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7.34pm
Moderators
15 February 2015
Offline
vonbontee spaketh the truth from on high
Beatlebug, you’ll rotate the Beatles and Bowie and Zep and Pink and Floyd forever, I suspect!
Yes I will. 
50yearslate said
I’ve been listening to Heathen on repeat all morning.
all.
morning.
I must be on my seventh listen now at the very least.
Good job. 
Such a good album.
I’m listening to
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50yearslate, vonbontee([{BRACKETS!}])
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2.31pm
15 November 2018
Offline Beatlebug said in another thread
EDIT: Meant to post this in ‘what are you listening to…’@50yearslate
the Reality era was so cool (and I love Gail Anne Dorsey to death)
This. SO GOOD. 
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Beatlebug, BeatlebugLove one another.
- - -
(I'm Fiddy, not Walrian)
- - -
2018:
2019: 
2020:
5.37pm
15 March 2017
Offline Sol Invictus by Faith No More.
And in the end the lunch you take is equal to the lunch you bake.
6.22pm
1 December 2009
Offline
EP still on the FNM kick!
Listening to John Grant, “Queen of Denmark”
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Elementary PenguinGEORGE: In fact, The Detroit Sound. JOHN: In fact, yes. GEORGE: In fact, yeah. Tamla-Motown artists are our favorites. The Miracles. JOHN: We like Marvin Gaye. GEORGE: The Impressions PAUL & GEORGE: Mary Wells. GEORGE: The Exciters. RINGO: Chuck Jackson. JOHN: To name but eighty.
7.24pm
15 March 2017
Offline vonbontee said
EP still on the FNM kick!Listening to John Grant, “Queen of Denmark”
I sure am!
I am now listening to the Deluxe Edition of The Real Thing by Faith No More.
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vonbonteeAnd in the end the lunch you take is equal to the lunch you bake.
10.45pm
15 March 2017
Offline Live at the Brixton Academy by Faith No More.
And in the end the lunch you take is equal to the lunch you bake.
12.07am
15 March 2017
Offline I am now listening to the Deluxe Edition of Angel Dust by Faith No More.
And in the end the lunch you take is equal to the lunch you bake.
4.24am
26 January 2017
Offline The following people thank QuarryMan for this post:
BeatlebugI've been up on the mountain, and I've seen his wondrous grace,
I've sat there on the barstool and I've looked him in the face.
He seemed a little haggard, but it did not slow him down,
he was humming to the neon of the universal sound.
12.03pm
25 December 2017
Offline 
5.29pm
Moderators
15 February 2015
Offline Was: Good ol’ “Heroes”!
Am: ‘Slip Away’
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50yearslate, 50yearslate([{BRACKETS!}])
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5.36pm
15 November 2018
Offline The following people thank 50yearslate for this post:
BeatlebugLove one another.
- - -
(I'm Fiddy, not Walrian)
- - -
2018: 2019: 2020:
5.40pm
Moderators
15 February 2015
Offline ^Heathen is so good.
Am:
Will:
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50yearslate([{BRACKETS!}])
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6.15pm
15 March 2017
Offline I am now listening to the first Mr. Bungle album.
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vonbonteeAnd in the end the lunch you take is equal to the lunch you bake.
11.22am
Moderators
15 February 2015
Offline 
(thanks to https://www.beatlesbible.com/f…..5/#p320083) It’s All Too Much on repeat, alternating between the original and the YSS remix. Such a glorious sloppy cacophony of Technicolour splendour. 
