12.13am
28 March 2012
A wide variety of sources, including Wikipedia, significantly underrepresent how many songs the Beatles composed that went to number one in either the UK or U.S. charts. Beatles-penned songs performed by other artists are often excluded from the totals one reads in various places.
Here’s my count. Obviously all songs but Harrison’s Something are credited to Lennon-McCartney.
- Love Me Do
- From Me To You
- She Loves You
- I Want To Hold Your Hand
- Can’t Buy Me Love
- A Hard Day’s Night
- I Feel Fine
- Bad To Me (Performed by Billy Kramer)
- A World Without Love (Performed by Peter and Gordon)
- Eight Days A Week
- Ticket To Ride
- Help !
- Yesterday
- Day Tripper
- We Can Work It Out
- Paperback Writer
- Yellow Submarine
- Eleanor Rigby
- Penny Lane
- All You Need Is Love
- Hello, Goodbye
- Lady Madonna
- Hey Jude
- Get Back
- The Ballad Of John And Yoko
- Come Together
- Something (Harrison)
- Let it Be
- The Long And Winding Road
- Ob La Di, Ob La Da—Marmalade
- With A Little Help From My Friends —Joe Cocker; Wet Wet Wet; Sam & Mark
- She’s Leaving Home—Billy Bragg with Cara Tivey
- Michelle —Overlanders
- Lucy In The Sky With Diamonds —Elton John
Additionally McCartney has eleven post-Beatles compositions or co-compositions to hit number one in the UK or USA charts.
- Uncle Albert /Admiral Halsey (Co-written with Linda McCartney)
- My Love
- Band On The Run
- Listen to What the Man Says
- Silly Love Songs
- Mull Of Kintyre (Co-written with Denny Laine)
- With a Little Luck
- Coming Up
- Ebony And Ivory
- Say Say Say (Co-written with Michael Jackson)
- Pipes Of Peace
This brings McCartney’s total number of number one compositions and co-compositions to 44.
Lennon’s compositions and co-compositions to hit number one in the UK or USA include these:
- Whatever gets you through the night
- Just Like Starting Over
- Woman
- Imagine
- Fame (co-written with David Bowie)
- Jealous Guy (covered by Roxy Music)
Lennon’s total of number one hit compositions and co-compositions is 39(!).
Harrison’s Post-Beatles compositions and co-compositions to hit number one in the UK or USA bring his total to four. In addition to Something , there are these three Harrison-penned songs:
- My Sweet Lord
- Give me Love
- Photograph (Co-written with Ringo Starr )
Consider the astounding collective success of these song-writers. Over the expanse of their collective careers, both the with the Beatles and afterward, the three main composers of the Beatles penned (or co-penned) a total of fifty-four(!) songs that topped the charts either in the UK or U.S.
It’s fair to ask, however, whether McCartney and Lennon deserve credit for all 33 officially-credited Lennon-McCartney songs that went to number one. Both Lennon and McCartney can take legitimate credit, I think, for only those compositions to which they actually contributed. This, obviously, is a subset all officially credited Lennon-McCartney songs since both Lennon and McCartney wrote some songs without the assistance of the other. It’s not my intent to get into a debate about attribution, so the way I assigned credit below was by giving Lennon and McCartney credit for any song for which they themselves claimed any contribution whatsoever—even if the other partner (or other observers) disagree. My sense is to err on the side of co-authorship rather than assigning sole credit. If either composer ever claimed even some credit, I’ve taken that statement as definitive. So based on these criteria, here’s the authorship of their chart-topping Beatles songs. (Oh, and I apologize for the nausea-inducing waviness of the margins below.)
- Love Me Do Lennon-McCartney
- From Me To You Lennon-McCartney
- She Loves You Lennon-McCartney
- I Want To Hold Your Hand Lennon-McCartney
- Can’t Buy Me Love Lennon-McCartney
- A Hard Day’s Night Lennon
- I Feel Fine Lennon
- Bad To Me (Billy Kramer) Lennon
- A World Without Love (Peter and Gordon) McCartney
- Eight Days A Week Lennon-McCartney
- Ticket To Ride Lennon-McCartney
- Help ! Lennon-McCartney
- Yesterday McCartney
- Day Tripper Lennon-McCartney
- We Can Work It Out Lennon-McCartney
- Paperback Writer Lennon-McCartney
- Yellow Submarine Lennon-McCartney
- Eleanor Rigby Lennon-McCartney
- Penny Lane Lennon-McCartney
- All You Need Is Love Lennon
- Hello, Goodbye McCartney
- Lady Madonna McCartney
- Hey Jude McCartney
- Get Back McCartney
- The Ballad Of John And Yoko Lennon
- Come Together Lennon
- Let it Be McCartney
- The Long And Winding Road McCartney
- Ob La Di, Ob La Da—Marmalade McCarteny
- With A Little Help From My Friends —Joe Cocker; Lennon-McCartney
- She’s Leaving Home—Billy Bragg with Cara Tivey Lennon-McCartney
- Michelle —Overlanders Lennon-McCartney
- Lucy In The Sky With Diamonds —Elton John Lennon-McCartney
By my count we get this:
Lennon-McCartney songs: 18
Lennon songs: 6
McCartney songs: 9
This would bring a more accurate (if less legalistic) count of number one Lennon compositions or co-compositions to 30. (24 during his time with the Beatles and 6 post-Beatles).
