George Harrison’s most celebrated song on The Beatles’ White Album, ‘While My Guitar Gently Weeps’ was inspired by the I Ching, and featured his friend Eric Clapton on lead guitar.
Harrison began writing the music for the song in India, although the lyrics were mostly completed upon his return to England.
I wrote ‘While My Guitar Gently Weeps’ at my mother’s house in Warrington. I was thinking about the Chinese I Ching, the Book of Changes… The Eastern concept is that whatever happens is all meant to be, and that there’s no such thing as coincidence – every little item that’s going down has a purpose.‘While My Guitar Gently Weeps’ was a simple study based on that theory. I decided to write a song based on the first thing I saw upon opening any book – as it would be a relative to that moment, at that time. I picked up a book at random, opened it, saw ‘gently weeps’, then laid the book down again and started the song.
Anthology
A demo version of the song was recorded by The Beatles at Harrison’s bungalow in Esher, Surrey, in May 1968. It featured several lines which were later left out:
I look at you all, see the love there that’s sleeping
While my guitar gently weeps
Problems you sow are the troubles you’re reaping
Still my guitar gently weepsI look at the trouble and hate that is raging
While my guitar gently weeps
As I’m sitting here, doing nothing but ageing
Still my guitar gently weeps
A solo version of ‘While My Guitar Gently Weeps’ was recorded at Abbey Road on 25 July 1968, featuring just Harrison on acoustic guitar, with a subtle organ part appearing towards the end. These early versions deploy the fingerpicking guitar style taught to The Beatles by Donovan in Rishikesh.
Recorded in a single take, the June version was later included on Anthology 3, and, with a new orchestral arrangement written by George Martin, on the Love album.
It also included a verse that was dropped from later recordings:
I look from the wings at the play you are staging
While my guitar gently weeps
As I’m sitting here doing nothing but ageing
Still my guitar gently weeps
Harrison later complained that John Lennon and Paul McCartney did not give ‘While My Guitar Gently Weeps’ the attention he felt it deserved. The presence of Eric Clapton on lead guitar, at Harrison’s request, made the rest of the group take the song more seriously.
We tried to record it, but John and Paul were so used to just cranking out their tunes that it was very difficult at times to get serious and record one of mine. It wasn’t happening. They weren’t taking it seriously and I don’t think they were even all playing on it, and so I went home that night thinking, ‘Well, that’s a shame,’ because I knew the song was pretty good.The next day I was driving into London with Eric Clapton, and I said, ‘What are you doing today? Why don’t you come to the studio and play on this song for me?’ He said, ‘Oh, no – I can’t do that. Nobody’s ever played on a Beatles record and the others wouldn’t like it.’ I said, ‘Look, it’s my song and I’d like you to play on it.’
So he came in. I said, ‘Eric’s going to play on this one,’ and it was good because that then made everyone act better. Paul got on the piano and played a nice intro and they all took it more seriously.
Anthology
In the studio
Following the 25 July solo demo, The Beatles returned to ‘While My Guitar Gently Weeps’ on 16 August. They recorded 14 takes with George Harrison on guitar, John Lennon on organ, Paul McCartney on bass guitar, and Ringo Starr on drums.
The song was left alone until 3 September, when a series of overdubs were added – the first on Abbey Road’s new eight-track recording equipment. Harrison worked alone, spending the entire eight-hour session trying to record a backwards guitar solo.
On 5 September Harrison recorded two lead vocal parts, and maracas, drums and lead guitar were also added. However, upon hearing a playback of the recording so far, he decided to scrap it and begin afresh.
The remake was started that same day. The Beatles recorded 28 takes; the basic track had Harrison on acoustic guitar and guide vocals, Lennon on organ, McCartney playing piano, Starr on drums, and Eric Clapton on electric guitar.
Clapton played on each of the takes in this session, playing live with The Beatles in the studio. He used the Gibson Les Paul guitar, nicknamed Lucy, that he had given to Harrison a month previously. Clapton’s presence in the studio reportedly made the other Beatles more attentive and enthusiastic about the song, doubtless to Harrison’s relief.
