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7.44pm
10 November 2009
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Somebody had open completely the files of I Want You (SSH) and Day Tripper?
6.45am
29 September 2010
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Wow--just listening to the voices after the drum solo on Abbey Road, the "Love you! Love you! Love you!" part underneath the triple guitar solo leading into The End……..they slowed the tape down so they could sing higher! Put back to normal speed, the vocal parts sound like "chipmunk" harmonies! Hilarious! I always wondered how they hit those high notes on there. George Martin mixed them in so delicately that you only get a sense of really high notes but when they're played alone, it's Alvin and the Chipmunks! *laughs!*
These multitracks are simply amazing!!!
3.58pm
19 September 2010
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Listen to the isolated vocal tracks to fixing a hole
One seems a little fast to me
please see if i'm simply crazy or what
8.33pm
29 September 2010
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mr. Sun king coming together said:
Listen to the isolated vocal tracks to fixing a hole
One seems a little fast to me
please see if i'm simply crazy or what
Fast as in higher pitch or as in words arriving sooner than the other track? I don't detect different pitches but the vocals are offset a little here and there, which I'm guessing is from Paul singing along with himself……(or is it the Automatic Double Tracking at work?)
8.52pm
19 September 2010
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One is ahead of another speed wise
ADT was being used by then
9.21pm
29 September 2010
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Could be that then. Do you think he's doubling his own voice at all on that or do you think it's all ADT? Sounds to me that he's singing along with himself at points but, then, that's the whole idea of the ADT, isn't it?
4.08am
5 July 2010
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It sounds to me like Paul is doubling it himself without ADT. It sounds different then if you compare it to something like Hey Bulldog that uses ADT.
I noticed while listening to Something that Paul hums along with the guitar solo very quietly.
10.32pm
29 September 2010
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That would explain the voices being more out of synch than the ADT; if you do any recording/mixing on your computer, there's a cool ADT vst plug-in on the Interweb that's FREE and works nicely: http://www.vacuumsound.de/plugins.html
(I can't vouch for the reverb or EQ plug-ins there, haven't tried 'em….)
7.43am
10 November 2009
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EyesofBlue said:
That would explain the voices being more out of synch than the ADT; if you do any recording/mixing on your computer, there's a cool ADT vst plug-in on the Interweb that's FREE and works nicely: http://www.vacuumsound.de/plugins.html
(I can't vouch for the reverb or EQ plug-ins there, haven't tried 'em….)
Thanks for the plug-in of ADT.
I'd Stereo remixed the Abbey Road album, simply amazing the bass lines and drums, and the great vocals of the four…everything…just amazing.
7.47am
10 November 2009
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Oh yeah, i managed to mix better on the Adobe Audition 3.0. It opens all files, including Day Tripper and I Want You (SSH). 
9.51am
31 March 2008
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I couldn't open them using Audition (my workplace has given me 2.0) without the files being interpreted into some other format. It plays them as a single track of unlistenable white noise.
Can you export them from Audition 3 as multitrack .mogg files which we can open in Audacity?
12.58am
10 November 2009
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Joe said:
I couldn't open them using Audition (my workplace has given me 2.0) without the files being interpreted into some other format. It plays them as a single track of unlistenable white noise.
Can you export them from Audition 3 as multitrack .mogg files which we can open in Audacity?
Actually i changed all name files from .mogg to .ogg , the Audition reads .ogg files, Joe.
It worked with all tracks including Day Tripper and I Want You (SHH).
About the plugin of ADT, it doesn't work for me neither in the Audition or Audacity 
6.08am
29 September 2010
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TheOneBeatleManiac said:
Joe said:
I couldn't open them using Audition (my workplace has given me 2.0) without the files being interpreted into some other format. It plays them as a single track of unlistenable white noise.
Can you export them from Audition 3 as multitrack .mogg files which we can open in Audacity?
It worked with all tracks including Day Tripper and I Want You (SHH).
About the plugin of ADT, it doesn't work for me neither in the Audition or Audacity
Joe--didn't you get the wav files I posted? Those should work on Audacity, right? Select all wav files and just drag them to the work surface. As for the ADT, yeah, I'm using it on MultiTrack Studio (Bremmers Audio Design) and it works great on their software. Too bad it's not working on Audition or Audacity--it's right sweet sounding.
12.06pm
31 March 2008
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Yes, I got the individual wavs but couldn't get them to open in the same file, just individually. I'm on a Mac so don't have an empty work surface in a new file, though I suppose I could try adding tracks 2-10 to the first one. I'll give it a go later.
8.25am
10 November 2009
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EyesofBlue said:
TheOneBeatleManiac said:
Joe said:
I couldn't open them using Audition (my workplace has given me 2.0) without the files being interpreted into some other format. It plays them as a single track of unlistenable white noise.
Can you export them from Audition 3 as multitrack .mogg files which we can open in Audacity?
It worked with all tracks including Day Tripper and I Want You (SHH).
About the plugin of ADT, it doesn't work for me neither in the Audition or Audacity
Joe--didn't you get the wav files I posted? Those should work on Audacity, right? Select all wav files and just drag them to the work surface. As for the ADT, yeah, I'm using it on MultiTrack Studio (Bremmers Audio Design) and it works great on their software. Too bad it's not working on Audition or Audacity--it's right sweet sounding.
I'm a bit afraid to download more things, yesterday i'd to force my computer to reinstall Windows, and so everything, but i want to try ADT.
3.41pm
29 September 2010
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Reinstalling Windows and all your software is a time-consuming pain in the derriere, so I don't blame you for being a bit Program-Shy in installing more stuff. ADT is fun to play with but it's nothing you couldn't get from futzing-around and stacking-up other effects on Audacity, I'm sure.
Have you tried this? http://audacity.sourceforge.ne…..-enabler Looks like it might have some helpful tips/suggestions.
10.11pm
19 September 2010
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vonbontee said:
Damn you Joe!
All the hundreds of hours I put into my "Alternate Hystery Tour" thing, and now I've got all THIS stuff to contend with?! It'll take me hours just to absorb the "Good Morning Good Morning" tracks. Finally get to hear that screeching guitar solo isolated! And who knew that the boys' vocal devolved into "Guten morgen, guten morgen, gut!" during the fade?
Again: Damn you, Joe! (By which I mean THANK YOU!)
Anbody who listens to the song
6.48pm
9 June 2010
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mr. Sun king coming together said:
vonbontee said:
And who knew that the boys' vocal devolved into "Guten morgen, guten morgen, gut!" during the fade?
Anybody who listens to the song.
That's not very polite. I can't hear the splice in "Strawberry Fields Forever," and I frequently don't get lyrics right until I look them up. I mean, one could say that "anybody who listens to the song" could hear the splice, or understand lyrics the first time they're played. People hear different things, so what is obvious to you is not the same as what is obvious to me (or anyone else, for that matter.)
That's why there are threads several pages long devoted to who sang what bit of what song, or lines you heard that are different from lines the Beatles sang. Because there are very few things that are obvious to anyone who listens to the song.
mr. Sun king coming together said And yes, YouTube comments are stupid. But hilariously so.
8.47pm
19 September 2010
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I was joking. I didn't mean to upset you because, frankly, i can't hear the splice In SFF (I know it's around 1 minute in but still) so it wasn't an insult and I apologize for any perceived egotism
9.33pm
8 April 2010
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The splice is just before he says Going to, and it becomes slower and lower.
Let me take you down, cos I'm (splice) gooooing tooooo.
Listen to it a few times, and it'll become obvious. And then you'll think "How did I miss that?!"
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