Written by: Lennon-McCartney
Recorded: 4, 8 February 1968
Producer: George Martin
Engineers: Martin Benge, Ken Scott, Peter Bown
Released: 12 December 1969
John Lennon: vocals, backing vocals, acoustic rhythm guitar, organ
Paul McCartney: backing vocals, acoustic guitar, piano
George Harrison: backing vocals, electric guitar, tambura, maracas
Ringo Starr: drums, percussion, svaramandal
George Martin: Hammond organ
Lizzie Bravo: backing vocals
Gayleen Pease: backing vocals
Uncredited: 18 violins, four violas, four cellos, harp, three trumpets, three trombones, two guitarists, 14 choristers
Available on:
Let It Be
Past Masters
Anthology 2
Let It Be... Naked
Although best known as a track on 1970's Let It Be album, Across The Universe was recorded in early 1968 and first released on a World Wildlife Fund album the following year.
It was John Lennon's first composition to be recorded by The Beatles since I Am The Walrus five months earlier. The words were written before the music, and came to Lennon in the early hours one morning at his home in Kenwood.
I was lying next to my first wife in bed and I was thinking. It started off as a negative song and she must have been going on and on about something. She'd gone to sleep and I kept hearing, 'Words are flowing out like endless streams...' I was a bit irritated and I went downstairs and it turned into a sort of cosmic song rather than, 'Why are you always mouthing off at me?'...
The words are purely inspirational and were given to me - except for maybe one or two where I had to resolve a line or something like that. I don't own it; it came through like that.
Anthology
Part of the song's chorus - 'Jai guru deva, om' - is a Sanskrit phrase which roughly translates as 'Victory to God divine'. It was likely inspired by Maharishi Mahesh Yogi, whom The Beatles had met in August 1967. The Maharishi's spiritual master was called Guru Dev. 'Jai' is a Hindi word meaning 'long live' or 'victory', and 'om' is a sacred syllable in the Hindu, Jain and Buddhist religions.
It's one of the best lyrics I've written. In fact, it could be the best. It's good poetry, or whatever you call it, without chewin' it. See, the ones I like are the ones that stand as words, without melody. They don't have to have any melody, like a poem, you can read them.
Rolling Stone, 1970
Lennon initially wanted Across The Universe to be released as a single while The Beatles were in India with the Maharishi, but the group opted for Lady Madonna instead. In March 1969 Across The Universe was mooted for a never-released Yellow Submarine EP, but eventually appeared on No One's Gonna Change Our World, an 11-song charity album also featuring The Bee Gees, Cilla Black, The Hollies and others.
This was one of my favourite songs, but it's been issued in so many forms that it's missed it as a record. I gave it at first to the World Wildlife Fund, but they didn't do much with it, and then we put it on the Let It Be album.
Related articles:
- Glyn Johns compiles the second Get Back LP
- Recording: Across The Universe, The Long And Winding Road, I Me Mine
- Phil Spector begins work on Let It Be
- Mixing: The Long And Winding Road, I Me Mine, Across The Universe
- John Lennon/Plastic Ono Band
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You really need separate list of instruments for each versions, all four official versions are different.
I am also confused about the organ, on the next page you say it is wiped, why do you list it?
I heard a very strange verson in 1970 on AM radio. The begining and the end had this sound effect that sounded like some weapon from star wars echoing Across The Universe.This version was in the I Am The Walrus flavor. Most important was that before it was given to the world wildlife fund the lyrics were NOTHING GOING TO CHANGE MY MIND.It was an electric version with a LOT of sitars and backwards guitars.The DJ said THIS RECORD IS STOLEN
Hello Edward! You should contact the radio station involved (if you can remember which one) and inquire about this particular version which, according to you, appears to be unique.
If you're right, Edward, it means that John successfully transformed something domestic into something cosmic, maybe just by the chance of having agreed to do a version for the WWF. How wonderful!
Are you sure John wanted to release this song as a single while they were in India? I always thought John was pushing for Hey Bulldog (recorded during the same group of sessions) to be released over Lady Madonna.