‘While My Guitar Gently Weeps’ was completed on the following day, 6 September, with the addition of a distorted bass part, played by McCartney, some organ by Harrison, and percussion by Starr. Finally, Harrison taped his lead vocals, with backing harmonies from McCartney.
Oh what I’d give to hear the original which george overdubbed his bits and pieces on to before the remake with Eric Clapton.
That really should have been an instant inclusion on Anthology 3! Craziness.
You can hear part of it at the beginning of the HBO Harrison special Living In the Material World.
Yeah right on I would have loved to hear harrison! absolutely
john is useless on this song if he is here at all—all upset that he isn’t the most important one…..if he ever was
That’s actually the perfect summation of John to me. Overly insecure when he’s not front and center and that comes across as a total whiner that has no problems with dissing the others work. Complains about how Hello Goodbye is “three minutes of contradictions and meaningless juxtapositions” – yet has no problems with I Am The Walrus which is even more of the same.
Not to discount him as a member of the group at all but seriously … not the legend everyone makes him out to be.
He was a legend and a genius. He was also a screwball. These qualities are seldom mutually exclusive.
Not a legend? wacko yes, legend yes.
a “member of the group”??…that has to be the most understated comment of all time…
FACT CHECK: He was the founder, leader and guiding force of the greatest band of all time…who discovered Paul McCartney, became the head co-writer of the greatest sonwriting team of all time and the only person who could keep the great Paul in check.
Just saying…..
He plays some nice chunky staccato chords all through the song if those credits are correct and George is only playing acoustic. In fact, I’d argue that John’s rhythm guitar drives this song beautifully. “Chung-Chung-Chung! Chung-Chung-Chung!”
I wonder if he played those rhythms on the Fender 6-string bass. It sounds too thick to be an ordinary guitar.
those staccato chucks are Clapton, playing in between his fills
you can hear his guitar at the end of the song. It is that ghostly OOOOO sound. sounds like someone moaning. Pretty good weeping guitar sound actually
On the Love Album. On Lady Madonna where you hear the Eric Clapton Solo you hear on Lady Madonna. Where is it on WMGGW.
So much misinformation on this site, a bible JL certainly wouldn’t have believed in. Any Clapton effort was recorded over & therefore never used, see Geoff Emerick’s book or as stated at The Sessions performance – some people need to buy a ticket!
yes I’ve been wanting to hear that for years
It says John played lead guitar; so did he play one of the solos, or were they both played by Eric? If not, which solo was John’s and which Eric’s?
I think it means the clean electric guitar part you can hear underneath Eric’s solos, not the lead part. 🙂
George’s demo version of this song which is on Anthology is so haunting and beautiful. On another note, I give George alot of credit for bringing his friend Eric Clapton in to play on the song.
I agree. George’s best song both as a Beatles member and solo artist. I have always wondered why he left out the last verse on the anthology version that begins with “I look from the wing of the play you are stageing”. It is beautiful lyrics and to replace it with a semi version of the first one doesn’t make sense to me.
Kjell
All the lead guitar sounds like Clapton. Even on the remastered version, I only hear one lead guitar throughout and there’s no doubt it’s EC. Paul’s bass and piano parts are amazing on this song as is George’s vocal.
I’ve always wondered about that. The Lennon on lead guitar info came from Mark Lewisohn’s Sessions/Chronicle books, where he says on 5 September 1968 they did a remake with Lennon on lead. But maybe his contribution was wiped or mixed out after Clapton recorded his solo the following day.
For now I’ve listed Lennon as rhythm guitar, but I suppose it’s debatable whether he even played on the song.
again you can hear it during the outro. it was not meant as the main lead. George was going to do that but he got Clapton instead
Yea…Paul as usual giving it his all. Although in the beginning neither him nor John were too keen about it. When they got down to it, he contributed an amazing piano part, as well as bass, organ, and backing vocals.
john’s playing a part that no one really noticed. in ‘i don’t know how’ parts he played the exact notes with bass. only in higher octaves. you must listen to the bass track to hear it or listen to the song very carefully. and i’m sure that part wasn’t one of clapton’s leads because his playing his own lead during that part.
