The Beatles’ final photo shoot
The Beatles united for a final photographic session on 22 August 1969. It was also the last occasion in which […]
session
Cover shoot for Sgt Pepper
Prior to a late night recording session at Abbey Road, The Beatles visited Michael Cooper’s London photographic studio where the
Recording, mixing: Love You To, Paperback Writer
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The Beatles completed George Harrison’s Indian-flavoured ‘Love You
Recording, mixing: Got To Get You Into My Life, Love You To
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The Beatles returned after the weekend to continue
Recording: Got To Get You Into My Life
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The first Revolver session to take place in
Recording: Tomorrow Never Knows, Got To Get You Into My Life
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The second day of recording for The Beatles’
Recording, mixing: The Word, You Won’t See Me, Girl, Wait, I’m Looking Through You
Room 65, Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The last day of recording for
Recording, mixing: Run For Your Life, We Can Work It Out, The Word, I’m Looking Through You
Room 65, Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith In the afternoon, most likely without
Editing, mixing: The Beatles’ Third Christmas Record, Michelle, What Goes On, Run For Your Life, Think For Yourself
Room 65, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles were not present for this mono
Recording: Beatle Speech, Think For Yourself, The Beatles’ Third Christmas Record
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles had recorded George Harrison’s ‘If I
Recording: I’m Looking Through You
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles had attempted to record Paul McCartney’s
Recording: What Goes On, 12-Bar Original
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles were under pressure to complete the
Recording: Michelle
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith One of the highlights of the Rubber Soul
Recording, mixing: We Can Work It Out, Day Tripper
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles completed ‘We Can Work It Out’
Mixing: We Can Work It Out
Studio Two (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith During this half-hour session George Martin
Mixing: Drive My Car, Day Tripper, In My Life, If I Needed Someone, Norwegian Wood (This Bird Has Flown), Nowhere Man
Studio Two (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith Stereo mixes for five Rubber Soul
Mixing: Drive My Car, In My Life, If I Needed Someone, Day Tripper, Norwegian Wood (This Bird Has Flown), Nowhere Man
Studio Two (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith Mono mixes for five Rubber Soul
Recording: I’m Looking Through You
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith It took The Beatles three different attempts to
Recording: We Can Work It Out
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles had recorded ‘Day Tripper’ at Abbey
Recording: If I Needed Someone, In My Life
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith Having recorded the backing track two days previously,