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words in Beatles lyrics with accent in the wrong place
28 February 2013
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Funny Paper
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Sometimes songwriters put the accent on an unnatural or wrong place in a word, to make it fit their melody.

The only Beatles example I can think of right now is “Glass Onion ” — where John repeatedly stresses the “YUN” part (2nd syllable) of “onion” rather than (or along with) the “UN” part (1st syllable).

Any other examples anyone can think of?

Many years ago, I was living with a family that had two little girls, and one day I was sitting on the floor with a pair of headphones listening to the White Album , singing along.  In the middle of “Glass Onion ” one of the girls keep poking me in the shoulder, so I took off my headphones and said “What!??”  She said:  “Why do you keep saying ‘onYUN’…?” blue-meanie

 

 

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28 February 2013
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Egroeg Evoli
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I know there are some… but I just can’t remember them… I know I’ll post this and then remember them. blue-meanie

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28 February 2013
3.19am
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This is one of my pet peeves of pop-song singing – it really irritates me when singers can’t find a better way to phrase those lines to make them sound more natural! It seems to be especially hard to do with words in which the last syllable is stressed.

The one song that always immediately comes to mind when I think of this trend is “Lips To Find You” by Teena Marie. The lyric is “…and forget how we made love in a ’57 Ford”, and she pronounces “forget” like it rhymes with “FOREhead” to force the rhythm to fit. Man, that bugs me! There’s got to be a better way to do that.

GEORGE: In fact, The Detroit Sound. JOHN: In fact, yes. GEORGE: In fact, yeah. Tamla-Motown artists are our favorites. The Miracles. JOHN: We like Marvin Gaye. GEORGE: The Impressions PAUL & GEORGE: Mary Wells. GEORGE: The Exciters. RINGO: Chuck Jackson. JOHN: To name but eighty. 

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28 February 2013
3.36am
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I actually like it for the most part, though I understand what you’re saying.  Ideally, there would be complete compatibility.

Another non-Beatles example:  in the Spanish lyrics of Guantanamera:

“…y antes de morirme quiero…”

— where the accent should be:

“…y ANtes de morIRme quiEro…”

— but the song is usually sung with the syllabes of “antes” and “morirme” all equally distributed, with an unnatural pause between the “mor” and the “irme”.

 

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8 March 2013
7.52am
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Even worse (if one doesn’t like that sort of thing) than Guantamera, is the Mexican pop song Tres Deseos, where like at least half of the words are sung with the accent stressed unnaturally, NOT as they should be spoken. 

As sung by Ednita Nazario — and one can hardly accuse her of not knowing Spanish!

 

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8 March 2013
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Into the Sky with Diamonds
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How about when a singer suddenly sings very fast because there are too many syllables in the sentence?

Can’t think of an example, but someone here will, I’m sure.

 

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8 March 2013
11.41pm
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Into the Sky with Diamonds said
How about when a singer suddenly sings very fast because there are too many syllables in the sentence?

Can’t think of an example, but someone here will, I’m sure.

 

Here’s the greatest example of that:

http://swf.tubechop.com/tubech…..id=1004100

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9 March 2013
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Into the Sky with Diamonds
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True – but I think it actually works there!

Sometimes it really sounds awkward; I’ll post an example as soon as I think of one.

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9 March 2013
7.54pm
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Monkey Finger
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Paul does this a teeny bit with “I’ve Just Seen A Face , I can’t FORE-get the time or place where we just met…”

9 March 2013
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Monkey Finger said
Paul does this a teeny bit with “I’ve Just Seen A Face , I can’t FORE-get the time or place where we just met…”

That’s odd, I don’t hear that — I hear Paul stressing the “-GET” part adequately enough.  Though he does add a bit of artificial stress to the “FORE-” part as well, he doesn’t go so far as to neglect the “-GET”, and one could argue that the “-GET” gets a bit more weight (as it should).

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9 March 2013
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Yes, it’s debatable. That’s why I qualified my post with a “teeny.” a-hard-days-night-george-10 I suppose it’s more a case of him drawing out the pronunciation than emphasizing the wrong syllable.

10 March 2013
4.31pm
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Egroeg Evoli
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When John sings “I Am The Walrus ,” he doesn’t put the accent on the first syllable of “walrus,” or the second, either. It seems to me that the accent is equally distributed, when in normal speech (at least for me) the accent should be on the first syllable.

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10 March 2013
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fabfouremily
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^ I hear the accent on the first syllable. Or maybe he just says it a bit louder.

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10 March 2013
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Egroeg Evoli said
When John sings “I Am The Walrus ,” he doesn’t put the accent on the first syllable of “walrus,” or the second, either. It seems to me that the accent is equally distributed, when in normal speech (at least for me) the accent should be on the first syllable.

I think that’s a function of the notes of the syllables.  In that song, the two syllables of “wal-rus” are the same note, so it would be next to impossible to sing them as spoken.  And if the “-rus” were any note higher, the stress would have to be on it, not the first syllable.

Only with the “-rus” being a note lower can one reproduce the natural spoken accentuation.

That’s my theory, and I’m stickin’ to it.ahdn_paul_02

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11 March 2013
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Egroeg Evoli
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This might be another example of what you a-hard-days-night-ringo-8 described, but in Happiness Is A Warm Gun , when John sings “donated” (“A soap impression of his wife that he ate and donated to the National Trust”), he sings doNATed, when normally (at least for me) it would be pronounced DOnated. But DOnated doesn’t work with that melody, like you said about I Am The Walrus

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11 March 2013
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That’s a strange one, since the word “donation” definitely has the -NA- stressed.

Then there’s the weird case of “permit”, which in its verb usage has the second syllable stressed, and the FIRST syllable if it’s a noun (ie. “gun permit”)

GEORGE: In fact, The Detroit Sound. JOHN: In fact, yes. GEORGE: In fact, yeah. Tamla-Motown artists are our favorites. The Miracles. JOHN: We like Marvin Gaye. GEORGE: The Impressions PAUL & GEORGE: Mary Wells. GEORGE: The Exciters. RINGO: Chuck Jackson. JOHN: To name but eighty. 

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11 March 2013
2.36am
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Egroeg Evoli
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a-hard-days-night-ringo-8 Another word like that: I’ve heard “contrast” pronounced conTRAST when it’s a verb (e.g. comparing and contrasting two things) and CONtrast when it’s a noun (the contrast between two things).

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11 March 2013
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My memory of “Being for the Benefit of Mr. Kite” is that it’s incredibly chock-full of wordiness, but John always manages to keep the pronunciation natural (with a wee bit of license on the “real fire” part).

 

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13 March 2013
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Just about. [phonetically] “Pablo Fankiss Fair” should have been pronounced “Pablo Fanks Fair”. The guy’s name was Pablo Fanque – Lennon’s pronunciation always sounds a bit awkward to me.

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13 March 2013
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When listening to Happiness Is A Warm Gun , I always have difficult hearing the line “Man in the crowd
With the multicoloured mirrors
On his hobnail boots” because of the way John pronounces hobnail boots. It does not sound like hobnail boots to me. It sounds like he emphasizes the ts at the end of boots.    

 

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