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	<title>The Beatles Bible - Topic: Great outros (song endings)</title>
	<link>http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/</link>
	<description><![CDATA[The Beatles&#039; songs, albums, photos, places and much more, including a day-by-day guide to their career from 1957 to 1970 and beyond, plus profiles of John Lennon, Paul McCartney, George Harrison, Ringo Starr and many others.]]></description>
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        	<title>paulsbass on Great outros (song endings)</title>
        	<link>http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p51786</link>
        	<category>Recording and musicology</category>
        	<guid isPermaLink="true">http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p51786</guid>
        	        	<description><![CDATA[<p><strong>A hard day's night </strong>and the ongoing guitar riff</p>
<p>The major ending of <strong>And I love her</strong>.</p>
<p><strong>Hey Jude</strong> - their longest fade out ever!</p>
<p>The whispered words with the high horns at the end of <strong>Good night</strong>.</p>
<p>One of the best things about <strong>Got to get you into my life</strong> is the crazy trumpet with these ridiculously high notes in the fade out.</p>
<p>I always admired the undefinable quality of the last chords of <strong>Here comes the sun</strong>. There's something magic about it.</p>
<p>The changing minor/major chords at the end of <strong>I'll be back</strong>.</p>
<p>The little variations in the high backing vocals in the fade out ...]]></description>
        	        	<pubDate>Fri, 06 Apr 2012 19:05:17 +0100</pubDate>
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        	<title>Ben Ramon on Great outros (song endings)</title>
        	<link>http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p51730</link>
        	<category>Recording and musicology</category>
        	<guid isPermaLink="true">http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p51730</guid>
        	        	<description><![CDATA[<p>I've always thought a lot of the songs on Revolver end in interesting and unexpected ways. The totally sudden, terse, solemn ending of Eleanor Rigby. I'm Only Sleeping ends beautifully if you ask me, with the heavy HISS of cymbals giving way to a weird dreamy flurry of backwards guitar that fades out. She Said She Said goes rhythmically into double time for the last couple of lines. And Your Bird Can Sing, with that riff looping over and over and then suddenly coming to a musically unresolved halt and there's a little thrum from Paul's bass at the end, ...]]></description>
        	        	<pubDate>Wed, 04 Apr 2012 23:26:20 +0100</pubDate>
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        	<title>...ontherun on Great outros (song endings)</title>
        	<link>http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p51617</link>
        	<category>Recording and musicology</category>
        	<guid isPermaLink="true">http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p51617</guid>
        	        	<description><![CDATA[<p><strong>meanmistermustard said </strong></p>
<blockquote><p>Cant remember if its been mentioned already but Long, Long, Long when Paul hits the low note that sends the bottle rattling which brings George, Ringo and Paul back in. Totally unplanned but fits the song perfectly.</p>
</blockquote>
<p>This! </p>
<p>That is to say that I agree.</p>
 ]]></description>
        	        	<pubDate>Tue, 03 Apr 2012 03:08:29 +0100</pubDate>
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        	<title>LennonCloset on Great outros (song endings)</title>
        	<link>http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p51513</link>
        	<category>Recording and musicology</category>
        	<guid isPermaLink="true">http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p51513</guid>
        	        	<description><![CDATA[<p>Definitely I Want To Tell You! I love Paul's little ad-lib harmony thing at the fade! Cry, Baby, Cry maybe....</p>
 ]]></description>
        	        	<pubDate>Sat, 31 Mar 2012 06:04:52 +0100</pubDate>
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        	<title>Into the Sky with Diamonds on Great outros (song endings)</title>
        	<link>http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p51432</link>
        	<category>Recording and musicology</category>
        	<guid isPermaLink="true">http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p51432</guid>
        	        	<description><![CDATA[<p>Well then kudos to the Beatles for the ending of "Twist and Shout" - definitely better than a fade out.</p>
<p>Along the same lines, "Please Please Me" has a very climactically satisfying ending.</p>
 ]]></description>
        	        	<pubDate>Wed, 28 Mar 2012 01:52:13 +0100</pubDate>
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        	<title>The Beatle-lele Book on Great outros (song endings)</title>
        	<link>http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p51424</link>
        	<category>Recording and musicology</category>
        	<guid isPermaLink="true">http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p51424</guid>
        	        	<description><![CDATA[<p>The Isley Brothers version of Twist and Shout had a fade out ending. </p>
 ]]></description>
        	        	<pubDate>Tue, 27 Mar 2012 20:23:08 +0100</pubDate>
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        	<title>meanmistermustard on Great outros (song endings)</title>
        	<link>http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p51387</link>
        	<category>Recording and musicology</category>
        	<guid isPermaLink="true">http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p51387</guid>
