The Beatles Bible

The Beatles Bible
The Beatles Bible
  • Share this page:
  • Share
  • Home
  • History
  • Songs
  • Albums
  • Discography
  • People
  • Features
  • Books
  • Map
  • Gallery
  • Fab forum
  • Store
  • Subscribe:
  • RSS icon RSS
  • Email envelope icon Email
  • Twitter icon Twitter
  • Facebook icon Facebook
iTunes & App Store
Home > Beatle people > Phil Spector

Phil Spector

  • Page 1 of 3
  • « Previous
  • 1
  • 2
  • 3
  • Next »

The legendary record producer Phil Spector was drafted in to work on the abandoned Let It Be project, which was released as The Beatles' final album. After the group's split he worked on solo recordings by John Lennon and George Harrison.

He was born Harvey Philip Spektor on 26 December 1940 in the Bronx, New York City. Following his father's suicide in 1949, his family moved to Los Angeles, California in 1953, where he learned the guitar and discovered a passion for music.

At 16 Spector performed Lonnie Donegan's Rock Island Line at a talent show at Fairfax High School. Soon after he formed a group, The Teddy Bears, with three friends from school - Marshall Lieb, Harvey Goldstein and Annette Kleinbard. Spector began visiting local recording studios, and was mentored by Stan Ross, producer and co-owner of Hollywood's Gold Star Studios.

In the spring of 1958 The Teddy Bears recorded Don't You Worry My Little Pet, a song written by Spector, at Gold Star. Spector produced the recording, which helped them sign a deal with Era Records. At the following session they recorded another Spector-penned song, To Know Him Is To Love Him, a title inspired by the epitaph on his father's gravestone.

To Know Him Is To Love Him sold more than a million copies in 1958, and reached number one on the Billboard Hot 100 singles chart. Following its success the group signed to Imperial Records, but their next single I Don't Need You Anymore was not a success. The group split up in 1959 after increasingly declining fortunes.

The song was recorded by The Beatles at their audition for Decca Records on 1 January 1962. The group had performed the song in their live shows for some time beforehand.

We recorded To Know Her Is To Love Her, the Phil Spector song, and a couple of our own; we virtually recorded our Cavern stage show, with a few omissions.
John Lennon, 1974
Anthology

After The Teddy Bears' success, Spector began to hone his production skills. He co-wrote Spanish Harlen with Jerry Leiber, which became a hit for Ben E King. Spector also worked as a session musician, and produced recordings for a number of artists, including The Top Notes' original version of Twist And Shout.

In 1961 Spector formed a record company with Lester Sill, which they named Philles Records. Spector signed The Crystals to the label, and their first two singles, There's No Other (Like My Baby) and Uptown were chart successes.

Spector continued to work with other artists in a freelance capacity, and was briefly the head of A&R at Liberty Records. There he heard the song He's A Rebel, which was due to be released by Vicki Carr on Liberty, but Spector took the song to Gold Star and recorded it with Darlene Love on vocals. It was released on Philles by The Crystals, and became a chart-topper.

By this time Lester Sill had left Philles. Spector formed a new act, Bob B Soxx and the Blue Jeans, which featured singers Darlene Love and Bobby Sheen. The group had a series of hits in 1963, the same year The Ronettes' Be My Baby reached number two, and the album A Christmas Gift For You was released.

Spector's production trademark was the Wall Of Sound, which involved densely layered instruments playing carefully orchestrated parts. Spector described the process as "a Wagnerian approach to rock and roll: little symphonies for the kids". He was dismissive of stereo, and preferred single releases to albums.

A core group of musicians on his recordings came to be known as The Wrecking Crew, which included session players such as Hal Blaine, Steve Douglas, Carol Kaye, Glen Campbell, and Leon Russell. Jack Nitzsche worked as Spector's arranger, and Sonny Bono oversaw the performances. A range of songwriters were also employed, including Ellie Greenwich and Jeff Barry, Barry Mann and Cynthia Weil, and Gerry Goffin and Carole King.