You are exactly right, beatlemania! Search on Youtube for a clip entitled `While my guitar gently weeps (Guitar and bass).’ In the right channel you can clearly hear the bass as well as a 2nd ELECTRIC GUITAR, most notably, as mentioned, during the “I don’t know…” parts. It’s a beautiful piece of playing that I never really appreciated until hearing it isolated.
the guitar part doubling the bass is played on a clean (no distortion) electric 12 string guitar
that might be him but his guitar is more noticable at the end
Ditto, Jean! I love when George sings! Most people say they can’t tell the Beatles apart when they sing, but when you’ve listened to them for long enough, some times you can really tell, especially the way they sing and the way they present themselves.
you are correct but John does play on it. also there is a guitar doubling pauls bass in the bridge part. I don’t know who’s playing it
In one of the outtakes of the song (in The Beatles Rock Band) you can hear George saying “Ok, just trying, take one.” followed by an acoustic guitar sound (John), piano (Paul), and a lead guitar (George).
And I think Ringo played drums 😀
I’ve always preferred the Anthology 2/Love version of this song. I dunno, there’s just something about the whole sound of the White Album recording that “breaks” the song.
Just George and his guitar (and an orchestral string section, I guess) is all this song needs. The Love version is George’s “Yesterday”.
Just another example of how messed up the whole deal was for George. This song is the best one off the White Album and got no serious imput from John or Paul until Eric showed up.
Can you say jealous? It seems the great writting team of Lennon and McCartney were too wrapped up in their own egos.
I have mentioned the following before and will do so again:
show me another successful group that had a third songwriter who contributed 22 songs to the canon of the group.
Sounds like a challenge to me! I assume you’re talking about GOOD songs only. I’ll give it some thought…
OK: Fleetwood Mac! (Had at least 4 writers with 22+)
Probably Blue Oyster Cult. Moby Grape and The Byrds have an outside chance. Some people (not me) would say Queen or the Eagles.
This is probably a discussion for the forum – feel free to continue it over there!
Joe What do you think of this line up
George Harrison: Lead Vocals, Acoustic Guitar, Hammond Organ (Overdub)
Paul McCartney: Harmony Vocals, Bass, Piano
John Lennon: Six String Bass, Hammond Organ (basic track)
Ringo Starr: Drums, Percussion
Eric Clapton: Lead Guitar?
I read that John’s guitar part was erased when Clapton did his part. So I do not believe John is even on this song
There’s some clarification in Walter Everett’s masterful book The Beatles As Musicians (Revolver to Anthology). He says that Lennon is only audible in the coda, notably at 3’43-3’46, 3’54-4’03 and 4’1-4’15. He plays his Epiphone Casino with added tremolo, and it’s mixed in the centre of the stereo spectrum.
Thanks for that Joe. That’s where I read about it and it’s pretty clear
Had to go back and listen to that! The parts Joe mentions from the book, are John’s vocal “moans” depicted at the times stated in his comment??? I can’t really hear John’s guitar specifically. Looks like there’s another book I’ve got to buy. 🙂
Yeah, I’m not quite sure I can hear it either. I wonder if it’s the ‘clicking’ rhythm sound best heard from 4’10 (that’s what I should have written before, not 4’1).
Walter Everett’s books are truly great, though very advanced for non-music graduates or students. He dissects the songs, paying less attention to the cultural stuff that surrounded The Beatles, and looks instead at what they played and how it was recorded.
I got both his Beatles volumes as Christmas presents, and I’ve found them really engrossing. They’re like a more in-depth study than Ian Macdonald’s Revolution In The Head.
I’ve already order this book from Amazon, and I’ve been reading some parts from Google Books. So far it’s seems a pretty good work, and I think is way beyond more accurate than McDonald’s. This one, along with Lewishon, Babiuk books (plus Martin, Emerick and Miles) and Alan W. Pollack “Notes on…” should be the basis for an accurate and detailed list of credits on each song, the ultimate list… so far.
“John’s vocal moans?” Surely you meant George’s vocal moans.
they’re not vocal. It’s a guitar and pretty cool he could make that sound. Sounds like someone playing a saw
I can hear Lennon’s part at 4:10, VERY FAINT THOUGH. But, i wish more of it could be heard, imagine what John’s guitar would sound like in the song
John is on electric rhythm, while George is on Acoustic lead. I can hear them very clearly throughout the song. Use headphones to get a better feel of their guitars.
there is no electric rhythm
George’s voice sounds distorted.. any comments on this guys??