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50yearslate([{BRACKETS!}])
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11.50am
Reviewers
17 December 2012
Offline I revealed on 2 May
Just starting a Dylan Marathon with 1961…The Home of Bob and Sid Gleason
East Orange, New Jersey; February or March 19611: San Francisco Bay Blues (Jessie Fuller)
2: Jesus Met the Woman at the Well (traditional)
3: Gypsy Davey (traditional, arranged by Woody Guthrie)
4: Pastures of Plenty (Woody Guthrie)
5: Trail of the Buffalo (traditional, arranged by Woody Guthrie)
6: Jesse James (traditional)
7: Car, Car (Woody Guthrie)
8: Southern Cannonball (R Hall/Jimmie Rodgers)
9: Bring Me Back, My Blue-Eyed Boy (traditional)
10: Remember Me (When the Candle Lights Are Gleaming) (traditional)Montewese Hotel (Indian Neck Folk Festival)
Branford, Connecticut; 6 May 196111: Talking Columbia (Woody Guthrie)
12: Hangknot, Slipknot (Woody Guthrie)
13: Talking Fish Blues (Woody Guthrie)unidentified coffeehouse
Minneapolis, Minnesota; May 196114: Ramblin’ Round (Woody Guthrie)
15: Death Don’t Have No Mercy (Reverend Gary Davis)
16: It’s Hard to Be Blind (traditional)
17: This Train Is Bound for Glory (Big Bill Broonzy, arranged by Woody Guthrie)
18: harmonica solo
19: Talking Fish Blues (Woody Guthrie)
20: Pastures of Plenty (Woody Guthrie)
21: This Land Is Your Land (Woody Guthrie)
22: Two Trains Runnin’ (McKinley Morganfield)
23: Wild Mountain Thyme (traditional)
24: Howdido (Woody Guthrie)
25: Car, Car (Woody Guthrie)
26: Don’t Push Me Down (Woody Guthrie)
27: Come See (Woody Guthrie)
28: I Want My Milk (Woody Guthrie)
29: San Francisco Bay Blues (Jesse Fuller)
30: A Long Time a-Growin’ (traditional)
31: Devilish Mary (Bess Lomax Hawes)
32: Railroad Bill (traditional)
33: Will the Circle Be Unbroken (A.P. Carter)
34: Man of Constant Sorrow (traditional, arranged by Bob Dylan)
35: Pretty Polly (traditional)
36: Railroad Boy (traditional)
37: James Alley Blues (Richard Brown)
38: Bonnie, Why’d You Cut My Hair?Riverside Church (12-Hour Hootenanny Special: Saturday of Folk Music)
New York City, New York; 29 July 196139: Handsome Molly (traditional)
40: Naomi Wise (traditional)
41: Poor Lazarus (traditional)
42: Mean Old Southern Railroad (Danny Kalb) *1
43: Acne (Eric von Schmidt) *2*1 Bob Dylan & Danny Kalb
*2 Bob Dylan & Ramblin’ Jack ElliottGaslight Café
New York City, New York; September 196144: Man on the Street
45: He Was a Friend of Mine (traditional)
46: Talking Bear Mountain Picnic Massacre Blues
47: Song to Woody
48: Pretty Polly (traditional)
49: Car, Car (Woody Guthrie) ** Bob Dylan & Dave van Ronk
Studio A, Columbia Recording Studios (Carolyn Hester session)
New York City, New York; 30 September 196150: Swing and Turn Jubilee [take 1] (traditional) *
51: Come Back, Baby [take 1] (traditional) *
52: Come Back, Baby [take 5] (traditional) *
53: Los Biblicos [take 1] (traditional) *
54: I’ll Fly Away [take 1] (Albert E Brumley) *
55: I’ll Fly Away [take 2] (Albert E Brumley) ** Carolyn Hester (Bob on harmonica)
WYNC Radio Studio (Oscar Brand’s Folk Song Festival)
New York City, New York; 29 October 196156: interview (1)
57: Sally Gal (Woody Guthrie)
58: interview (2)
59: The Girl I Left Behind (traditional)Carnegie Chapter Hall
New York City, New York; 4 November 196160: Pretty Peggy-O (traditional)
61: In the Pines (Huddie “Leadbelly” Leadbetter)
62: Gospel Plow (traditional)
63: 1913 Massacre (Woody Guthrie)
64: Backwater Blues (Bessie Smith)
65: A Long Time a-Growin’ (traditional)
66: Fixin’ to Die (Bukka White)
67: Talking Bear Mountain Picnic Massacre Blues
68: Man on the Street
69: This Land Is Your Land (Woody Guthrie)
70: Talking Merchant Marine (Woody Guthrie)
71: Black Cross (Lord Buckley)
