Mixing, editing: The Long And Winding Road, I Me Mine, Across The Universe
Room four, EMI Studios, Abbey Road Producer: Phil Spector Engineer: Peter Bown The final day’s work on The Beatles’ last […]
mixing
Mixing: 12-Bar Original
Room 65, EMI Studios, Abbey Road Engineer: Norman Smith The Beatles had recorded ‘12-Bar Original’ on 4 November 1965 for
Mixing: I’m Looking Through You, You Won’t See Me, Girl, Wait, The Word, Michelle
Studio One (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith With recording for Rubber Soul completed
Recording, mixing: The Word, You Won’t See Me, Girl, Wait, I’m Looking Through You
Room 65, Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The last day of recording for
Recording, mixing: Run For Your Life, We Can Work It Out, The Word, I’m Looking Through You
Room 65, Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith In the afternoon, most likely without
Editing, mixing: The Beatles’ Third Christmas Record, Michelle, What Goes On, Run For Your Life, Think For Yourself
Room 65, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles were not present for this mono
Mixing: We Can Work It Out
Studio Two (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith During this half-hour session George Martin
Mixing: Drive My Car, Day Tripper, In My Life, If I Needed Someone, Norwegian Wood (This Bird Has Flown), Nowhere Man
Studio Two (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith Stereo mixes for five Rubber Soul
Mixing: Drive My Car, In My Life, If I Needed Someone, Day Tripper, Norwegian Wood (This Bird Has Flown), Nowhere Man
Studio Two (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith Mono mixes for five Rubber Soul
Mixing: I’ve Just Seen A Face, I’m Down, It’s Only Love, Act Naturally, Wait, Help!, Yesterday
Studio Two (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith Work on Help! concluded on this
Mixing: I Want To Hold Your Hand
Studio One (control room), EMI Studios, Abbey Road Engineer: Norman Smith Balance engineer Norman Smith created a new stereo mix
Recording, mixing: Dizzy Miss Lizzy, Bad Boy
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith The Beatles recorded two Larry Williams songs on
Mixing: Help!, The Night Before
Room 65, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith Two songs recorded for The Beatles’ second feature
Mixing: You’re Going To Lose That Girl
Studio Two (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith While The Beatles were filming at
Mixing: Ticket To Ride
Studio Two (control room), EMI Studios, Abbey Road Engineer: Norman Smith While The Beatles were filming in Obertauern, Austria, in
Mixing: I’ll Follow The Sun, Everybody’s Trying To Be My Baby, Rock And Roll Music, Words Of Love, Mr Moonlight, I Don’t Want To Spoil The Party, I’m A Loser, Baby’s In Black, No Reply, I Feel Fine
Studio Two (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith Stereo mixes of nine songs for
Mixing: What You’re Doing, Honey Don’t, Mr Moonlight, Every Little Thing, Eight Days A Week
Studio Two (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith Five songs for the Beatles For
Recording, mixing: I Don’t Want To Spoil The Party, Rock And Roll Music, Words Of Love, Baby’s In Black, I’m A Loser, Kansas City/Hey-Hey-Hey-Hey!, Honey Don’t, What You’re Doing, Another Beatles Christmas Record
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith Four recording and mixing sessions took place on
Mixing: I Feel Fine
Studio One (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Norman Smith Although George Martin had created four