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4.52pm

12 April 2012
OfflineWhose solo in the end is your favourite? Paul's, George's, John's or Ringo's (the drum solo also counts)
I like reqlly every solo very much, but if I had to take one, I'd take George's
3.35pm
1 December 2009
OfflineI like John's bits, with that really cough-like tone he gets – it's like a precursor to some of the noisy stuff he'll play on Yoko's "Why" one year later. His tone really stands apart from Paul's or George's, those two have more similarity between them.
Really, though, that whole series of solos has such fluidity, it really could easily be one single 19-bar solo (or 9 1/2 bars or however many it is.)
Oops, I forgot to mention Ringo, so I'll mention him: Ringo!
8.11pm
14 April 2010
Offline6.56am
23 January 2011
OfflineOoo…I like all of them in different ways. I LOVE Ringo's drum solo. Paul's and George's really are very similar, and I really like them both. It took me a long time to be able to tell where one stopped and the other began. John's is very unique, which I like. It was easy for me to pick him out, which is a plus for him.
12.45am
16 August 2012
Offline5.34am

5 November 2011
Online2.34pm

29 August 2012
Offlinelook i'm going to preface this by saying i love Ringo. He's my favorite Beatle and i consider him a vastly underrated drummer whose influence on drumming in general is pretty huge…. BUT, that solo in the end is a little weak for me. I like the pounding bass drum part rhythm, but the fills leave a lot to be desired. For someone who has done a lot of great and unnusual fills on many a tracks especially in the later beatles years, the solo – especially being his only solo – is dissapointing.
2.37pm

19 September 2010
OfflineI agree – its not spectacular, or anything close to it. But that's because Ringo hated soloing. I see it as a quirk that Ringo couldn't (or wouldn't) do an awe-inspiring solo.
3.41pm
14 December 2009
Offline6.53am
23 November 2011
OfflineAccording to Geoff Emerick, best known as the engineer for the albums Revolver, Sgt. Pepper's Lonely Hearts Club Band, The Beatles (White Album) and Abbey Road, practically nothing you hear in that era was recorded live. A 10-second drum solo by Ringo would be pasted together from many takes of that solo because, usually, Ringo couldn't play it in one take due to his limited abilities. A lead guitar section might be played by Paul, not George, and from several takes, usually because George couldn't play it after 30 takes, and everyone got tired of waiting for him to get it right. It all seems seamless due to the magic abilities of engineers and their equipment much as movies seem seamless but are pasted from parts filmed months apart and glued together.
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