72: Freight Train Blues (John Lair)
73: Song to Woody
74: Talkin’ New YorkStudio A, Columbia Recording Studios
New York City, New York; 20 November 196175: You’re No Good [take 5] (Jesse Fuller)
76: Fixin’ to Die [take 3] (Bukka White)
77: He Was a Friend of Mine [take 2] (traditional)
78: House of the Risin’ Sun [take 3] (traditional)
79: Talkin’ New York [take 2]
80:Song to Woody [take 2]
81: Baby Let Me Follow You Down [take 1] (Eric von Schmidt)
82: In My Time of Dyin’ [take 1] (traditional)Studio A, Columbia Recording Studios
New York City, New York; 22 November 196183: Man on the Street [take 2]
84: Man of Constant Sorrow [take 4] (traditional, arranged by Bob Dylan)
85: Pretty Peggy-O [take 2] (traditional)
86: See That My Grave Is Kept Clean (Blind Lemon Jefferson)
87: Gospel Plow [take 1] (traditional, arranged by Bob Dylan)
88: Highway 51 [take 1] (traditional, arranged by Bob Dylan)
89: Freight Train Blues[take 1] (John Lair)
90: House Carpenter [take 1] (traditional)The Home of Bonnie Beecher
Minneapolis, Minnesota; 22 December 196191: Candy Man (traditional, arranged by Reverend Gary Davis)
92: Baby Please Don’t Go (Big Joe Williams)
93: Hard Times in New York Town
94: Stealin’ (traditional, arranged by the Memphis Jug Band)
95: Poor Lazarus (traditional)
96: I Ain’t Got No Home (Woody Guthrie)
97: It’s Hard to Be Blind (traditional)
98: Dink’s Song (traditional, arranged by John & Alan Lomax)
99: Man of Constant Sorrow (traditional, arranged by Bob Dylan)
100: Story of East Orange
101: Naomi Wise (traditional)
102: Wade in the Water (traditional)
103: I Was Young When I Left Home
104: In the Evening (Brownie McGhee)
105: Baby Let Me Follow You Down (Eric von Schmidt)
106: Sally Gal (Woody Guthrie)
107: Gospel Plow (traditional, arranged by Bob Dylan)
108: Long John (traditional)
109: Cocaine Blues (traditional, arranged by Reverend Gary Davis)
110: VD Blues (Woody Guthrie)
111: VD Waltz (Woody Guthrie)
112: VD City (Woody Guthrie)
113: VD Gunner’s Blues (Woody Guthrie)
114: See That My Grave Is Kept Clean (Blind Lemon Jefferson)
115: Ramblin’ Round (Woody Guthrie)
116: Black Cross (Lord Buckley)And on 4 May I reported
…now I move into 1962 and Folksinger’s Choice…WBAI Studios (Folksinger’s Choice)
New York Town, New York; 13 January 1962117: Lonesome Whistle Blues (Hank Williams/Jimmy Davis)
118: Fixin’ to Die (Bukka White)
119: Smokestack Lightning (Howlin’ Wolf)
120: Hard Travelin’ (Woody Guthrie)
121: The Death of Emmett Till
122: Standing on the Highway
123: Roll On, John (traditional, arranged by Bob Dylan)
124: Stealin’ (traditional, arranged by the Memphis Jug Band)
125: Long Time Man (traditional, arranged by Alan Lomax)
126: Baby Please Don’t Go (Big Joe Williams)
127: Hard Times in New York TownThe Home of Eve and Mac MacKenzie
New York City, New York; 29 January 1962128: Hard Times in New York Town
129: The Death of Emmett Tillunknown studio (Leeds Music demos)
New York City, New York; February 1962130: Hard Times in New York Town
131: Poor Boy Blues
132: Ballad for a Friend
133: Rambling, Gambling Willie
134: Man on the Street
135: Talking Bear Mountain Picnic Massacre Blues
136: Standing on the HighwayWebster Hall (Harry Belafonte session)
New York City, New York; 2 February 1962137: Midnight Special [take 19] (traditional) *
138: Midnight Special [take 20] (traditional) ** Harry Belafonte (Bob on harmonica)
Cue Recording Studios (Victoria Spivey session)
New York City, New York; 2 March 1962139: Sittin’ on Top of the World (Big Joe Williams) *
140: Wichita (Big Joe Williams) *
141: Big Joe, Dylan and Victoria (Big Joe Williams) *
142: It’s Dangerous (Victoria Spivey) ** Victoria Spivey, Big Joe Williams & Bob Dylan
Gerde’s Folk City
