Recording: Oh! Darling, Octopus’s Garden
Studio Two, EMI Studios, Abbey Road Producer: Chris Thomas/The Beatles Engineer: Jeff Jarratt The Beatles began work on Ringo Starr’s […]
recording
Recording: Magical Mystery Tour
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The Beatles began work on the title track
UK album release: The Family Way
On this day the soundtrack to the 1966 film The Family Way was released. It was mostly composed by Paul
Recording: And Your Bird Can Sing
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The Beatles returned to John Lennon’s ‘And Your
Recording, mixing: Love You To, Paperback Writer
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The Beatles completed George Harrison’s Indian-flavoured ‘Love You
Recording, mixing: Got To Get You Into My Life, Love You To
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The Beatles returned after the weekend to continue
Recording: Got To Get You Into My Life
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The first Revolver session to take place in
Recording: Tomorrow Never Knows, Got To Get You Into My Life
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The second day of recording for The Beatles’
Recording: Tomorrow Never Knows
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The first session for The Beatles’ Revolver took
Mixing: 12-Bar Original
Room 65, EMI Studios, Abbey Road Engineer: Norman Smith The Beatles had recorded ‘12-Bar Original’ on 4 November 1965 for
Mixing: I’m Looking Through You, You Won’t See Me, Girl, Wait, The Word, Michelle
Studio One (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith With recording for Rubber Soul completed
Recording, mixing: The Word, You Won’t See Me, Girl, Wait, I’m Looking Through You
Room 65, Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The last day of recording for
Recording, mixing: Run For Your Life, We Can Work It Out, The Word, I’m Looking Through You
Room 65, Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith In the afternoon, most likely without
Editing, mixing: The Beatles’ Third Christmas Record, Michelle, What Goes On, Run For Your Life, Think For Yourself
Room 65, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles were not present for this mono
Recording: Beatle Speech, Think For Yourself, The Beatles’ Third Christmas Record
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles had recorded George Harrison’s ‘If I
Recording: I’m Looking Through You
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles had attempted to record Paul McCartney’s
Recording: What Goes On, 12-Bar Original
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles were under pressure to complete the
Recording: Michelle
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith One of the highlights of the Rubber Soul
Recording, mixing: We Can Work It Out, Day Tripper
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles completed ‘We Can Work It Out’
Mixing: We Can Work It Out
Studio Two (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith During this half-hour session George Martin