The song is splendid, but what an incredible mess the Spector version! He turned this etheral, subtle, delicate, so musical harmony into a heavy (screamed) anthum. Only the Past Masters (World Wildlife Fund) version is worse - no wonder John hated it...
Thank goodness, the Anthology has a decent interpretion, you can relly listen to this song. The Let It Be Naked one is truly enjoyable, light and blue, with a silk-and-honey John voice. A treat. Thank you, sir Paul!
John himself disagreed with you, at least regarding the Spectorized-version on "Let It Be."
I found online a "Super Rare Psychedelic Version" full of backwards guitars; wonder if that's the same one Edward heard?
In all, that makes five different versions, and I love 'em all, even Spector's. For John to be dissatisfied with the results, no matter which version, was characteristic.
The version done for the "No One's Gonna Change Our World" album can also be found on the British "Rareties" album.
The version on Mono Masters is supposedly the version mixed for the Yellow Submarine EP, so why does it have bird sounds that they added after it was chosen for the WWF album?
The versions on the WWF album, Past Masters,Let it be and Let it be - naked
are based on the same take from feb.68.
The lead vocal,the tambura, the acoustic and electric guitar are the same on all versions.The tempo is speeded up one semitone in the WWF and Past Master mix but speeded down again in the Spector (over)produced version from Let it be, Spector omitted George, Pauls and the girls backing vocals and added all the other stuff.The "naked" version kept only Johns vocal and acoustic guitar and George's tambura. Only the Antology version is a completely different take, probably recorded before the other one.
Across the Universe was planned to be the A side of the first 1968 Beatles single backed with Lady Madonna. But none of the Beatles were satisfied with the recording. Therefore they tried to rerecord it in Jan. 69. Hey Bulldog was never an option for the single.
Does anyone else have an opinion on the "Hums Wild" mix that has been bootlegged over the years? Personally, it's my favourite version of the song, aside from Take 2 which was released on "Anthology 2."
I always thought this was John's best song with the Beatles, even better than Strawberry Fields or A Day In the Life.
I prefer simple arrangements, and some songs are just made for one voice and a guitar ... this is one of them, in my opinion.
I am inclined to agree with you.
more of a john lennon song not much of a beatles performance. i prefer paul to be singing duet with john on the chorus..."nothings gonna change my world..." and george on another guitar
Four released version based on the same takes. Maybe I´m going deaf or something, but I can´t hear any drums or organ or piano. They tried all this instruments, but all I can hear is double-tracked lead vocals, two acoustic guitars, tone-pedal steel guitar, tamboura, swaramandal, ¿congas? (¿maybe drums with some effects?) and maracas.
Lewisohn said "harp-like effect". Maybe that´s the sound, and not a swaramandal at all.
It's a complicated recording, made all the more difficult by the different versions officially released. However, after reading the musicologist Walter Everett's brilliant The Beatles As Musicians, it seems this is correct:
Anthology 2: Lennon and McCartney on acoustic guitars, Harrison on tambura, Starr on svaramandal.
Past Masters: Acoustic guitars, tambura and svaramandal as before. Starr also played a tom tom (heard just before the vocals begin), and organ by Lennon enters with the first chorus. Harrison played the maracas, and George Martin added another organ, both beginning in the fourth bar of the chorus. Harrison played wah-wah guitar, and McCartney added the low ascending piano run in the coda.
Let It Be: Spector kept Lennon's vocals and guitar, and Harrison's maracas and wah guitar and tambura. He added orchestration, and during the recording session Ringo added more drums. The drums are the hardest to hear in each of the versions, particularly on Let It Be's due to the wall of sound.
That book you quoted seems very interesting.
Lewisohn tells the story pretty diferent: every version comes from the same take, and all guitars were played by John. Ringo on swaramandal? That's really something new.
I need another session with four versions to compare with your notes.
Thanks for the info.
I think they are all from the same take, though some of the masters included different elements from the multi-track tapes.
The instrument I've found hardest to make out is the organ. I'm still not convinced it's there at all.
Awesome track! I really enjoy listening to it!
Thanks for visiting the site, Questlove!