In 1963 Spector married Veronica "Ronnie" Bennett, the lead singer of The Ronettes. They adopted three children, and remained married until 1974. Ronnie later claimed that Spector prevented The Ronettes from touring with The Beatles out of jealousy.

In September 1963 The Beatles all moved into a flat together, at 57 Green Street, London. Although John Lennon and Paul McCartney moved away soon afterwards, George Harrison and Ringo Starr moved into a different flat in the same building. On 28 January 1964 Lennon and Harrison attended a party held by influential DJ Tony Hall, who also lived on Green Street. At the party they met Spector and The Ronettes. Harrison and Starr also met him on at least one subsequent occasion at Hall's home.

Phil Spector was one I was thrilled to meet. The DJ Tony Hall also lived on Green Street and when he had Phil and the Ronettes staying with him, George and I went over to meet them.
Ringo Starr
Anthology

The Beatles met Spector again on their first flight to America, on 7 February 1964.

He's as mad as a hatter. The first time I met Phil, we were all on a plane going to New York and that's when we realised how crazy he was because he 'walked to America'. He was so nervous of flying he couldn't sit down, so we watched him walk up and down the length of the plane all the way.
Ringo Starr
Anthology

In 1964 The Ronettes appeared on a bill in San Francisco with The Righteous Brothers. Spector was impressed by the duo and signed them to Philles; You've Lost That Lovin' Feelin' became the label's second number one in early 1965, and three more major hits followed for the group.

As their careers hit new heights in the 1960s, The Beatles' path crossed Spector's a number of times.

We met a few people through Phil Spector. We met The Ronettes, which was very exciting, and various others, such as Jackie De Shannon, a great songwriter, and Diana Ross and the rest of The Supremes. They were people we admired and as we went on we met them all - all the people who were coming up as we were coming up. It was a matey sort of thing.
Paul McCartney
Anthology
  • Share this page:
  • Share
  • Page 1 of 3
  • « Previous
  • 1
  • 2
  • 3
  • Next »
Related articles:

  • Mixing, editing: The Long And Winding Road, I Me Mine, Across The Universe
  • Mixing: The Long And Winding Road, Let It Be, Get Back, Maggie Mae
  • Mixing: For You Blue, Teddy Boy, Two Of Us
  • Mixing: For You Blue
  • Mixing, editing: I've Got A Feeling, Dig A Pony, One After 909, I Me Mine, Across The Universe

4 responses to “Phil Spector”

  1. Josué Ribas says:
    Tuesday 29 September 2009 at 10.33pm

    I think the Spector's work in Let It Be was very good. The original concept of Get Back was broken for The Beatles on January 1970 but the guilty was Spector, who begun works only on march. Let It Be was a huge sucess. "The Long and Winding Road" the last Top Hit. The Richard Hewson arrangement is wonderfull. Perfect for this take from 26-01-1969.
    If you don't liked LET IT BE hear the Glynn Johna Mixes. This will be The First Official Bootleg of the History.
    The original and honest concept from Get Back Sessions was there but neither The Beatles liked this.
    Spector does what was payed. A presentable album.

    Reply to this comment
  2. Elsewhere Man says:
    Monday 1 February 2010 at 5.29pm

    The only decent thing he did on Let It Be was on "I Me Mine." The horn & string arrangement for that song is quite good. Everything else - "Let It Be," and especially "Across The Universe" & "The Long And Winding Road" sound terrible.

    And why did he remove the acoustic guitar on "For You Blue," after the intro? I'll never understand that...

    Reply to this comment
  3. meteorologist matt hughes says:
    Saturday 6 November 2010 at 1.40pm

    I think the Spector's work in Let It Be was very good. The original concept of Get Back was broken for The Beatles on January 1970 but the guilty was Spector, who begun works only on march. Let It Be was a huge sucess. "The Long and Winding Road" the last Top Hit. The Richard Hewson arrangement is wonderfull. Perfect for this take from 26-01-1969.
    If you don't liked LET IT BE hear the Glyn Johns Mixes. This will be The First Official Bootleg of the History.
    The original and honest concept from Get Back Sessions was there but neither The Beatles liked this.
    Spector does what was payed. A presentable album.

