Log In
Register
Home
Topic RSS
10.07pm
14 October 2009
Offline
The list could go on forever I know, but one song just has the hair on the back on my neck on end every time I hear it and it might surprise you. I'll give you a little clue……………. "Bang Bang, Shoot Shoot". Got the one I'm on about?
Well done, it's Happiness is a Warm Gun. The song itself is a masterpiece of inventiveness with all the time changes yet I bet there are many, many people out there who have never heard it. Shame. But those backing vocals……………….what perfection.
10.54pm
21 August 2009
Offline
Oh, do I ever agree with you! It makes the chorus, doesn't it?
I myself am a huge fan of the affectionate "oohs" in the background of Here, There and Everywhere for one, and I'm also partial to the higher register John background vocals for If I Needed Someone. Ahhh, excellent.
8.42am
14 October 2009
Offline
Alissa said:
Oh, do I ever agree with you! It makes the chorus, doesn't it?
I myself am a huge fan of the affectionate "oohs" in the background of Here, There and Everywhere for one, and I'm also partial to the higher register John background vocals for If I Needed Someone. Ahhh, excellent.
Indeed Alissa. Those "oohs" were greatly enhanced in the Anthology mix, bringing them out more.
11.36pm
21 August 2009
Offline
Indeed Alissa. Those "oohs" were greatly enhanced in the Anthology mix, bringing them out more.
Ah, I have yet to listen to that version, i'll definitely look into it as soon as possible!
9.20am
14 October 2009
Offline
Alissa said:
Indeed Alissa. Those "oohs" were greatly enhanced in the Anthology mix, bringing them out more.
Ah, I have yet to listen to that version, i'll definitely look into it as soon as possible!
Well you will NOT be disappointed I can asure you! So you don't own the Anthology CD's yet? Perhaps they should be on your Christmas list to Santa then you'll have endless hours of listening over the holidays 
9.01pm
21 August 2009
Offline
Another notable one is the John and Paul "oh!"'s in I'm Happy Just to Dance With You. And, also notably, John's is notably sexy, *ahem*! 
9.26pm
5 February 2010
Offline
It's bits and snippets for me, I guess. The obvious big hitters are "Because" and "This Boy", where the three-part harmonies go on for the entirety of the song.
But I get the chills at specific spots. Like the "Oh how long will it take // till she sees the mistake" blending in "Baby's in Black", with Paul holding down the high end and John doing the chromatic descent. It's a "wider" harmony than most (the notes aren't so closely stacked together like they are for most of the song), and I like that. They do the same thing for the chorus of "I Don't Want to Spoil the Party" – "I still love her". John's part is ping-ponging all over the register, but it just works.
I've always loved the backing "ooooh-la-la-la" part in "You Won't See Me". Especially when they get to "we have lost the time …" – John and George are one note apart from each other, so it just shimmers with pleasant harmonic friction.
I think the one that takes the cake for me, though, every single time, is the last verse of "And Your Bird Can Sing". The build-up to it is fantastic, there's the big cymbal crash, and it just explodes into this huge, soaring, angelic sound. I always crank the volume on that. Major spine-tingles. :-)
Are there any harmonies/backing vocals that you don't like? Honestly, I'm not a big fan of "Yes It Is". The harmonies seem awkwardly clustered throughout the verses, sometimes sounding dissonant, and they're a bugger to sing because of that.
4.16am
The first song that came to my mind was 'This Boy' but 'Help!' is also superb. Actually, there are so many worthy of listing I will just stop there
2.20pm
14 October 2009
Offline
PeterWeatherby said:
Are there any harmonies/backing vocals that you don't like? Honestly, I'm not a big fan of "Yes It Is". The harmonies seem awkwardly clustered throughout the verses, sometimes sounding dissonant, and they're a bugger to sing because of that.
I love this song BUT to this day, despite many musicologists saying otherwise, I still think George, in particular, sings some bum notes. And as you quite rightly point out it IS a 'bugger' to sing!
2.26pm
5 February 2010
Offline
mjb said:
PeterWeatherby said:
Are there any harmonies/backing vocals that you don't like? Honestly, I'm not a big fan of "Yes It Is". The harmonies seem awkwardly clustered throughout the verses, sometimes sounding dissonant, and they're a bugger to sing because of that.
I love this song BUT to this day, despite many musicologists saying otherwise, I still think George, in particular, sings some bum notes. And as you quite rightly point out it IS a 'bugger' to sing!
I must agree. Listen especially on the opening line, "If you wear red to-night" – the score calls for the middle voice (George) to sing a note that doesn't, technically, belong in that minor chord. It just never sounds right to my ears, even when it's note-perfect – and I think he wavers a bit on it (for which I don't blame him in the least).
But, as you said, and as I wish I had earlier clarified, I love this song, and I love playing it. Just not a big fan of the way the harmonies are written.
2.37pm
14 October 2009
Offline
PeterWeatherby said:
mjb said:
PeterWeatherby said:
Are there any harmonies/backing vocals that you don't like? Honestly, I'm not a big fan of "Yes It Is". The harmonies seem awkwardly clustered throughout the verses, sometimes sounding dissonant, and they're a bugger to sing because of that.
