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10.21pm
12 November 2015
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I always liked the way the guitar is strummed in I’m Only Sleeping . When you start on the high E string and go down from there, it just creates a totally different sound than if you start with the low strings. It sounds, I dunno, “crunchier” maybe?
I also really like the way John sings “world going by my window” for some reason.
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7.47pm
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15 February 2015
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Never said I didn’t love Paul’s voice. Anyway, it’s just a sensation the notes give me, with all those queer Indian intervals. 
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10.07pm
14 June 2016
Offline @Beatlebug said
Never said I didn’t love Paul’s voice. Anyway, it’s? just a sensation the notes give me, with all those queer Indian intervals.
It’s just the way you described it felt so Pauletteish.
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7.29am
17 January 2016
Offline sir walter raleigh said
The transition between Because and You Never Give Me Your Money . I just know something spectacular is about to happen.
Oh GOD yes. 
“She wasn't doing a thing that I could see, except standing there leaning on the balcony railing, holding the universe together.” - J.D. Salinger
9.17am
Moderators
15 February 2015
Offline @limitlessundyinglove said
I always liked the way the guitar is strummed in I’m Only Sleeping . When you start on the high E string and go down from there, it just creates a totally different sound than if you start with the low strings. It sounds, I dunno, “crunchier” maybe?
A solid, distinct up-strum does have a really cool sound… it’s unexpected, especially when you kick off a song that way… It sounds kind of backwards to our ears, accustomed as they are to plain down-strums, which suits the song and George’s backwards guitar amazingly.
Damn, they’re good! #1,587
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9.49am
17 January 2016
Offline I was just listening to “It’s All Too Much “, as it came up random on my player, and I rather like the line “Show me that I’m everywhere, and get me home for tea.” I also rather love the “Too-oo much-ah!” and the whole ending part.
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5.05pm
27 February 2017
Offline The guitar part that comes directly before the line ‘I need a fix cause I’m going down’ in Happiness Is A Warm Gun
It sounds so extremely druggy and like the musical way of saying ‘I don’t care about anything’-really like I imagine Heroin had sounded if it made a noise.
At the same time, every time I hear that guitar part I have the strange desire to exclaim ‘Oh yeah!’…
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9.50am
18 April 2016
Offline Long time no see! Decided to listen to 181 FM Beatles and head something that I really enjoyed:
From Me To You , after ‘and keep you satisfied’ that little “Ooo”
also, in My Bonnie , after the both the choruses second “My Bonnie lies over the ocean” when you hear that cute little slide down of vocals and those little shrieks during the guitar solo.
Sorry if i can’t type well right now, just a tired morning
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2.26am
25 November 2016
Offline I don’t feel like reading all the posts on this thread so keep that in mind if I mention a fragment that’s already been mentioned.
– The reversed guitar solo in I’m Only Sleeping .
– Paul’s(?) singing on the last “I’ve got time” at the end of I Want To Tell You .
– George’s “I don’t knoooooow, IIIIII DON’T KNOW” in Something .
– Paul or John (whoever, there’s been debate on who this is) singing “She loves you, yeah, yeah, yeah!” at the end of All You Need Is Love .
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12.57pm
1 December 2009
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I don’t know how many hundreds (thousands?) of times I’ve heard “It Won’t Be Long ” since 1979 or so…and until yesterday, I don’t know that I’d ever paid attention to the little play on words: “It Won’t Be Long …till I be-long to you”…nice!
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1.06pm
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1 May 2011
Online vonbontee said
I don’t know how many hundreds (thousands?) of times I’ve heard “It Won’t Be Long ” since 1979 or so…and until yesterday, I don’t know that I’d ever paid attention to the little play on words: “It Won’t Be Long …till I be-long to you”…nice!
One theory goes that in ‘Blue Jay Way ‘ George is really singing “Don’t belong!!”, a message to the Hippies, drop-outs, kiddies and whoever else to not be part of the establishment, instead of “don’t be long”.
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2.33pm
7 May 2017
Offline In the last line of the middle section in You Can’t Do That , “You talking that way, they’d laugh in my face”, John gets the last word “face” to both rhyme with “way” and start the first word of the next line, “So please listen to me if you wanna stay mine”.
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27 February 2017
Offline Ringo singing ‘Ah, rock on George, for Ringo one time’ in Honey Don’t , George’s fuzz-tone guitar in Love You To – I couldn’t believe it’s a guitar at the beginning, impressive you can get so many different sounds out of a guitar- and John singing Just the sight of you makes nighttime bright with trilled ‘r’. I generally love it when John or Paul imitate an accent like in Maggie Mae , for instance.
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10.09pm
14 December 2009
Offline The double-tracked three-note flourish that caps off the “Good Morning” solo
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7.36am
27 February 2017
Offline 
Yeah, that’s indeed really cool, just as the whole solo itself!
I really love the echo after the last chord at the end of The End . You suddenly feel like you’re in a church or a great hall and it’s very fitting to the awe one feels after this great song in this great medley in this great album!
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11.52pm
14 June 2016
Offline The intro/outro of I Need You .
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12.54am
26 January 2017
Offline William Shears Campbell said
The intro/outro of I Need You .
I was playing this on guitar earlier. The Concert For George version also has great timing, but it is much easier to play than George’s part. I have not heard timing like that anywhere else.
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6.27am
14 June 2016
Offline @sir walter raleigh said
I was playing this on guitar earlier. The Concert For George version also has great timing, but it is much easier to play than George’s part. I have not heard timing like that anywhere else.
I think slightly off timenness is what gives it its charm
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"Sometimes I wish I was just George Harrison" - John Lennon
4.01pm
26 January 2017
Offline The ‘ahhh’s in a certain mix of A Day In The Life
The acoustic intro to For You Blue , though I despise what comes after.
‘Give you everything I’ve got for little peace of mind’
The guitars throughout And I Love Her
The strings on the Something bridge.
The switch to the sub dominant on Anna (Go To Him).
When the horns kick in on Let It Be .
The tamboura intro to LITSWD.
On a non Beatles note, one of my favorites is in Kiss Off by the Violent Femmes where he’s counting up and he goes ‘eight, eight, I forgot what eight was for but nine, nine’.
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2.08pm
24 March 2014
Offline QuarryMan said
one of my favorites is in Kiss Off by the Violent Femmes where he’s counting up and he goes ‘eight, eight, I forgot what eight was for but nine, nine’.
^ love that album
"I Need You by George Harrison"
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