New York City, New York; 16 April 1962143: Honey, Just Allow Me One More Chance (Henry Thomas/Bob Dylan)
144: Talkin’ New York
145: Corrina Corrina (traditional, arranged by Bob Dylan)
146: Deep Ellem Blues (Joe & Bob Attlesay)
147: Blowin’ in the WindStudio A, Columbia Recording Studios
New York City, New York; 24 April 1962148: Going to New Orleans [take 1] (traditional)
149: Going to New Orleans [take 2] (traditional)
150: Sally Gal [take 1] (Woody Guthrie)
151: Sally Gal [take 2] (Woody Guthrie)
152: Sally Gal [take 3] (Woody Guthrie)
153: Rambling, Gambling Willie [take 1]
154: Rambling, Gambling Willie [take 3]
155: Corrina Corrina [take 1] (traditional, arranged by Bob Dylan)
156: Corrina Corrina [take 2] (traditional, arranged by Bob Dylan)
157: The Death of Emmett Till [take 1]
158: Talking John Birch Paranoid Blues [take 3]
159: (I Heard That) Lonesome Whistle [take 2] (Hank Williams/Jimmie Davies)Studio A, Columbia Recording Studios
New York City, New York; 25 April 1962160: Rocks and Gravel [take 2]
161: Rocks and Gravel [take 3]
162: Let Me Die in My Footsteps [take 1]
163: Let Me Die in My Footsteps [edit of take 1]
164: Talkin’ Hava Negiliah Blues [take 1]
165: Sally Gal [take 1] (Woody Guthrie)
166: Sally Gal [take 2] (Woody Guthrie)
167: Baby Please Don’t Go [take 1] (Big Joe Williams)
168: Baby Please Don’t Go [take 3] (Big Joe Williams)
169: Milk Cow’s Calf’s Blues [take 1] (Robert Johnson)
170: Milk Cow’s Calf’s Blues [take 3] (Robert Johnson)
171: Wichita (Going to Louisiana) [take 1]
172: Talking Bear Mountain Picnic Massacre Blues [take 3]
173: Milk Cow’s Calf’s Blues [take 4] (Robert Johnson)
174: Wichita (Going to Louisiana) [take 2]WBAI Studios (Broadside show)
New York City, New York; May 1962175: Ballad of Donald White
176: The Death of Emmett Till
177: Blowin’ in the Wind ** Bob Dylan with Gil Turner, Pete Seeger & Sis Cunningham
Witmark Studio (Witmark demo)
New York City, New York; July 1962178: Blowin’ in the Wind
Finjan Club
Montreal, Quebec, Canada; 2 July 1962179: The Death of Emmett Till
180: Stealin’ (traditional, arranged by the Memphis Jug Band)
181: Hiram Hubbard (traditional)
182: Blowin’ in the Wind
183: Rocks and Gravel
184: Quit Your Low Down Ways
185: He Was a Friend of Mine (traditional)
186: Let Me Die in My Footsteps
187: Two Trains Runnin’ (McKinley Morganfield)
188: Ramblin’ on My Mind (Robert Johnson)
189: Blues Yodel No. 8 (Jimmie Rodgers/G. Vaughan)Studio A, Columbia Recording Studios
New York City, New York; 9 July 1962190: Baby, I’m in the Mood for You [take 2]
191: Baby, I’m in the Mood for You [take 3]
192: Blowin’ in the Wind [take 1]
193: Blowin’ in the Wind [take 2]
194: Blowin’ in the Wind [take 3]
195: Quit Your Low Down Ways [take 1]
196: Honey, Just Allow Me One More Chance (Henry Thomas/Bob Dylan)
197: Down the Highway
198: Worried Blues [take 1] (Hally Wood)
199: Worried Blues [take 2] (Hally Wood)
200: Baby, I’m in the Mood for You [take 4]
201: Bob Dylan’s Blues [take 1]
202: Bob Dylan’s Blues [take 2]Carnegie Hall (Carnegie Hall Hootenanny)
New York City, New York; 22 September 1962203: Sally Gal (Woody Guthrie)
204: Highway 51 (Curtis Jones)
205: Talking John Birch Paranoid Blues
206: Ballad of Hollis Brown
207: A Hard Rain ‘s a-Gonna FallThe Home of Eve and Mac MacKenzie
New York City, New York; September 1962208: See That My Grave Is Kept Clean (Blind Lemon Jefferson)
209: Ballad of Donald White
210: A Hard Rain ‘s a-Gonna Fall
211: unidentified instrumentalWBAI Studios (Billy Faier Show)
New York City, New York; October 1962212: Baby Let Me Follow You Down (Eric von Schmidt)
213: Talking John Birch Paranoid Blues
214: The Death of Emmett Till
215: Make Me a Pallet on Your Floor (traditional)Gaslight Café
