Lady Madonna

Written by: Lennon-McCartney
Recorded: 3, 6 February 1968
Producer: George Martin
Engineers: Ken Scott, Geoff Emerick

Released: 15 March 1968 (UK), 18 March 1968 (US)

Paul McCartney: vocals, piano, bass, handclaps
John Lennon: backing vocals, lead guitar, handclaps
George Harrison: backing vocals, lead guitar, handclaps
Ringo Starr: drums, handclaps
Ronnie Scott, Bill Povey: tenor saxophones
Harry Klein, Bill Jackman: baritone saxophones

Available on:
Past Masters
1
Anthology 2
Love

Lady Madonna, The Beatles' first release of 1968, was a bluesy number written by Paul McCartney, and recorded just prior to the group's trip to India to study meditation with Maharishi Mahesh Yogi.

It was also their final release on Parlophone/Capitol. From Hey Jude onwards, The Beatles released all their subsequent singles and albums on their own Apple Records label.

The original concept was the Virgin Mary but it quickly became symbolic of every woman; the Madonna image but as applied to ordinary working class woman. It's really a tribute to the mother figure, it's a tribute to women. Your Mother Should Know is another. I think women are very strong, they put up with a lot of shit, they put up with the pain of having a child, of raising it, cooking for it, they are basically skivvies a lot of their lives, so I always want to pay a tribute to them.

Although the gritty subject matter was a departure from the LSD-based fantasies that dominated much of The Beatles' 1967 output, the lyrics in Lady Madonna's middle eight contain the words "See how they run," an echo of Lennon's I Am The Walrus.

I was writing the words out to learn it for an American TV show and I realised I missed out Saturday; I did every other day of the week, but I missed out Saturday. So I figured it must have been a real night out.

The music, too, was notably a throwback from the mind-expanding psychedelia of Sgt Pepper. The intro bears a resemblence to that of Humphrey Lyttelton's 1956 hit Bad Penny Blues (released on Parlophone, whose head of A&R was George Martin), and McCartney's left handed, bass-led piano playing was inspired by blues pianist Fats Domino, who covered the song in 1968.

Lady Madonna was me sitting down at the piano trying to write a bluesy boogie-woogie thing. I got my left hand doing an arpeggio thing with the chord, an ascending boogie-woogie left hand, then a descending right hand. I always liked that, the juxtaposition of a line going down meeting a line going up. That was basically what it was. It reminded me of Fats Domino for some reason, so I started singing a Fats Domino impression. It took my voice to a very odd place.

In the studio

The Beatles began recording Lady Madonna on 3 February 1968. They began by recording three takes of the basic rhythm track, with McCartney on piano and Starr playing the drums with brushes.

McCartney added a bass part that evening, and Lennon and Harrison both played fuzz-toned guitars through the same amplifier. Starr also added another drum track.

During the same session McCartney added his vocals, which were later double tracked, and Lennon and Harrison provided backing vocals.

The Beatles returned to the song three days later. McCartney added his second vocal and another piano track, and all Beatles contributed handclaps. McCartney, Lennon and Harrison also recorded their "See how they run" vocals, and the vocalised imitation brass during the middle eight.

That evening four sax players were contacted to complete the song. They were called in at the last minute, without any prepared music, and their lines were largely improvised.

Paul went through the song on the piano and we were each given a scrap of manuscript paper and a pencil to write out some notes. Had there been music we would have been in and out in about 10 minutes. As it was, it took most of the evening, recording it in A major pitch with the rhythm track playing in our headphones.

The saxophone solo was played by Ronnie Scott, although much of it was removed or buried in the mix. Scott was reportedly unhappy about this, but The Beatles and George Martin were free to do as they pleased.

A new edit of Lady Madonna, comprising elements from takes three, four and five, was included on the Anthology 2 album. It restored the extended sax break from Ronnie Scott, and an extra solo flourish from him at the close of the song.

A remixed version of Lady Madonna was included on the 2006 album Love. Notable features were a drums and percussion introduction, the sax solo heard on Anthology 2, a segue into the riff from Hey Bulldog for the guitar solo, and Hammond organ from I Want You (She's So Heavy).

Related articles:

• UK single release: Lady Madonna
• Recording, mixing: The Inner Light, Lady Madonna
• Recording: Lady Madonna, Across The Universe
• US single release: Lady Madonna
• Hey Bulldog