Mixing: I Feel Fine, I’ll Follow The Sun, She’s A Woman, Everybody’s Trying To Be My Baby
Room 65, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith While The Beatles were on tour in Glasgow, […]
mixing
Mixing: No Reply
Studio Two (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles were on tour in
Mixing: She’s A Woman, Eight Days A Week
Studio Two (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith It is not known whether The
Recording, mixing: I’m A Loser, Mr Moonlight, Baby’s In Black, Leave My Kitten Alone
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The second day in the studio for what
Mixing: A Hard Day’s Night
Studio Two (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith George Martin had created mono and
Mixing: A Hard Day’s Night
Studio Two (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles had recorded the song
Mixing: I Call Your Name
Studio Three (control room), EMI Studios, Abbey Road Producer: George Martin In an hour-long session, without The Beatles being present,
Mixing: I Should Have Known Better, If I Fell, Tell Me Why, And I Love Her, I’m Happy Just To Dance With You, I Call Your Name
Studio One (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles were filming their debut
Recording, mixing: You Can’t Do That, Can’t Buy Me Love, I Should Have Known Better, And I Love Her
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The day after The Beatles finished recording ‘Can’t
Mixing: Money (That’s What I Want)
Studio Three (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The final day of studio work
Mixing: With The Beatles album
Studio Three (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith In 1963 stereo was secondary in
Recording, mixing: I Wanna Be Your Man, Little Child, Hold Me Tight
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The final recording session for With The Beatles
Mixing: I Want To Hold Your Hand, This Boy
Studio Two (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith Between 10am and 1pm mono mixes
Recording, editing, mixing: Little Child, Hold Me Tight, Money, I Wanna Be Your Man, All I’ve Got To Do, Don’t Bother Me, Not A Second Time
Studio Two (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles were on holiday abroad
Editing, mixing: With The Beatles
Studio Three (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles’ previous session for their
Editing, mixing: She Loves You, I’ll Get You
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith Following The Beatles’
Editing, mixing: From Me To You
Studio Two control room, EMI Studios, Abbey Road Producer: George Martin Although The Beatles were not present, George Martin oversaw
Editing, mixing: Please Please Me album
Studio One control room, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith While The Beatles have been justly