New York City, New York; 15 October 1962216: Barbara Allen (traditional)
217: A Hard Rain ‘s a-Gonna Fall
218: Don’t Think Twice, It’s All Right
219: Black Cross (Lord Buckley)
220: No More Auction Block (traditional)
221: Rocks and Gravel
222: Moonshiner (traditional)
223: John Brown
224: Ballad of Hollis Brown
225: See That My Grave Is Kept Clean (Blind Lemon Jefferson)
226: Cocaine Blues (traditional, arranged by Reverend Gary Davis)
227: The Cuckoo Is a Pretty Bird (traditional)
228: Ain’t No More Cane (Huddie “Leadbelly” Leadbetter)
229: Motherless Children (traditional)
230: Handsome Molly (traditional)
231: Kindhearted Woman Blues (Robert Johnson)
232: West Texas (traditional)Studio A, Columbia Recording Studios
New York City, New York; 26 October 1962233: Corrina Corrina [take 2] (traditional, arranged by Bob Dylan)
234: Corrina Corrina [take 3] (traditional, arranged by Bob Dylan)
235: Corrina Corrina [take 4] (traditional, arranged by Bob Dylan)
236: That’s All Right Mama [take 1] (Arthur Crudup)
237: That’s All Right Mama [take 3] (Arthur Crudup)
238: That’s All Right Mama [take 5] (Arthur Crudup)
239: Mixed-Up Confusion [take 1]
240: Mixed-Up Confusion [take 3]
241: Corrina Corrina [take 7] (traditional, arranged by Bob Dylan)Folkways Studios (Broadside demos)
New York City, New York; circa October 1962242: I’d Hate to Be You on That Dreadful Day
243: Oxford Town
244: Paths of Victory
245: Walkin’ Down the LineWitmark Studio (Witmark demo)
New York City, New York; November 1962246: Long Ago Far Away
Studio A, Columbia Recording Studios
New York City, New York; 1 November 1962247: Mixed-Up Confusion [take 1]
248: Mixed-Up Confusion [take 2]
249: Mixed-Up Confusion [take 4]
250: Mixed-Up Confusion [take 5]
251: Mixed-Up Confusion [take 6]
252: That’s All Right Mama (Arthur Crudup) [take 1]
253: Rocks and Gravel [take 1]
254: Rocks and Gravel [take 2]Studio A, Columbia Recording Studios
New York City, New York; 14 November 1962255: Mixed-Up Confusion [take 10]
256: Mixed-Up Confusion [take 13]
257: Mixed-Up Confusion [take 15]
258: Don’t Think Twice, It’s All Right [take 1]
259: Ballad of Hollis Brown [take 2]
260: Kingsport Town [take 1]
261: Kingsport Town [take 2]
262: Whatcha Gonna Do [take 1]Studio A, Columbia Recording Studios
New York City, New York; 6 December 1962263: Hero Blues [take 1]
264: Whatcha Gonna Do [take 1]
265: Oxford Town [take 1]
266: I Shall Be Free [take 2]
267: I Shall Be Free [take 4]
268: I Shall Be Free [take 5]
269: Hero Blues [take 2]
270: Hero Blues [take 4]
271: A Hard Rain ‘s a-Gonna Fall [take 1]Witmark Studio (Witmark demos)
New York City, New York; December 1962272: A Hard Rain ‘s a-Gonna Fall
273: Tomorrow Is a Long Time
274: The Death of Emmett Till
275: Let Me Die in My Footsteps
276: Ballad of Hollis Brown
277: Quit Your Low Down Ways
278: Baby, I’m in the Mood for You
…and so onto 1963 which begins with Bobby in London, and ends with the two most influential post-World War II musical artists – Bob and The Beatles – starting to become aware of each other…
Dobell’s Jazz Record Shop (Dick Farina & Eric von Schmidt session)
London, England; 14 & 15 January 1963
279: Glory, Glory (traditional) *
280: You Can Always Tell (Furry Lewis) *
281: Christmas Island (Dick Farina) *
282: Cocaine Blues (traditional) *
283: London Waltz (Dick Farina) *
284: Oversea Stomp (The Memphis Jug Band) *
* Dick Farina & Eric von Schmidt (Bob on harmonica and backing vocal as Blind Boy Grunt)
Folkways Studios (Broadside demos)
New York City, New York; circa January 1963
285: I Shall Be Free
286: Train a-Travelin’
287: Cuban Missile Crisis
Folkways Studios (Broadside demo)
New York City, New York; 19 January 1963
288: Farewell
Folkways Studios (Broadside demos)