        	        	<description><![CDATA[<p>Cant remember if its been mentioned already but Long, Long, Long when Paul hits the low note that sends the bottle rattling which brings George, Ringo and Paul back in. Totally unplanned but fits the song perfectly.</p>
 ]]></description>
        	        	<pubDate>Sun, 25 Mar 2012 22:28:09 +0100</pubDate>
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        	<title>Into the Sky with Diamonds on Great outros (song endings)</title>
        	<link>http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p51383</link>
        	<category>Recording and musicology</category>
        	<guid isPermaLink="true">http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p51383</guid>
        	        	<description><![CDATA[<p>Never thought of it - will have to check it out (is the ending the same as the original version?)</p>
 ]]></description>
        	        	<pubDate>Sun, 25 Mar 2012 22:02:26 +0100</pubDate>
        </item>
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        	<title>The Beatle-lele Book on Great outros (song endings)</title>
        	<link>http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p51380</link>
        	<category>Recording and musicology</category>
        	<guid isPermaLink="true">http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p51380</guid>
        	        	<description><![CDATA[<p>I love the ending of Twist and Shout.  Rising chromatically from A7 to D7 and ending on a D7/9. The endings of some early songs were great.</p>
 ]]></description>
        	        	<pubDate>Sun, 25 Mar 2012 20:02:47 +0100</pubDate>
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        	<title>The Walrus on Great outros (song endings)</title>
        	<link>http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p50158</link>
        	<category>Recording and musicology</category>
        	<guid isPermaLink="true">http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p50158</guid>
        	        	<description><![CDATA[<p>Aside from those already mentioned, I&#039;d like to praise Tomorrow Never Knows and Dear Prudence.</p>
 ]]></description>
        	        	<pubDate>Thu, 02 Feb 2012 23:20:37 +0000</pubDate>
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        	<title>Into the Sky with Diamonds on Great outros (song endings)</title>
        	<link>http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p50121</link>
        	<category>Recording and musicology</category>
        	<guid isPermaLink="true">http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p50121</guid>
        	        	<description><![CDATA[<p>On the <em>Rubber Soul</em> thread, BenefitOfMisterkite mentioned <span style="color: #0000ff">"Wait"</span></p>
<p>Always loved the ending of that song: "I&#039;m    so    alone...." - the guitars tumble down and then the rustling of the cymbals</p>
<p>(or other percussion instrument)</p>
 ]]></description>
        	        	<pubDate>Thu, 02 Feb 2012 01:06:54 +0000</pubDate>
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        	<title>McLennonSon on Great outros (song endings)</title>
        	<link>http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p49837</link>
        	<category>Recording and musicology</category>
        	<guid isPermaLink="true">http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p49837</guid>
        	        	<description><![CDATA[<p>Strawberry Fields <img class="sfsmiley" src="/wp/wp-content/forum-smileys/ahdn_john_02.gif" alt="a-hard-days-night-john-2" /></p>
 ]]></description>
        	        	<pubDate>Thu, 26 Jan 2012 13:34:13 +0000</pubDate>
        </item>
        <item>
        	<title>meanmistermustard on Great outros (song endings)</title>
        	<link>http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p49653</link>
        	<category>Recording and musicology</category>
        	<guid isPermaLink="true">http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p49653</guid>
        	        	<description><![CDATA[<p>The dead stop of I Want You (She&#039;s So Heavy) where the tape was simply cut has to be up there as does the chrashing piano chord of A Day In The Life.</p>
<p>Im Only Sleeping with that glorious guitar fade out.</p>
<p>Helter Skelter with Ringo&#039;s complaint of having blisters on his fingers.</p>
<p>And the Get Back version with Johns audition quote, admittedly not part of the actual song but really fits when listened to as part of the Let It Be album - maybe that belongs more in the album closure thread then.<img class="sfsmiley" src="/wp/wp-content/forum-smileys/ahdn_ringo_07.gif" alt="a-hard-days-night-ringo-7" /></p>
 ]]></description>
        	        	<pubDate>Sun, 22 Jan 2012 21:53:59 +0000</pubDate>
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        	<title>Into the Sky with Diamonds on Great outros (song endings)</title>
        	<link>http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p49652</link>
        	<category>Recording and musicology</category>
        	<guid isPermaLink="true">http://www.beatlesbible.com/forum/recording-and-musicology/great-outros-song-endings/#p49652</guid>
        	        	<description><![CDATA[<p>There&#039;s nothing like a great opening - but how about the ending?</p>
<p>A great ending can be very satisfying, especially when subtle.</p>
<p>I love the organ tune at the very, very end of <span style="color: #0000ff">Mr. Kite</span> just before the flourish of calliope.</p>
<p>It&#039;s just a few seconds long: a...g....f g a f  e   f# a-<em>flat</em>  e   (or whatever key it&#039;s in)</p>
 ]]></description>
        	        	<pubDate>Sun, 22 Jan 2012 20:53:44 +0000</pubDate>
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