9.25pm

1 November 2012

Joe's research yields that Paul got that title from a Nigerian friend and musician in London, who used to say it a lot.
I'm sure that's correct, however I have a nagging memory of my sister's ex-husband, a South African of English ancestry, who was old school about a lot of things, and didn't like the Beatles. One day when I mentioned the song as one I like, he dismissed it: "Oh, the Beatles stole that phrase from the school song of Cambridge". Apparently, there was some school chant at Cambridge (or some other upper crust college in England) that included something very similar to, if not the same as, "Ob-La-Di, Ob-La-Di".
Sure, it would be tempting to dismiss my ex-brother-in-law's claim just because he was a bloody sod (as you Brits say); but that's not the rational thing to do, is it?
Faded flowers, wait in a jar, till the evening is complete... complete... complete... complete...
11.18pm

21 November 2012

I think I've read somewhere that the line ''Ob-La-Di, Ob-La-Da '' doesn't even exist.
1.49am

1 November 2012

Linde said
I think I've read somewhere that the line ''Ob-La-Di, Ob-La-Da '' doesn't even exist.
Doesn't exist at all...!!??
Faded flowers, wait in a jar, till the evening is complete... complete... complete... complete...
10.06pm

21 November 2012

9.14pm

1 November 2013

On Joe's page, he said the Beatles spent 42 hours on this song. Is that normal for Paul or on the long end of things. If it is on the long end of things, what made this song so hard to complete?
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Zig11.43pm

8 January 2015

If we believe Geoff Emericks somewhat patchy recollections, Paul fell into the habit of coming into Abbey Road when he felt like it because he lived nearby, and working on stuff for hours, so it became an office for him more than the other Beatles. Emerick says Paul spent hours on basslines during Sgt. Peppers and his habit of reworking like this seems to date from around that time. Ob-La-Di, Ob-La-Da was probably average by Paul standards but definitely not for the others who had to be involved. The chief issue however, was that Paul changed his mind several times about the pace and style of the track and according to Lewisohn:
Ob-La-Di, Ob-La-Da ', the song which, in many minds,
was the most fun number on The Beatles was a very
involved recording indeed, spanning the original version
and two re-makes, and recorded virtually every day
from now until mid-July.Not that the re-makes were drastically different from
the song Paul had originally conceived. Just
marginally so, indeed the song took shape on this day in
much the same manner as it ended, though perhaps a
touch more jauntily.
So that would feel longer!
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7.22am

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1 May 2011

I dont think Paul knew what the song required to make it into a releasable standard (in his opinion) so kept tinkering to find that much desired energy, spontaneity and sense of fun that was missing (take 5 on 'Anthology 3 ' is interesting because its different but its nowhere near as good). It was only when John, thoroughly frustrated at having to keep going over recording the track, thumped down on the piano during the intro that they discovered what it was. John and George proceeded to then add more fun by adding in silly comments (Hand, Arm, Leg, Foot).
Paul could be a perfectionist and wouldn't stop until he achieved it; he therefore needed at times someone to say "Paul, that's enough" or give an idea that Paul couldn't find himself.
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6.21pm

28 March 2014

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7.52pm


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20 August 2013

Win Butler saw Paul McCartney perform Ob-La-Di, Ob-La-Da recently. Here's what he had to say.
...Butler saw The Beatles’ Paul McCartney perform solo for the first time recently. In the Liverpudlian’s three-hour set, one song made Butler jealous: “Ob-La-Di, Ob-La-Da .” All around him, thousands of people started singing its gibberish chorus.
“What a perfect song,” Butler said. “It’s about nothing, and he had 50,000 people singing along. It’s like a (expletive) magic trick.”
Beatle magic.
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6.02pm


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15 February 2015

Hear me out: I just came up with a hypothesis that, when Desmond stays at home and does his pretty face, he's actually becoming his drag alter ego, Desdemona, who sings it with the band, filling in for Molly on odd days of the week when she wants an evening home with the kids. (The things a man will do for love...!) What do y'all think?
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6.07pm

15 November 2018

Beatlebug said
Hear me out: I just came up with a hypothesis that, when Desmond stays at home and does his pretty face, he's actually becoming his drag alter ego, Desdemona, who sings it with the band, filling in for Molly on odd days of the week when she wants an evening home with the kids. (The things a man will do for love...!) What do y'all think?
There is no other possible explanation, you're absolutely right. How did we not notice sooner? How could we have been so blind?
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5.10am

26 January 2017

Beatlebug said
Hear me out: I just came up with a hypothesis that, when Desmond stays at home and does his pretty face, he's actually becoming his drag alter ego, Desdemona, who sings it with the band, filling in for Molly on odd days of the week when she wants an evening home with the kids. (The things a man will do for love...!) What do y'all think?
I have never wanted anything more. We stan Desdemona.
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9.37pm

17 December 2017

Beatlebug said
Hear me out: I just came up with a hypothesis that, when Desmond stays at home and does his pretty face, he's actually becoming his drag alter ego, Desdemona, who sings it with the band, filling in for Molly on odd days of the week when she wants an evening home with the kids. (The things a man will do for love...!) What do y'all think?
I've been waiting for an explanation for this line and damn, this is it.
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15 February 2015

Terribly romantic notion, isn't it -- makes perfect sense
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12.04am

14 December 2009

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-- Paul McCartney
4.15pm

17 December 2017

Von Bontee said
i love you. *sobbing*
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4.49pm

26 January 2017

Marc Bolan is Desdemona confirmed
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5.15pm

17 December 2017

QuarryMan said
Marc Bolan is Desdemona confirmed
someone call paul we need to make this canon.
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Walrian here! Not Fiddy, or anyone else, actually.
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