New York City, New York; 24 January 1963
289: Masters of War
290: Playboys and Playgirls
291: Let Me Die in My Footsteps *
* Happy Traum & [Bob Dylan as] Blind Boy Grunt
Folkways Studios (Broadside demos)
New York City, New York; February 1963
292: Only a Hobo *
293: John Brown *
294: Talkin’ Devil *
* [Bob Dylan as] Blind Boy Grunt
The Basement of Gerde’s Folk City
New York City, New York; 8 February 1963
295: Lonesome River Edge (unknown)
296: Back Door Blues (traditional)
297: Bob Dylan’s Dream
298: You Can Get Her (unknown)
299: Farewell *1
300: All Over You *1
301: Masters of War *1
302: instrumental
303: Keep Your Hands Off Her (Huddie “Leadbelly” Leadbetter) *1
304: Honey Babe (unknown)
305: Goin’ Back to Rome (unknown)
306: Stealin’ (traditional, arranged by the Memphis Jug Band) *2
*1 Bob Dylan & Happy Traum
*2 Bob Dylan, Happy Traum & Gil Turner
WBAI Studios (Skip Weshner Show)
New York City, New York; February 1963
307: Tomorrow Is a Long Time
308: Masters of War
309: Bob Dylan’s Blues
Witmark Studio (Witmark demos)
New York City, New York; winter 1963
310: Bound to Lose, Bound to Win
311: All Over You
312: I’d Hate to Be You on That Dreadful Day
313: Talking John Birch Paranoid Blues
WNBC Radio Studios (Oscar Brand Show)
New York City, New York; March 1963
314: Girl from the North Country
315: Only a Hobo
Witmark Studio (Witmark demos)
New York City, New York; March 1963
316: Long Time Gone
317: Masters of War
318: Farewell
319: Oxford Town
320: Don’t Think Twice. It’s All Right
321: Walkin’ Down the Line
Westinghouse Studios (Folk Songs and More Folk Songs)
New York City, New York; 3 March 1963
322: Blowin’ in the Wind
323: Man of Constant Sorrow (traditional, arranged by Bob Dylan)
324: Ballad of Hollis Brown
Witmark Studio (Witmark demos)
New York City, New York; April 1963
325: I Shall Be Free
326: Bob Dylan’s Blues
327: Bob Dylan’s Dream
328: Boots of Spanish Leather
Town Hall
New York City, New York; 12 April 1963
329: Ramblin’ Down Thru the World
330: Bob Dylan’s Dream
331: Talkin’ New York
332: Ballad of Hollis Brown
333: Walls of Red Wing
334: All Over You
335: Talking John Birch Paranoid Blues
336: Boots of Spanish Leather
337: Hero Blues
338: Blowin’ in the Wind
339: John Brown
340: Tomorrow Is a Long Time
341: A Hard Rain ‘s a-Gonna Fall
342: Dusty Old Fairgrounds
343: Who Killed Davey Moore?
344: Seven Curses
345: Highway 51 (Curtis Jones)
346: Pretty Peggy-O (traditional, arranged by Bob Dylan)
347: Bob Dylan’s New Orleans Rag
348: Don’t Think Twice, It’s All Right
349: Hiding Too Long
350: With God on Our Side
351: Masters of War
352: Last Thoughts on Woody Guthrie
The Home of Eve and Mac MacKenzie
New York City, New York; 18 April 1963
353: James Alley Blues (Richard Brown)
354: Long Time Gone
355: Only a Hobo
356: unidentified instrumental
357: A Hard Rain ‘s a-Gonna Fall
The Home of Eve and Mac MacKenzie
New York City, New York; 19 April 1963
358: I Rode Out One Morning
359: House of the Risin’ Sun (traditional)
Studio A, Columbia Recording Studios
New York City, New York; 24 April 1963
360: Girl from the North Country [take 2]
361: Masters of War [take 3]
362: Walls of Red Wing [take 3]
363: Talking World War III Blues [take 5]
364: Bob Dylan’s Dream [take 2]
The Bear
Chicago, Illinois; 25 April 1963
365: Honey, Just Allow Me One More Chance (Henry Thomas/Bob Dylan)
366: Talking John Birch Paranoid Blues
367: Bob Dylan’s Dream
368: Ballad of Hollis Brown
369: Talking World War III Blues
370: A Hard Rain ‘s a-Gonna Fall
371: With God on Our Side
WFMT-Radio Studio (Studs Terkel Wax Museum)
Chicago, Illinois; 26 April 1963
372: Farewell
373: A Hard Rain ‘s a-Gonna Fall
374: Bob Dylan’s Dream
375: Boots of Spanish Leather
376: John Brown
377: Who Killed Davey Moore?
