5.13am
7 November 2022
Every time I listen to an isolated bass track, it doesn't sound like a bass at all -- has no resonance like it does when not isolated, sounds like it's all pick and no oomph. What gives?
Example: Paul's isolated bass from With A Little Help From My Friends --
Now today I find, you have changed your mind
5.56pm
21 February 2024
Listening to Dear Prudence on headphones, Paul's bass plucking is so boring and monotone I'd rather not hear it. Probably serves a purpose, but don't want to hear it that much!
Project 2025
America is SAFE Again! 47
2.17am
7 November 2022
I listened to Dear Prudence isolated bass too and I agree -- but my point is, these isolated tracks can't reflect the actual bass, since if it did, it wouldn't have hardly any satisfying effect on the listener when listening to the song normally -- but it DOES have satisfying effect on normal playback. I.e., I can hear more bass tonality normally, but when it's isolated, suddenly all the "juice" is drained from the bass. Something doesn't add up. The isolations must actually CHANGE the sound/tonality of the bass.
Now today I find, you have changed your mind
3.15pm
24 March 2014
7.50pm
1 December 2009
I've sometimes wondered if George Martin and Norman Smith just weren't that great at recording bass, considering how often The Beatles complained about the weak sound they got compared to Motown or Stax bass sounds - by comparison, The Rolling Stones version of "I Wanna Be Your Man " got a much bigger, thumpier bass sound than The Beatles did on their version of their own song!
GEORGE: In fact, The Detroit Sound. JOHN: In fact, yes. GEORGE: In fact, yeah. Tamla-Motown artists are our favorites. The Miracles. JOHN: We like Marvin Gaye. GEORGE: The Impressions PAUL & GEORGE: Mary Wells. GEORGE: The Exciters. RINGO: Chuck Jackson. JOHN: To name but eighty.
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