I love this song BUT to this day, despite many musicologists saying otherwise, I still think George, in particular, sings some bum notes. And as you quite rightly point out it IS a 'bugger' to sing!
I must agree. Listen especially on the opening line, "If you wear red to-night" – the score calls for the middle voice (George) to sing a note that doesn't, technically, belong in that minor chord. It just never sounds right to my ears, even when it's note-perfect – and I think he wavers a bit on it (for which I don't blame him in the least).
But, as you said, and as I wish I had earlier clarified, I love this song, and I love playing it. Just not a big fan of the way the harmonies are written.
George also plays a real bum chord with his guitar effect pedal on this too -have you heard it? I think it's during the second bridge……..it's not hard to miss!
2.43pm
14 October 2009
Offline
Correction! It's on the first bridge as John sings "by my SIDE". On the word 'side' (about 1:07) it sticks out like a sore thumb. And there is also something not quite right with the chord he plays around 1:59 either 
2.47pm
5 February 2010
Offline
mjb said:
Correction! It's on the first bridge as John sings "by my SIDE". On the word 'side' (about 1:07) it sticks out like a sore thumb.
Wow, you weren't kidding. I never noticed that before. Yikes! (reminds me of the bum chord Paul hits on the piano on the last verse of "Let it Be")
2.57pm
14 October 2009
Offline
PeterWeatherby said:
mjb said:
Correction! It's on the first bridge as John sings "by my SIDE". On the word 'side' (about 1:07) it sticks out like a sore thumb.
Wow, you weren't kidding. I never noticed that before. Yikes! (reminds me of the bum chord Paul hits on the piano on the last verse of "Let it Be")
I might be corrected here, but I'm sure I read that Paul purposely left that bum note in Let It Be. It was part of the 'worts and all' attitude.
4.29pm
31 March 2008
Online
They had enough versions to choose from – The Beatles performed Let It Be loads of times in January 1969.
What about the piano notes at the end of Magical Mystery Tour? I've never known whether they were intentional or just slightly ham-fisted. Either way they sound great.
4.34pm
14 October 2009
Offline
Joe said:
They had enough versions to choose from – The Beatles performed Let It Be loads of times in January 1969.
What about the piano notes at the end of Magical Mystery Tour? I've never known whether they were intentional or just slightly ham-fisted. Either way they sound great.
I've always took them to be intentional but maybe they were played not realisng they'd end up in the final mix?
And we're going off thread topic here aren't we! I'm gonna start a new one……………
8.48pm
So many amazing harmonies and backing vocals to choose from. I love every single one that has been mentioned.
But to me the gold standard of harmonies has always been the sublime If I Fell. Every time I hear it, it amazes me how beautiful it is… and picturing John and Paul sharing the mic while recording it only makes it more lovely.
9.21pm
5 February 2010
Offline
iCaramba said:
to me the gold standard of harmonies has always been the sublime If I Fell. Every time I hear it, it amazes me how beautiful it is… and picturing John and Paul sharing the mic while recording it only makes it more lovely.
Ah, yes. Lovely song. I particularly like how it's difficult to tell which one of them is carrying the melody, and which one is just providing the harmony. Seems like the trade it back and forth. I like it whenever a harmony part deviates from the standard "two notes above you" pattern (also known as singing in "thirds") – such as the pattern used for most of "Baby's in Black". Not that I'm knocking that song at all, but I'm just saying that's a standard use of harmony, and it's nice to hear something that moves away from that. "If I Fell" does that in spades, as John's part starts out several musical steps away from Paul's, but gradually gets closer (almost clashing at "when she learns we are two"), and then drifts away again. Amazing song. Thanks for reminding me! (Now I have to go listen to it)
11.19pm
14 October 2009
Offline
Two great John & Paul vocal songs (If I Fell & Baby's In Black). I love the live version of BIB (on Real Love CD single) because John cocks up and just laughs, but it doesn't matter – it sounds just great and they are having so much fun. That performance is just so damn cool.
2.22am
21 August 2009
Offline
mjb said:Two great John & Paul vocal songs (If I Fell & Baby's In Black). I love the live version of BIB (on Real Love CD single) because John cocks up and just laughs, but it doesn't matter – it sounds just great and they are having so much fun. That performance is just so damn cool.
I think the majority of the most endearing songs have that element of imperfection- it's so heartwarming. You know the passion was there throughout the whole thing, maybe not for each other near the end, but for the music.
Most Users Ever Online: 597
Currently Online: Joe, beast friends
5 Guest(s)
Currently Browsing this Page:
1 Guest(s)
Top Posters:
mr. Sun king coming together: 6972
meanmistermustard: 3426
MeanMrsMustard: 2794
Egroeg Evoli: 1517
vonbontee: 1427
GniknuS: 1365
Member Stats:
Guest Posters: 87
Members: 1683
Moderators: 5
Admins: 1
Forum Stats:
Groups: 3
Forums: 33
Topics: 2393
Posts: 73213
Newest Members: fartoons, RIGBY, WilliamCampbell, JQ, Juliana Melo
Moderators: Joe (2700), skye (2295), Ellie (1), Zig (2752), mithveaen (4675)
Administrators: Joe (2700)