378: Blowin’ in the Wind
Witmark Studio (Witmark demos)
New York City, New York; May 1963
379: Girl from the North Country
380: Seven Curses
381: Hero Blues
Brandeis University (The Brandeis University Folk Festival)
Waltham, Massachusetts; 10 May 1963
382: Honey, Just Allow Me One More Chance (Henry Thomas/Bob Dylan)
383: Talking John Birch Paranoid Blues
384: Ballad of Hollis Brown
385: Masters of War
386: Talking World War III Blues
387: Bob Dylan’s Dream
388: Talking Bear Mountain Picnic Massacre Blues
Silas Magee’s Farm (Voter Registration Rally)
Greenwood, Mississippi; 6 July 1963
389: Only a Pawn in Their Game
unidentified recording studio (Ramblin’ Jack Elliott session)
New York City, New York; summer 1963
390: Will the Circle Be Unbroken (A.P. Carter) *
* Jack Elliott (Bob on harmonica as Tedham Porterhouse)
Freebody Park (Newport Folk Festival; evening)
Newport, Rhode Island; 26 July 1963
391: Talkin’ World War III Blues
392: Only a Pawn in Their Game
393: A Hard Rain ‘s a-Gonna Fall
Freebody Park (Newport Folk Festival; evening finale)
Newport, Rhode Island; 26 July 1963
394: Blowin’ in the Wind *1
395: We Shall Overcome (traditional) *2
*1 Bob Dylan with Joan Baez, the Freedom Singers, Pete Seeger and Peter, Paul & Mary
*2 Bob Dylan with Joan Baez, Theo Bikel, the Freedom Singers, Pete Seeger and Peter, Paul & Mary
Porch #1 of Newport Casino, Freebody Park (Newport Folk Festival; Ballads workshop)
Newport, Rhode Island; 27 July 1963
396: North Country Blues
397: With God on Our Side *
* Bob Dylan & Joan Baez
Porch #2, lawn of Newport Casino, Freebody Park (Newport Folk Festival; Topical Songs and New Songwriters)
Newport, Rhode Island; 28 July 1963
398: Who Killed Davey Moore?
399: Playboys and Playgirls *
* Bob Dylan & Pete Seeger
Freebody Park (Newport Folk Festival; Joan Baez set)
Newport, Rhode Island; 28 July 1963
400: With God on Our Side *
* Joan Baez & Bob Dylan
Freebody Park (Newport Folk Festival; evening finale)
Newport, Rhode Island; 28 July 1963
401: This Land Is Your Land (Woody Guthrie) *
* Pete Seeger with Bob Dylan, Joan Baez, Theo Bikel, the Freedom Singers and Peter, Paul & Mary
WNEW TV Studios (Songs of Freedom)
New York City, New York; 30 July 1963
402: Blowin’ in the Wind
403: Only a Pawn in Their Game
Studio A, Columbia Recording Studios
New York City, New York; 6 August 1963
404: North Country Blues [take 4]
405: Seven Curses [take 3]
406: Farewell [take 4]
Studio A, Columbia Recording Studios
New York City, New York; 7 August 1963
407: Ballad of Hollis Brown [take 1]
408: With God on Our Side [take 1]
409: Only a Pawn in Their Game [take 1]
410: Boots of Spanish Leather [take 1]
411: Eternal Circle [unknown take]
Studio A, Columbia Recording Studios
New York City, New York; 12 August 1963
412: Paths of Victory [take 1]
413: Hero Blues [take 3]
414: Moonshiner [take 1] (traditional)
415: Eternal Circle [take 4]
416: Only a Hobo [take 1]
Witmark Studio (Witmark demos)
New York City, New York; August 1963
417: Whatcha Gonna Do
418: Gypsy Lou
419: Ain’t Gonna Grieve
420: John Brown
421: Only a Hobo
422: When the Ship Comes In
Forest Hills Tennis Stadium (Joan Baez concert)
New York City, New York; 17 August 1963
423: Troubled and I Don’t Know Why (traditional, arranged by Bob Dylan) *
* Joan Baez & Bob Dylan
Lincoln Memorial (March On Washington for Jobs and Freedom)
