3.36am
11 September 2018
3.59am
Moderators
27 November 2016
I compiled a list a few years ago, (see also this thread: https://www.beatlesbible.com/f…..other-key/) there are sure to be a few mistakes:
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12.41pm
11 September 2018
7.56pm
30 April 2019
11.41pm
Moderators
27 November 2016
Kaniffee said
Some of those tempos seem extremely fast. I can’t be sure without re-listening to the songs but I’d guess with some of those you counted a subdivision as the beat.
I’d agree Do It In The Road and I Me Mine are probably twice too fast but let me know if you think any other songs are too fast!
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7.42am
30 April 2019
I’ve Just Seen A Face is probably twice too fast.
Baby’s In Black is a bit weird because it kind of depends on if we consider it 6/8 or 3/4. Because of how fast it would be as 3/4, I’m leaning towards 6/8. And for 6/8 the beat is actually the dotted quarter note, not the eighth note because it goes 1 2 3 4 5 6. So basically I’d guess that’s 3 times too fast.
Others i’m not sure because I haven’t listened to yet, and/or I need to check against a metronome.
3.11am
Moderators
27 November 2016
I can quite clearly hear the snare on 2 and 4 on I’ve Just Seen A Face – the tempo you’re suggesting would put it on the ‘and’ of every beat, which is less normal.
Baby’s In Black is an interesting one. I hear it in 3/4 but I understand your point.
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5.18pm
9 March 2017
Interesting how Lucy In The Sky With Diamonds is the only Beatles song that switches tempo.
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3.11am
11 September 2018
Dark Overlord said
Interesting how Lucy In The Sky With Diamonds is the only Beatles song that switches tempo.
I’d have thought it’d be more than that? What about songs such as ‘Happiness Is A Warm Gun ‘, ‘We Can Work It Out ‘ et al.
See, this is probably where I’m getting confused between meter and tempo, but I’m sure tempo changes are fairly common in music?
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Moderators
27 November 2016
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9 March 2017
9.57am
11 September 2018
2.56pm
30 April 2019
The Hole Got Fixed said
I can quite clearly hear the snare on 2 and 4 on I’ve Just Seen A Face – the tempo you’re suggesting would put it on the ‘and’ of every beat, which is less normal.Baby’s In Black is an interesting one. I hear it in 3/4 but I understand your point.
The first 2 notes of the intro establish the tempo pretty clearly to me and that motif recurs throughout.
I can’t speak on the snare thing as much because I’m not a drummer, but it’s not that unusual to have drum emphasis on the backbeat, and ultimately it’s the harmonic progression that determines the strong beat of a piece.
When in doubt I check what Alan Pollack has to say about the song:
The slow triplet pulse creates a deceptive sense of tempo. When the verse finally kicks in with its four-square beat that is sustained for the remainder of the song you have a gear-shifting feeling of acceleration as though the tempo had changed. But this is entirely an illusion, anticipating what would show up later, even more forcefully, in “We Can Work It Out“. If you count the measures in “two half” time instead of the twice-as-fast 4/4 you’ll more easily grasp the extent to which the underlying tempo is constant.
I think this supports what I was saying? I may have misinterpreted what he’s saying here because it confused me a bit.
3.05pm
30 April 2019
3.19pm
30 April 2019
Not sure what the deal with I Me Mine is yet but there’s definitely a tempo shift when it changes from 6/8 to 4/4 feel. They don’t sync up much at all.
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Moderators
27 November 2016
Kaniffee said
Also 240 is ridiculously fast for a tempo, hardly anyone plays things at 200 bpm let alone 240.
I’ve seen plenty of pieces over 200 – in fact my friend who did the music composition subject last year (and got 3rd in the state) wrote his piece at 240bpm. It isn’t impossible, is my point, but I’m starting to think tempo is relative anyway and different people hear different things.
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5.02pm
30 April 2019
The Hole Got Fixed said
Kaniffee said
Also 240 is ridiculously fast for a tempo, hardly anyone plays things at 200 bpm let alone 240.
I’ve seen plenty of pieces over 200 – in fact my friend who did the music composition subject last year (and got 3rd in the state) wrote his piece at 240bpm. It isn’t impossible, is my point, but I’m starting to think tempo is relative anyway and different people hear different things.
The thing about tempos faster than 200 is that no one playing the song will actually internalize the the beat that fast. If the tempo is technically 240 the players will internalize 120 as the tempo because that’s a reasonable tempo their brain can actually handle. And because they’re playing it like 120 with offbeats that how it comes across.
Tempo is mainly for the person playing the piece. It’s not often that a listener will think about it to this degree. So tempos should be a reflection of how the player actually plays it.
5.15pm
30 April 2019
On a somewhat related note it occured to me that I have the Beatles complete scores book and though it doesn’t list tempo it does give insight to what the beat was considered to be based on the meter.
So they consider it to be in cut time with the half not getting the beat.
So yeah the tempo’s probably 120. Cut time tends to sound faster than it actually is.
And i suppose those drum accents are what you were talking about with the snare.
5.22pm
30 April 2019
Oh and apparently I Me Mine goes from 6/8 to 12/16 so the speed stays the same i guess but the beat changes from being dotted quarter note to being a dotted eighth note according to the sheet music. I tested this and if you imagine a duple rhythm with the dotted quarter beat the transition works very smoothly.
3.13am
Moderators
27 November 2016
Kaniffee said
So yeah the tempo’s probably 120. Cut time tends to sound faster than it actually is.
And i suppose those drum accents are what you were talking about with the snare.
That’s the issue – I hear it in common time, you hear it in cut common.
As a ‘musician’ myself I can internalise a beat that quickly – but it’s not so much a skill you can learn, just a way your brain works. I agree that it depends on how the musicians played it and not how the listener perceives it, I think that’s a really, really good and valid point. Unfortunately I can’t find an outtake of the song with a count-in (I can’t even find any outtake at all), which would have answered our question.
Kaniffee said
Oh and apparently I Me Mine goes from 6/8 to 12/16 so the speed stays the same i guess but the beat changes from being dotted quarter note to being a dotted eighth note according to the sheet music. I tested this and if you imagine a duple rhythm with the dotted quarter beat the transition works very smoothly.
That does my head in…
What I think that means is that the bars are the same length but have a different number of beats inside – so wouldn’t that mean the BPM does change?
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