Written by: Lennon-McCartney
Recorded: 1 March 1964
Producer: George Martin
Engineer: Norman Smith
Released: 19 June 1964 (UK), 10 April 1964 (US)
John Lennon: vocals, rhythm guitar
Paul McCartney: bass
George Harrison: lead guitar
Ringo Starr: drums, cowbell
Available on:
Past Masters
One of John Lennon's earliest compositions, I Call Your Name was the only Lennon-McCartney original on the Long Tall Sally EP. It was likely held off the A Hard Day's Night album due to the similar use of cowbell in You Can't Do That.
It was given first to Billy J Kramer and the Dakotas, another Brian Epstein-managed act, who released it as the b-side to their single Bad To Me, another Lennon-McCartney song, in July 1963.
That was my song. When there was no Beatles and no group. I just had it around. It was my effort as a kind of blues originally, and then I wrote the middle eight just to stick it in the album when it came out years later. The first part had been written before Hamburg even. It was one of my first attempts at a song.
All We Are Saying, David Sheff
Musically the song is perhaps most interesting for its guitar solo, during which The Beatles fall into a ska rhythm. Lennon in particular particularly loved ska and reggae in later years, although in 1964 it was largely unknown outside Jamaica.
According to Paul McCartney, I Call Your Name was written in Lennon's aunt Mimi's house in Menlove Avenue, Liverpool.
We worked on it together, but it was John's idea. When I look back at some of these lyrics, I think, Wait a minute. What did he mean? 'I call your name but you're not there.' Is it his mother? His father? I must admit I didn't really see that as we wrote it because we were just a couple of young guys writing. You didn't look behind it at the time, it was only later you started analysing things.
Many Years From Now, Barry Miles
In the studio
I Call Your Name was recorded on 1 March 1964, the same day The Beatles recorded I'm Happy Just To Dance With You and Long Tall Sally, all within a three-hour session.
I Call Your Name was the second song of the day to be taped. Why the group decided to resurrect the song almost a year after Billy J Kramer had recorded it is unknown, but John Lennon captured by the studio microphones before take one, asking: "Do you think it's a bit much doing Billy J's intro and solo? 'Cause it's our song anyroad, innit?"
The Beatles recorded the song in seven takes. Another Lennon vocal and cowbell by Starr was added to the last of these, and the ska section was later edited in from take five.
Related articles:
- UK EP release: Long Tall Sally
- Recording: I'm Happy Just To Dance With You, Long Tall Sally, I Call Your Name
- Recording, mixing, editing: Long Tall Sally, Matchbox, I Call Your Name, Slow Down, When I Get Home, Any Time At All, I'll Cry Instead
- Mixing: I Call Your Name
- Long Tall Sally
could've used a bit more cowbell
An oddly underappreciated song, this is actually one of my favorite early Beatles songs. I think I began to pay more attention to it when I heard The Mamas and Papa's cover. If an estimable songwriter like John Phillips appreciates a song enough to cover it, there must be something to it. Paul's bass is great too.
I originally had the American mono Second Album, and some years later when after I played it until it turn white I purchased the Stereo Version. I appeared to me that the opening licks of this song were different between the two versions. We know the Beatles made two versions of some of their earlier stuff (Stereo and Mono) Can anyone verify this?