Your Life, We Can Work It Out, The Word, I’m Looking Through You
Room 65, Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith In the afternoon, most likely without
Editing, mixing: The Beatles’ Third Christmas Record, Michelle, What Goes On, Run For Your Life, Think For Yourself
Room 65, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles were not present for this mono
Recording: Beatle Speech, Think For Yourself, The Beatles’ Third Christmas Record
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles had recorded George Harrison’s ‘If I