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6.00pm
12 December 2019
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Revolution 9 , in reality, sounds like it could be the direct “stepchild” of a 1961 Avant-Garde electronic/orchestral work by Hungarian composer Gyorgy Ligeti called “Atmospheres” (coincidentally: made most famous also in 1968 for its usage in the film 2001: A Space Odyssey).
I’d heard that piece before I’d ever listened to the White Album and, after hearing Rev. 9: Atmospheres was the thing I immediately thought it to be an imitation of…they’re both slightly over 8 minutes each and the way they gradually escalate into a sonic frenzy then crestfall are nearly identical in style.
Carnival Of Light , I think, just might be buried under all that stuff in Rev. 9! How(?). Every 30-or-so seconds in the first four minutes: there’s this droning Rock beat which has (what sounds like) the Day In the Life strings superimposed over it backwards. This snippet lasts about 15 seconds whenever it comes around to repeat itself. It doesn’t sound like anything else they ever released (and: it would counter logic to suggest that John “stole” *another* band’s demo stuff to just use for something as esoteric as this).
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6.09pm
25 February 2020
Offline Masterpiece
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lovelyritametermaid, quackman9.09pm
5 December 2019
Offline Vera Chuck and Dave said
Masterpiece
Agreed. *chef’s kiss*
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10.59am
5 December 2019
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I said, over a month ago
Vera Chuck and Dave said
Masterpiece
Agreed. *chef’s kiss*
In all seriousness, I listened to the whole of Rev. 9 the other day while doing some ~physics problems~ and I quite enjoyed it. Generally, I will never go out of my way to listen to it, but I won’t skip it when listening to the White Album . It’s quite an interesting piece of art and I love going on a little scavenger hunt and trying to pick out new things I haven’t noticed before. And I don’t find it “nightmarish” or “psychotic” (like many of my casual Beatles-fan friends describe it, no judgment to them, except I just wish they’d give it some sort of chance) at all. In fact, in some places, I find it quite entertaining and it makes for good background noise. I love how John and Yoko really let their chaotic creativity go to new heights– beautiful job done on their part 
As I said in the above quote: *chef’s kiss*
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9.27am
2 May 2013
Offline Never skip it when playing The White Album , and just got used to it. The fact that I’m a big fan of electric period Miles Davis helps, I can take discordance for what it is. I think the Giles Martin remix has done it a lot of favours, but really wish that they’d included “Take 20” as the album version because it makes an awful lot more sense like this:
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1 December 2009
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Haha, so exciting to hear this pop up unexpectedly somewhere, like on a free streaming apps “psychedelic” channel just now!
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2.55am
14 June 2016
Offline Revolution 1 (Take 18) and What’s The New Mary Jane show the potential of sound collage/extended madness in something more resembling a song. Revolution 9 is the madness in pure form and we have the other songs too. 
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8.54am
9 October 2021
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Timothy said
Revolution 1 (Take 18) and What’s The New Mary Jane show the potential of sound collage/extended madness in something more resembling a song. Revolution 9 is the madness in pure form and we have the other songs too.
Maybe someone with the tools and the music editing skills could turn it into some sort of medley plus Cry Baby Cry and Good Night .
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8.29pm
30 August 2021
Offline Let It Bleed said
Timothy said
Revolution 1 (Take 18) and What’s The New Mary Jane show the potential of sound collage/extended madness in something more resembling a song. Revolution 9 is the madness in pure form and we have the other songs too.
Maybe someone with the tools and the music editing skills could turn it into some sort of medley plus Cry Baby Cry and Good Night .
Speaking of Cry Baby Cry , the CD makes Can You Take Me Back? a coda to that song, but on the original LP where there are no track divisions, I always heard it as the intro to Revolution 9 . I still think it works better that way.
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2.38am
28 April 2020
Offline Mr. Moonlight said
Speaking of Cry Baby Cry , the CD makes Can You Take Me Back? a coda to that song, but on the original LP where there are no track divisions, I always heard it as the intro to Revolution 9 . I still think it works better that way.
I agree!
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Mr. Moonlight10.09am
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20 August 2013
Offline I know I’ve linked to this post before, but I just love it. https://www.beatlesbible.com/f…..2/#p151211
What do you think, @alittlebitolder and @Mr. Moonlight?
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10.24pm
30 August 2021
Offline Ahhh Girl said
I know I’ve linked to this post before, but I just love it. https://www.beatlesbible.com/f…..2/#p151211What do you think, @alittlebitolder and @Mr. Moonlight?
An interesting interpretation. It’s just that Cry Baby Cry does seem to come to a conclusion before “the spirit” fades in with the first sounds of Revolution 9 on its heels.
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4.33pm
14 June 2016
Offline I feel like I quote this song a lot, and nobody ever catches on. I mean they probably have never heard this song, but still.
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1.18am
7 November 2022
Offline mr. Sun king coming together said
I Hate this with a passion. However, what do you guys think
I appreciate it as a worthy experiment in the genre of avante-garde “concrete music”, but I certainly don’t go out of my way to put it on and tap my foot to it.
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1.35am
7 November 2022
Offline SaxonMothersSon said
My favorite segment of Rev #9: “And then you become naked…(Crowd chants) Block that kick! Block that kick!” Brilliant!
Why can’t I ever hear what other people insist they hear? Story of my life! 
I can hear the girl, but I can NOT for the life of me discern that the crowd is chanting “block that kick!” How can anyone hear ANYthing they are saying when it’s so bloody murky?
Incidentally, the girl doesn’t say “And then…” She says one word first (sounds like “if”) — then she says “you become naked”.
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6.51am
18 April 2013
Offline If you play it backwards Yoko says “Satan, Look At Me .”
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