I think it is intentional.
One of my all time fave Fab songs. Always has been. This is George’s premier White Album tune and it is one of his standout tracks. All four Beatles played on the song, and with a fine guitar part by Eric Clapton, it was among the White Album’s best. George’s vocal was amazing as was Paul’s backing vocal.
After ‘Something’, it was the best song that George ever wrote.
If you listen with headphones you can hear throughout the song (white album version) the accoustic rhythm strummed guitar of George, the picking style electric guitar I presume of John in the background (similar to the style in parts of Happiness is a warm gun), and the Clapton lead.
Sounds like Chicago used this song for a bit of inspiration on the fantastic 25 or 6 to 4.
Are the screaming/moans at the end of the song George? My sister said it made the song sound dirty, but I never really thought of it that way.
Good question, I always assumed it was, but it in no way makes the song sound dirty, it is excellent musical expression
Did everybody see Prince play this song as a tribute to George? Off the hook!
One thing I’d like to mention is that I grew up in a small village in Cheshire from 1962 onwards (I was born just before Pleaase Please Me was released – good timing eh?), and when I bought Hunter Davies’ 1978 reprint of the authorised biorgraphy I was really intrigued when I found out that he bought a bungalow for his parents in the Chehire village of Appleton. (Hunter mistakenly described this as being in Lancashire in his book, but that was one his minor errors – there were many far more serious!). Appleton was about 5 miles from my home and I often wondered about where the bungalow was, but I didn’t make any effort to track it down until the internet age. One thing that slightly complicated matters was the construction of a large housing estate in the village in the 1980s, but eventually I realised where it was, and when George died I drove to the road and found it. As Hunter described it is a large L shaped bungalow now surrounded by a modern housing estate. I made a silent vigil to George, well aware of the story that he wrote ‘While my guitar gently weeps’ there, and wondered if the current owners even realised the Beatle connection. It was a strange moment; part of my heritage mixing with the legacy of the Beatles, and paying homage to my favourite Beatle. I wonder how many other fans have visited the place, although George’s mother was the ulitimate parental fan by all accounts.
Does anyone know why George dropped the ‘I look from the wings at the play you are staging’ verse? I love it.
Listening to the anthology demo, and read the phrase ‘I look from the wings at the play you are staging’ just as the phrase was sung. If you’re looking for reasons to believe in some kind of unknown force, there’s some fuel for your fire.
I listened to the song today with headphones, and concentrated on John’s electric rhythm guitar (right-side). It is very subtle, but first-rate with a nice sound that complements the song very well. (And George’s songs are never easy to get the rhythm down.) When John put his mind to it, he was a very good rhythm guitarist. My hunch is Clapton in the studio got his competitive juices going. This is one fine song.
Agreed. Lennon was always strong on rhythm throughout the Beatles. Just wish he participated more on George’s songs the last few years.
You are absolutely right. Lennon’s guitar is doubled by McCartney’s bass throughout the song.
I don’t think John has a part in this song besides vocals. The part you are talking about is probably the disorted bass. Watch this video that has the drum and bass track: https://www.youtube.com/watch?v=KPezuDg4hJE
Does anyone else hear the 12-string guitar in the right channel at 0:50 or so? I’d never noticed that before! I guess George broke out the Rickenbacker one more time before the end of the band.
or is it a Fender XII?
What do you think of The Beatles Anomaly List’s comment (https://wgo.signal11.org.uk/html/content/w.htm#wmggw) that they screwed up the coda starting at 4:06 and started to go out of tune with each other?
I’d not noticed it before, but it does sound right. Thanks for mentioning it.
Well as far as my information tells me is that John didnt play on this track or most of Georges songs during this period. This is well documented.
I’m just listening at a 5 track *.ogg file of this wonderful song. It is clear that someone is pick a note an using tremolo to get it sounding like a theremin exactly at 3’43-3’46, 3’54-4’03 and 4’10-4’15, which confirms the Walter Everett’s book information about John’s contribution (that Joe pointed out). This sound is audible over the organ and lead guitar parts.