Washington, District of Columbia; 26 August 1963
424: When the Ship Comes In *1
425: Only a Pawn in Their Game
426: Keep Your Eyes on the Prize (Hold On ) (Len Chandler) *2
*1 Bob Dylan & Joan Baez
*2 Len Chandler with Bob Dylan, Joan Baez and Gil Turner
Witmark Studio (Witmark demo)
New York City, New York; October 1963
427: The Times They Are a-Changin’
Studio A, Columbia Recording Studios
New York City, New York; 23 October 1963
428: Percy’s Song [take 1]
429: The Lonesome Death of Hattie Carroll [take 2]
430: When the Ship Comes In [take 2]
431: The Times They Are a-Changin’ [unknown take]
432: East Laredo Blues
433: That’s All Right Mama (Arthur Crudup)
Studio A, Columbia Recording Studios
New York City, New York; 24 October 1963
434: Eternal Circle [take 1]
435: The Times They Are a-Changin’ [take 1]
436: Lay Down Your Weary Tune [take 1]
437: One Too Many Mornings [take 3)
438: Suze (The Cough Song) [take 1]
439: Bob Dylan’s New Orleans Rag [take 2]
Carnegie Hall
New York City, New York; 24 October 1963
440: The Times They Are a-Changin’
441: Ballad of Hollis Brown
442: Who Killed Davey Moore?
443: Boots of Spanish Leather
444: Talking John Birch Paranoid Blues
445: Lay Down Your Weary Tune
446: Blowin’ in the Wind
447: Percy’s Song
448: Seven Curses
449: Walls of Red Wing [take 3 24/04/63] [audience overdubbed]
450: North Country Blues
451: A Hard Rain ‘s a-Gonna Fall
452: Talking World War III Blues
453: Don’t Think Twice, It’s All Right
454: With God on Our Side
455: Only a Pawn in Their Game
456: Masters of War
457: The Lonesome Death of Hattie Carroll
458: When the Ship Comes In
Studio A, Columbia Recording Studios
New York City, New York; 31 October 1963
459: Restless Farewell [take 9]
Witmark Studio (Witmark demo)
New York City, New York; December 1963
460: Paths of Victory
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The Beatles Bible 2020 non-Canon Poll Part One: 1958-1963 and Part Two: 1964-August 1966
7.25pm
15 March 2017
Offline Disco Volante by Mr. Bungle.
And in the end the lunch you take is equal to the lunch you bake.
7.48pm
1 December 2009
Offline Elementary Penguin said
Disco Volante by Mr. Bungle.
That’s one crazy album! I haven’t pulled it since the 90s probably, can barely remember more than bits of tunes or interludes…not easy to grasp!
GEORGE: In fact, The Detroit Sound. JOHN: In fact, yes. GEORGE: In fact, yeah. Tamla-Motown artists are our favorites. The Miracles. JOHN: We like Marvin Gaye. GEORGE: The Impressions PAUL & GEORGE: Mary Wells. GEORGE: The Exciters. RINGO: Chuck Jackson. JOHN: To name but eighty.
8.02pm
15 November 2018
Offline Was: Heathen
Am: Revolver
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8.41pm
Moderators
15 February 2015
Offline Was: My band (myself inclusive) bashing through ‘Rock Lobster’ by the B-52’s
Am:
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8.51pm
15 March 2017
Offline vonbontee said
Elementary Penguin said
Disco Volante by Mr. Bungle.
That’s one crazy album! I haven’t pulled it since the 90s probably, can barely remember more than bits of tunes or interludes…not easy to grasp!
It is a difficult listen that is for sure. I appreciate it for what it is but I only listen to it every Now And Then .
I am currently listening to California by Mr. Bungle which is much easier to listen to.
And in the end the lunch you take is equal to the lunch you bake.
