10.46pm
9 June 2010
10.49pm
19 September 2010
10.52pm
9 June 2010
OK. Let's continue.
*cough*”The End “*cough*
If I seem to act unkind, it's only me, it's not my mind that is confusing things.
10.55pm
19 September 2010
*cough*”Sgt. Pepper 's”*cough*
As if it matters how a man falls down.'
'When the fall's all that's left, it matters a great deal.
11.00pm
9 June 2010
*cough*”The Night Before “*cough*
If I seem to act unkind, it's only me, it's not my mind that is confusing things.
11.24pm
19 September 2010
*cough*”And Your Bird Can Sing “*cough*
As if it matters how a man falls down.'
'When the fall's all that's left, it matters a great deal.
12.38am
18 March 2010
Hmm. McCartney or Entwistle, Entwistle or McCartney…
Flip a coin. I love both these guys and they played for my two favorite best bands. McCartney plays the more amazing melodies, while Entwistle (aka, the Ox) is more like anarchy on bass. Those strengths each helped give each band their distinctive styles. When you combined Entwistle's bass with Moon's drums, you got the most anarchic rhythm section that ever existed.
As pointed out, Entwistle rarely sang. Hell, he rarely even spoke. He once said that on stage, he felt he should stand as still as a statue and concentrate on his playing. He felt that as a visual, his stability was needed to balance out Pete Townsend's bouncing around and windmill guitar slashes (often imitated, but Pete invented it), Roger Daltry's prancing and marching, and Keith Moon's all-out assault on his drums.
As an aside, I caught “The Last Waltz” on TV again the other day. I forgot what a great bassist Rick Danko was for The Band. Good stuff.
1.03am
19 April 2010
2.48am
1 May 2010
Not electric, but Blackbird is probably the best acoustic playing in the catalogue.
I sat on a rug, biding my time, drinking her wine
5.06am
12 December 2010
12.19pm
9 June 2010
12.49pm
19 April 2010
Well Paulrus, I understand your point and agree to an extent – however at the same time, if we have to pick one bass player as the best – and that's the question, then one has to sort of consolidate all the factors (technique, innovation, influence, etc).
When selecting just one element of playing, say actual technique, then yes we can certainly find someone who is better than Paul. But if we are going to distill all the different factors and come up with THE SINGLE BEST BASS PLAYER over all, and there can only be one, it's Paul McCartney .
Based on the above criteria, who else?
"She looks more like him than I do."
12.52pm
19 April 2010
12.55pm
9 June 2010
1.03pm
8 April 2010
1.05pm
9 June 2010
12.09am
4 February 2011
1.55am
19 September 2010
2.04am
4 March 2011
2.28am
1 December 2009
Paul's very good, he's excellent even, no question. Definitely among the best.
But “THE best?” Not in my opinion.
Among the 60s pop musicians, I personally think James Jamerson was better. And John Entwistle was at least as good.
(And Paul, being the nice guy that he is, would be happy to be compared to those two – probably even admit to being inspired by them.)
And if we're talking about the jazz-fusion guys like Stanley Clarke and Jaco Pastorius who came along in the 70s – forget it.
But you know what? None of those guys were also fluent on guitars and drums and keyboards.
And none of 'em could sing like Paul.
And no WAY do any of 'em have a back catalogue of incredible songs like Paul does!
So who really cares if he's not *THE BEST* bassist?
Screw being “the best”! He's Paul McCartney ! And they're NOT.
GEORGE: In fact, The Detroit Sound. JOHN: In fact, yes. GEORGE: In fact, yeah. Tamla-Motown artists are our favorites. The Miracles. JOHN: We like Marvin Gaye. GEORGE: The Impressions PAUL & GEORGE: Mary Wells. GEORGE: The Exciters. RINGO: Chuck Jackson. JOHN: To name but eighty.
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