Also, there is only one lead guitar audible doing the arpeggios in the verses, the fills and the solos. It could be the case that John did the arpeggios and Eric the fills and the solos, but not two lead guitars are audible at the same time.
Finally, more than one acoustic guitar is audible. Actually you can hear just one acoustic in the bridge after the first solo around 2’30-3’03 and more thatn one (or maybe a 12-strings guitar) in the verse from 3’04 on.
Great, really great song.
John Lennon did not play on While My Guitar Gently Weeps acorrding to the great book, The Complete Recordings of The Beatles.
Lennon often would not show up for Harrison songs or would be doing something else in the studio. Alot of rivalry, in otherwords the student was becoming as good as the teacher.
The book is wrong,Lennon was on this song. As for the student-teacher comparison, there’s no way Harrison’s small output equalled John’s songwriting efforts by White Album time.
you can hear John’s guitar clearly here (rock band isolated version)
Best song on the WA. GH was on a roll. He’d have the 2 best songs on AR the coming year.
I love that the trebly, chunky six-string bass sound is found throughout the White Album. The darkness of tone is a kind of a aural motif, if you ask me.
I do believe that the 6 string bass that paul plays sounds identical to my 1965 danelectro , also known as a baritone or octave guitar. Does anyone know what exactly he did use ?
I think John was playing the 6-string bass on this track.
Paul didn’t play the six string fender bass on this track. Their six string was right handed model. He played a left handed fender Jazz Bass.
Seek out the bass — isolated — on Youtube. Just speculating here but darned if that isn’t the Fender IV (he even plays chords in some spots!). Doesn’t sound like the jazz bass at all to me, unless he turned the treble WAY up. Despite all the documentation, after hearing this I’d like to theorize that Lennon played bass, McCartney piano and organ. Please listen before commenting.
I did a search for WMGGW isolated bass… and, yes, the bass does truly does sound like the 6, with chords played in many spots throughout. The bass has the same tonal quality of Helter Skelter. Also, the bass line (and the execution), while wonderful and highly effective, is quite simplistic. I’m started to lean towards the theory of Lennon on bass also.
Does anyone know what guitar is using George in the Anthology version of the song? Is it Gibson J200? Thank you!
Hi. I found an interesting link is this information accurate?
“According to the book the Beatles by Bob Spitz, George Harrison did play the solo as it was later mixed in with Eric Clapton’s solo (take 15) on a later take. Lennon and McCartney’s playing for the first 14 takes wasn’t being taken seriously as Harrison knew it was a great song. Then Harrison invited Clapton to play. Previously the Beatles weren’t getting along in the studio. Yoko Ono would often comment on songs sung by McCartney and Harrison, “that’s no good Beatles,” after their songs. Clapton was warmly welcomed which helped brighten the atmosphere. Then Clapton improvised the lead guitar playing in one take. However Harrison came back with engineers Geoff Emerick and Mal Evans. Harrison did another take copying Clapton’s playing in order to give it a more wailing crying sound. It was then played back with the original and it was both mixed in. Notice the double tracking but you can hear they’re not identical as digital and analog delays were not used. Also note the instruments as you can hear Ringo drumming, then an acoustic guitar, a bass, a piano, and an organ. That means that either Lennon or McCartney were on two tracks on two insturments. This proves that the nonsense that “While my guitar gently weeps” was done on one take is a myth. As for Harrison’s cherry red Les Paul Lucy can also be heard on Dear Prudence and Revolution 1 lead guitar work which I really love. Another great song that Harrison uses it on is on “Something,” “Oh Darling,” “She came in throught the bathroom window,” “Maxwell’s Silver Hammer,” and “the End”from Abbey Road. In fact that’s Harrsion’s great arpeggio riffing on Oh Darling.”
Is it true that ‘Tic Tac’ bass technique was used here on this particular song?
Is it bad I prefer the Love version to the original on The White Album… I can appreciate the music in the original but I’ve always preferred lyrics more and it’s so clear and beautiful on the Love album 🙂
I totally agree with you! I liked the original version but the first time I heard the accoustic version on a bootleg I was blown away by how beautiful the song was.
