Studio two, EMI Studios, Abbey Road
Producer: George Martin
Engineer: Phil McDonald
They taped a series of overdubs onto take 27, the basic track which had been laid down on 31 January 1969. First to be recorded on this day was a bass guitar part, with McCartney replacing Lennon’s original effort on track four.
Two trumpets, two trombones and a tenor saxophone were recorded onto track five by session musicians, as was McCartney’s descending piano motifs in between chorus and verses.
Three reduction mixes were then made to free up space on the multitrack tape. These mixes were labelled takes 28-30; as they were being made, a simultaneous overdub on track five of brass and woodwind double-tracked the previous recording. Cellos, again played by session musicians, were also added during the reduction mixes to track two.
McCartney, his wife Linda and George Harrison triple-tracked some high harmony vocals. These were initially recorded onto track seven; an unnumbered mix bounced this onto track four, and while it was made they recorded the second set of harmonies. A final mix saw the third lot of vocals added once again to track seven, along with the previous sets. This track also contained the guitar solo recorded on 30 April 1969, which was used on the ‘Let It Be’ single.
The final recording saw Harrison add lead guitar, including a new solo, onto track four, along with maracas by McCartney and extra drums by Ringo Starr. This solo can be heard on the Let It Be album.
Two stereo mixes of the song were then made. Glyn Johns, who produced many of the Let It Be recordings, was present at the session. To compile his latest version of the Get Back album, he took away the new Let It Be mixes, along with the multitrack tape of ‘I Me Mine’ from the previous day.
Also on this day...
- 1967: Recording: Penny Lane
- 1965: Live: Another Beatles Christmas Show
- 1964: Live: The Beatles’ Christmas Show
- 1964: Radio: various interviews
- 1963: Live: Town Hall, Dingwall, Scotland
Want more? Visit the Beatles history section.