Recorded: October-December 1973; October 1974
Producers: John Lennon, Phil Spector
Released: 21 February 1975 (UK), 17 February 1975 (US)
John Lennon: vocals, guitar
Phil Spector: electric guitar, piano
Jesse Ed Davis, Peter Jameson, Eddie Mottau, Steve Cropper, Art Munson, William Perry, Louis Shelton, Dale Anderson, Larry Carlton, David Cohen, Jose Feliciano: guitar
Ken Ascher, Jeff Barry, Andy Thomas, Michael Wofford, Michael Lang, Barry Mann, Michael Melvoin: piano
Mac Rebennack, Michael Omartian, Leon Russell: keyboards
Klaus Voormann: backing vocals, bass guitar
Ray Neapolitan, Bob Glaub, Thomas Hensley: bass guitar
William Perkins, Robert Hardaway: woodwind
Nino Tempo: saxophone, keyboards
Bobby Keys, Joseph Temperley, Frank Vicari, Jim Horn, Plas Johnson, Ronald Langinger, Donald Menza, Gene Cipriano: saxophone
Dennis Morouse: tenor saxophone
Anthony Terran, Conte Candoli, Chuck Findley: trumpet
Julian Matlock: clarinet
Joseph Kelson: horn
Jim Keltner, Hal Blaine, Frank Capp, Jim Gordon: drums
Arthur Jenkins, Gary Coleman, Alan Estes, Steven Forman, Terry Gibbs: percussion
Tracklisting:
Be-Bop-A-Lula
Stand By Me
Medley: Rip It Up/Ready Teddy
You Can't Catch Me
Ain't That A Shame
Do You Wanna Dance?
Sweet Little Sixteen
Slippin' And Slidin'
Peggy Sue
Medley: Bring It On Home To Me/Send Me Some Lovin'
Bony Moronie
Ya Ya
Just Because
The final studio album released by John Lennon before his five-year retirement into househusbandry, Rock 'N' Roll was a collection of cover versions of 1950s and early 1960s songs recorded during the legendary Lost Weekend.
It started in '73 with Phil and fell apart. I ended up as part of mad, drunk scenes in Los Angeles and I finally finished it off on me own. And there was still problems with it up to the minute it came out. I can't begin to say, it's just barmy, there's a jinx on that album.
Rolling Stone
The roots of the album went right back to 1969, when Lennon wrote the song Come Together for The Beatles' album Abbey Road. The opening line, "Here come old flat-top", was taken from Chuck Berry's 1956 song You Can't Catch Me, and both songs were based around blues chord sequences.
Come Together is me, writing obscurely around an old Chuck Berry thing. I left the line in 'Here coes old flat-top.' It is nothing like the Chuck Berry song, but they took me to court because I admitted the influence once years ago. I could have changed it to 'Here comes old iron face,' but the song remains independent of Chuck Berry or anybody else on earth.
All We Are Saying, David Sheff
The song's publisher Morris Levy brought a lawsuit agains Lennon for copyright infringement, and the case was due to be heard in December 1973. Wishing to avoid going to court, Lennon reached a settlement in which he agreed to record at least three songs owned by Levy's Big Seven Music Corporation on the album which followed Mind Games.
Lennon reneged on his deal with Levy. When Walls And Bridges was released towards the end of 1974 it didn't contain the promised three songs. It did, however, end with a throwaway version of the Levy-published Ya Ya featuring the 11-year-old Julian Lennon on drums. Lennon's opening words - "Let's do sitting in the la la and get rid of that!" - showed how seriously he was taking the legal threats.
Levy was unamused, and threatened to refile the lawsuit. Eager to avoid this, Lennon agreed to press on with the earlier project, which had earlier stalled after Phil Spector had disappeared with the tapes.
who walked in front john when the album cover was shot thanks
Read to the end of the article.
I have a bootleg of Roots. At least I think it's a bootleg.