No, it’s inaccurate. Clapton played the solo, and it was put through a varispeeder to make it sound more Beatlesy.
Right you are. Clapton’s solo, all the way. Clapton even mentioned at the time, after cutting loose with the remarkable solo, that it didn’t sound “Beatley enough.” That’s why a sound engineer went back with the “varispeeder” to add greater distortion and “Beatleness” to the final edit.
I could be wrong, but I’ve always felt that the heavy, flat-picked, “on the beat” bass-line in this song was Harrison on the Bass VI. Paul’s bass style is usually fluid and somewhat groovy. It just doesn’t sound like his work on the track.
Good point. Or parhaps Lennon on the Bass VI? The bass on Helter Skelter (Lennon on the VI) has a vert similar sound and raw style.
I think John played the tremolo guitar during a few seconds in different times and maybe a second rhythm acoustic. What I can clearly hear is a 12 string (Rickenbacker for sure) during the choruses along with the bass. I don´t think that´s John. I´m sure that´s George,
Excellent song. The only problem with this one is that it overshadows long, long, long which I believe to be almost as good as wmggw. I prefere the anthology 3 version to the epic souding vibe of the album versio, I love both but the line about watching the play you are staging line is my favorite line. Imagine if paul and john would have shown as much attention to Georges other tracks such as long, long, long, blue jaw way, olde brown shoe and earlier stuff such as dont bother me, taxman, and think for yourself. Jst my humble opinion. Is the anthology 3 version the same version as was used for the love album?
Isn’t Clapton’s lead processed through a Leslie (rotary speaker) rather than a varispeed (pitch changer)?
That’s what I thought too – it definitely sounds more like Leslie than varispeed.
Hello, I’ve just read this thread and I had no idea about the varispeed thing. If it’s true this machine was used, then it means the take that contains the solo was played in another key, doesn’t it? And I think The Beatles were not too keen on changing keys. Can anyone explian this to me? Thanks
The “varispeeding” is ADT. Read about it here: https://en.wikipedia.org/wiki/Automatic_double_tracking
Varispeed is not automatic double tracking is just playing the tape at a different speed, wich changes the pitch of the recording, so unless the part was originally played transposed it was not used here.
I LOVE the Anthology version of this. Maybe I’m just a sucker for ballads, but I feel like it really brings out the “gently weeping” of the song. The rocked-up White Album version, while groovy, is more like “while my guitar stormily sobs” than “gently weeps” and therefore, in my opinion, doesn’t suit quite so well.
One of the rare instances where I wish they’d kept the approach of the early takes!
Hey Joe,
I’ve been learning to play (and therefore listening very closely to) the Anthology version, and I’m pretty sure it’s flat-picked. You can hear the plastic of the pick jangle against the strings, especially on those high rolling strums. So it’s not finger-picked at all. Plus, if I have my facts right, which I’m not sure I do, but… Donovan only taught John the technique… with Paul watching with his corner-eyes… no George…?
I’ve made it my life’s work to reproduce the record’s sound as exactly as possible, so I use a pick even though I normally despise picks– I prefer fingernails.
A great George Harrison number. I love the opening to this song. The instruments pounding in a foreboding fashion. As we all know George’s friend Eric Clapton is their adding much to this song. Wonderful lyrics by Harrison, along side musicianship of the highest order.
If by tremolo a vibrato unit is meant, I don’t think John’s Casino had a vibrato unit. Paul’s and George’s did.
When I first heard this song many moons ago I knew there was something different about the guitar lead which I didn’t think it was Harrison but I never gave it another thought. When I found out it was Clapton it made sense because it had a different drive to it…but not necessarily a Cream influence. Showed the versatility of Mr. Clapton.
I have a question, in everyone’s opinion, could George Harrison play the solo if Eric Clapton never played it? Earlier it was thrown around that George followed Eric’s lead, but quietly…is that true?
There’s a really interesting separated guitar/bass only mix of the track on YouTube. It really highlights the complexity of the arrangement: a lot of work went into the bass and guitar parts. McCartney might have been dismissive of George in general, but as he did with ‘Something’ he clearly put much thought into his parts to complement the song.
I found the George demo version. Sounds amazing! https://www.youtube.com/watch?v=wagTIytC5xo