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17 November 2015
5.33am
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Joe
Pepperland
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#9 Dream single - John Lennon

Written by: Lennon
Recorded: July-August 1974
Producer: John Lennon

Released: 4 October 1974 (UK), 26 September 1974 (US)

John Lennon: vocals, acoustic guitar
Nicky Hopkins: electric piano
Jesse Ed Davis: electric guitar
Eddie Mottau: acoustic guitar
Ken Ascher: clavinet
Klaus Voormann: bass guitar
Arthur Jenkins: percussion
Jim Keltner: drums
Bobby Keys: saxophone
May Pang, Lori…

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18 August 2016
6.18am
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Leppo
London
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Whilst this is a really good song and I love the melody am I alone in thinking the production is all wrong on this track? It just occurs to me that in the hands of George Martin it would have ended up a much better recording. I can't put my finger on everything that is wrong with it but one thing that stands out for me is that there isn't enough variation in the dynamics of the recording and perhaps the arrangement. Everything seems to be turned up to a level 10 with all the strings and the intensity etc and I think Lennon should have allowed for the listeners ears to get their breath back.

Lennon was usually very astute in knowing what a song needed regarding the arrangement but I feel he got it wrong on this song.

Pivotal Moments in Beatles History No.118:  Yoko helps herself to one of George's digestives. 

18 August 2016
10.06am
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sir walter raleigh
In our yellow (IN OUR YELLOW) submarine (SUBMARINE AHA!)
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The guitar tone heard at the beginning is all over Walls And Bridges . I'm not sure if I like it. #9 dream is very ambient, which fits the style and theme of the song, but I also agree theres something about it that doesn't seem quite right. George Martin would have done an exceedingly better job.

"The pump don't work cause the vandals took the handles!"

-Bob Dylan, Subterranean Homesick Blues

"We could ride and surf together while our love would grow"

-Brian Wilson, Surfer Girl

18 August 2016
10.22am
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Evangeline
1334 North Beechwood Drive
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I like the way the song was made. I don't feel like there's any sound flaw anywhere. 

 It's a beautiful song, I could listen to it all day. 

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I am you as you are you as you are you and you are all together. 

18 August 2016
1.18pm
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Ahhh Girl
sailing on a winedark open sea
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Wonder if Yoko would let Giles Martin work on a new mix.

7 July 2017
11.09pm
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sir walter raleigh
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@Zig said

Beauty is in the ear of the beholder. For me, this is one of the more interesting tracks on Pepper. The story line in itself is gripping, but the way the song is structured is what sells me on it - particularly John's haunting lines in the chorus;
She (we gave her most of our lives)
Is leaving (sacrificed most of our lives)
Home (we gave her everything money could buy)
She's Leaving Home , after living alone, for so many years (bye bye)
Brilliant. It would be even more brilliant if the lines "we gave her everything money could buy" and "bye bye" were a bit of Lennonesque wordplay. a-hard-days-night-john-1

The lyric on #9 dream 

"more I cannot say, what more can I say?" Reminds me a lot of this She's Leaving Home . He builds a call and response, but the response plays with the words quite a bit. 

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Zig

"The pump don't work cause the vandals took the handles!"

-Bob Dylan, Subterranean Homesick Blues

"We could ride and surf together while our love would grow"

-Brian Wilson, Surfer Girl

8 March 2018
6.17am
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Timothy
Nutopia
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Evangeline said
I like the way the song was made. I don't feel like there's any sound flaw anywhere. 

 It's a beautiful song, I could listen to it all day.   

It’s magical and haunting. The section from 2.09 to 2.50 is absolutely unbelievable. “Dreeeeeeeeeeeam dream away. Magic in the air. Was magic in the air? I beeeeeeelieve, yes I believe. More I cannot say. What more can I say?” 

I think this song makes me miss John the most. 

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Beatlebug

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8 March 2018
1.12pm
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sigh butterfly
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This version is a more intimate...a-hard-days-night-john-7

No longer riding on the merry-go-round
I just had to let it go ...

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