    Reply to this comment
  4. Truth says:
    Tuesday 11 October 2011 at 4.54am

    I don't think the naked version can light a candle to Spector's creation.

    Reply to this comment

Leave a reply

Please note that there may be a delay before comments can be approved for publication. We reserve the right to edit for length and/or content. Comments not in the English language may be discarded, and offensive, irrelevant or spam ones will be ignored. For more information please read the full comments policy.
Click here to cancel reply.


  • Latest posts

    • Paul McCartney's star unveiled on Hollywood Walk of Fame
    • Paul McCartney to headline Queen's diamond jubilee concert
    • US album release: Kisses On The Bottom by Paul McCartney
    • UK album release: Kisses On The Bottom by Paul McCartney
    • Abbey Road to offer studio time to wealthy hotel guests
    • US publishing rights for six early Beatles songs are sold
    • Paul McCartney live at Echo Arena, Liverpool
    • Paul McCartney live at Manchester Evening News Arena, Manchester
    • Paul McCartney live at Olimpiyskiy Arena, Moscow, Russia
    • Paul McCartney live at Hartwall Areena, Helsinki, Finland
  • On this day in Beatles history

    • 1966: John Lennon and Ringo Starr visit Scotch Of St James nightclub, London
    • 1964: Live: Carnegie Hall, New York City
    • 1963: Live: Astoria Ballroom, Oldham

    Want more? Visit the Beatles history section.

  • Twitter updates

  • Things we said today

    • Lars-Olof Ström on Let It Be... Naked
    • Christopher Hight on Revolution 9
    • Tubescreamer on All My Loving
    • Christopher Hight on I Want You (She's So Heavy)
    • Christopher Hight on Being For The Benefit Of Mr Kite!
  • From the forum

    • The "Incredibly Impossible to Derail This Thread" thread in All together now
      By kedame, 1 hour ago
    • Did John have any disorders? in John Lennon
      By The Strawberry, 9 hours ago
    • New Member in Forum rules and help guides
      By mithveaen, 24 hours ago
    • I Don't Blame Yoko in Yesterday... and today
      By MeanMrsMustard, yesterday
    • The best Beatles cover versions in Yesterday... and today
      By Elmore James, yesterday
  • In the gallery

    box-of-vision_08 sweden_twist_and_shout venezuela_yeah_yeah_yeah The Beatles at Tittenhurst Park, 22 August 1969
  • Translator

  • Beatles for sale

  • Top Ten Club

    • Fab forum
    • The Beatles' songs
    • The Beatles and drugs
    • The Beatles' albums
    • Beatles photo gallery
    • The Abbey Road cover photography session
    • John Lennon and Yoko Ono record Two Virgins
    • Paul McCartney albums
    • Days in the life: The Beatles' history
    • Beatles discography
  • Can buy me love

    The Beatles Bible is run for the love of anything and everything to do with The Beatles. If you've learned something new about the band and wish to show your appreciation, why not make a small donation via PayPal? It'll help with server costs, Beatles books etc...
  • Thinking of linking

    • thebeatles.com
    • johnlennon.com
    • paulmccartney.com
    • twitter.com/paulmccartney
    • paulmccartneyofficial.tumblr.com
    • georgeharrison.com
    • twitter.com/GeorgeHarrison
    • ringostarr.com
    • applerecords.com
      Beatles Bible logo by Yer Logos/The Beatles In 3D
  • Come together

    This site is in no way associated with or endorsed by The Beatles, Apple Corps Ltd, associated organisations or any members of The Beatles or their representatives. It is intended as a tribute to the greatest group of all time, to try - in a small way - to help introduce their music to new generations of fans.

© 2008-2012 The Beatles Bible. All rights reserved. | Contact us | About this site | Privacy policy | Words of love: 1,111,140

Top of page

loading Cancel
Post was not sent - check your email addresses!
Email check failed, please try again
Sorry, your blog cannot share posts by email.