The total number of McCartney-penned (or co-penned songs) is 38. (27 during his time with the Beatles and 11 post-Beatles.)
Both of these numbers are significantly higher than what is commonly reported.
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IveJustSeenAFaceo, Wigwam, El Dorado, parlance, ScrambledEggs12.53am
17 October 2013
3.54pm
14 December 2009
Excellent research there Michael B!
If you want to create more work for yourself and inflate the numbers a bit (while also admittedly diluting the relevance), it might be of interest to note that “All My Loving ” and “Nowhere Man ” were released as singles and hit #1 in Canada.
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4.20pm
Reviewers
17 December 2012
It’s a great piece of research, Michael B.
I don’t agree with all your credits (ie. Hey Jude you have as only Paul, and ignore the oft told story of him telling John he’d change a line, and John telling him not to – that he understood it, but making a change and not making a change are as much a part of the writing process as any, and both are clear that the choice not to change anything was John’s), but I understand them.
I just don’t think that actual question is asked too much, as it’s usually “How many #1’s did The Beatles have?” not “How many #1’s did The Beatles (as a group, or individually) compose?” that’s asked.
So I don’t think they get answer wrong, just that a different question is being answered.
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The Beatles Bible 2020 non-Canon Poll Part One: 1958-1963 and Part Two: 1964-August 1966
4.25pm
Reviewers
Moderators
1 May 2011
Dont Pass Me By hit #1 in Denmark.
Ringo got a Beatles #1 with one of his two self-composed songs.
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2.07am
28 March 2012
Ron Nasty said
It’s a great piece of research, Michael B.I don’t agree with all your credits (ie. Hey Jude you have as only Paul, and ignore the oft told story of him telling John he’d change a line, and John telling him not to – that he understood it, but making a change and not making a change are as much a part of the writing process as any, and both are clear that the choice not to change anything was John’s), but I understand them.
First of all, thanks!
As for assigning credits, I think you raise a very good point. My own sense for some time has been that in a significant way for many of even the most solitary-written songs by John and Paul during their times with the Beatles were, to a degree, co-composed if for no other reason that their working rule of thumb (with perhaps the White Album songs excluded) was for either Paul or John run their songs by the other for editing. So in that sense, yes, John did contribute to Hey Jude by preventing Paul from changing the lyrics to something less satisfactory.
I think that as a general rule (with plenty of exceptions) Paul tends in his interviews to stress the co-composed nature of the songs, whereas John (depending upon the interview) tends to stress their singular nature. I think this squares with their own identities. Paul was a Beatles guy with a Beatles identity. John was, I think, a towering genius in his own mind (and not without good reason, one must add). Towering genius disdains committee work, no matter how small the committee, and in some interviews John is pretty quick not only to take full credit for songs that he’s proud (Help ! and In My Life ), but he’s also almost as equally quick to distance himself from less-than-satisfactory songs to which he contributed (“Eight Days A Week .”) Again, it really depends upon the interview one reads. But there’s no doubt that for both of them, much of the time, the other partner was an excellent editor when not a full partner in the composition.
I think that because accounts differ between John and Paul (and others) about authorship of songs (and sometimes even between their own accounts–especially John’s), I don’t think we’ll ever know who contributed what to each song with mathematical precision. It’s also not even clear such a judgment would be possible even if there were perfect agreement between the two composers because it’s not clear how to attribute the essential nature of a song. Think about several intros that really give the feel for a song but don’t typically enter the equation of song-writing:
Harrison in And I Love Her
Lennon’s piano in Ob la di, ob la da.
McCartney’s entrances in Strawberry Fields Forever and Lucy In The Sky With Diamonds .
Different intros to these songs would have (in my mind, at least) evoked very different feelings for these songs.
In other words, just because Paul and John were to agree completely who contributed what to each song that doesn’t mean people would agree about the relative worth or merit of each man’s contribution.
Okay….now I’m rambling. Sorry for the wordiness.
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IveJustSeenAFaceo2.59pm
28 March 2012
3.00pm
1 November 2013
Michael B said
Question to all:
I’m pretty much still working my way around the forum. Do you think this was the right forum area to post this topic? If not, where should I have posted it?
I think this is the right place since your talking about the songs
@Starr Shine?
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6.40pm
13 February 2022
I know it’s seven years after the original post, but I would like to add Stars on 45 Medley by Stars on 45 to Beatle-penned #1 hits. It hit #1 in the US (1981), and contains parts of eight different Beatles songs (No Reply , I’ll Be Back , Drive My Car , Do You Want To Know A Secret , We Can Work It Out , I Should Have Known Better , Nowhere Man , and You’re Going To Lose That Girl ).
I assume Lennon/McCartney are considered co-writers and should get one more added to each’s count. Too bad for George none of his songs were included in the medley.
9.05am
1 December 2009
Beatles didn’t perform the Stars On Medley, though. Covers that hit #1 aren’t included.
Also, I’m sure George was relieved that none of his chopped-up songs were included in that embarrassment of a single.
(“Taxman ” and “Guitar Gently Weeps” did make the full LP medley)
GEORGE: In fact, The Detroit Sound. JOHN: In fact, yes. GEORGE: In fact, yeah. Tamla-Motown artists are our favorites. The Miracles. JOHN: We like Marvin Gaye. GEORGE: The Impressions PAUL & GEORGE: Mary Wells. GEORGE: The Exciters. RINGO: Chuck Jackson. JOHN: To name but eighty.
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