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9.12pm
12 March 2010
OfflineHere's another review of another classic Macca album, "Tug of war" (1982), considered to be one of his best and critically as well as comercially most successful albums.
After his home-made solo album "McCartney II" Paul returns to grand production standards he hadn't reached since the Beatles, thanks to producer George Martin (who also wisely talked him out of making it a double album; the obviously weaker songs can be found on the following album "Pipes of peace").
But still the album doesn't sound too "slick", it has lot's of Soul and R'n B influences (stronger than on any other Macca album), beautiful ballads, strong up-tempo songs and fantastic guest musicians: Ringo Starr, Steve Gadd, Carl Perkins, Stevie Wonder, Stanley Clarke, Eric Stewart, Denny Laine with his last contributions and others.
Linda, Eric Stewart, Denny Laine and Paul get an extra nod for creating some of the best backing vocal arrangments in Paul's catalogue, and that means something!
1. "Tug of war" – Starting with original noises from a "tug of war" tournament it turns into one of Paul's most bombastic ballads ever, so sometimes I feel it's a bit over the top and annoying, but it still has many great moments in the arrangement.
2. "Take it away" – One of his most successful solo numbers with a fantastic double-drum set intro by Ringo and Steve Gadd and some hot brass stuff. Excellent bass playing on this one. Very uplifting.
3. "Somebody who cares" – Featuring Stanley Clarke (then one of the most famous bass players in the world) Nice ballad, another great arrangement, excellent spanish guitar solo by Paul.
4. "What's that you're doing" – Co-production between Paul and Stevie Wonder, playing all the instruments including Paul on drums and Stevie on the cool synth obviously. Great fun to listen to! Exciting backing vocals as well.
5. "Here today" – No words can describe how heartbreakingly beautiful this hommage to his beloved friend and soulmate John is.
6. "Ballroom dancing" – Making sure to bring everybody out of the sentimental feeling again Paul rocks on with this uptempo song featuring a slightly annoying piano and a breathtaking clarinet solo (you know that one from Gershwin's American in Paris!).
7. "The pound is sinking" – Stanley Clarke plays again, but nothing I couldn't have done as well myself… Still an interesting song. I especially like the middle part with some great backing and lead vocals.
8. "Wanderlust" – One of my two favourite tracks on the album! Beautiful piano, but then there's even a brass ensemble! I LOVE it!!!!!
9. "Get it" – Very funny duet with Carl Perkins, their old Beatles favourite!
10. "Link" – Yeah, it's a link between two songs, with nice vocoder effects.
11. "Dress me up as a robber" – I have NO idea what the lyrics are about, but this is my favourite song on the album, because the arrangement is SOOO funky!! Another great SPanish guitar solo by Paul and funky brass!
12. "Ebony and Ivory" – Yeah, it's partly this song's fault that many people reduce Paul to super-sweet commercial ballads, but it's still a classic duet with Paul and Stevie sharing all instruments and vocals again. And you got to respect Paul's intention of an inter-racial peace message.
So, no weak track on the album, great sound and totally entertaining and touching! Another must have for any Paul and Beatle-fan!
9.20pm

19 September 2010
Offline10.02pm
20 December 2010
Offlinemr. Sun king coming together said:
Actually, and I love The album, but I absolutely hate Here Today.
I agree with you on this song. I feel that he sings it with very little emotion. I am not moved to tears after hearing it.
I did like the Citi Field Live version where his voice cracks due to him get very emotional. He needs to do that more often.
10.24pm
12 March 2010
OfflineInner Light said:
mr. Sun king coming together said:
Actually, and I love The album, but I absolutely hate Here Today.
I agree with you on this song. I feel that he sings it with very little emotion. I am not moved to tears after hearing it.
I did like the Citi Field Live version where his voice cracks due to him get very emotional. He needs to do that more often.
Funny, for me the live cracking has more to do with age… And he DOES that more often nowadays…
Anyway, the album version is beautiful, and he sings it with a lot of feeling. If someone finds something to hate about it so be it. But it's hard to understand how such a positive, loving, quiet song could evoce feelings of hate…
10.29pm

19 September 2010
Offline12.23am
1 May 2010
OfflineI think Here today is a nice song, but I prefer the live version. I dunno why, but some songs (this one and Calico Skies) I prefer the live versions.
6.36am
23 January 2011
Offlinepaulsbass said:
mr. Sun king coming together said:
He doesn't sing it very well. Martin's arrangment is quite beautiful but it doesn't save the song.
Whatever.
Agreed, paulsbass. His singing is superb on this track. I can't listen to it much, though, because it is so sad. I would say this is one of the only pure autobiographical songs Paul has ever written, and for that alone, it deserves a high rating. I'm sure some of his other songs are autobiographical in some ways, but this is one of the only ones that is so obvious about it.
10.43am

19 September 2010
OfflineLook, I accept paulsbass that you like the song a lot, but to brush me off in one word was mean. Although I shouldn't have used hate. I certainly isn't bad, just not particularly good.
12.33pm
12 March 2010
OfflineLook, I accept paulsbass that you like the song a lot, but to brush me off in one word was mean. Although I shouldn't have used hate. I certainly isn't bad, just not particularly good.
You know, I'm going to try not patronizing you, though it's really hard.
This is not the first time you acted extremely rude in one of your postings, like in this one, claiming you "absolutely hate" a song which indeed I like very much, and so does Paul, and it's as I said a very personal, intimate, loving, quiet song, so I still can't understand how anyone would be able to hate it…
And when people don't react nicely to such immature and offensive behaviour you call them "mean"! Happened before, trust me, in case you forgot it.
You got the right idea yourself about the reason for my short reply.
And you will certainly agree that there is no point in further arguing when someone tells you he "hates" a song that you like. So I think I made my point in making it clear that I don't agree with you and tried to avoid further stress.
I accept that you don't like the song, and since it's a free world I have all the right to think you shouldn't think about it that way. But if that's your taste and your choice, so be it.
But think again next time when someone writes a long, thoughtful review about one of his favourite albums and you feel the urge to post such a negative comment, especially when it's the first one.
9.13pm

19 September 2010
OfflineI didn't realize that I was being rude in stating an opinion. I certainly didn't mean to offend, but I don't apologize for my opinion, but for the fact I offended you when I certainly didn't mean to. I love this album, and certainly agree with you on Dress Me Up As A Robber, my favorite track. But, and this applies to all non – spam posters, I never mean to offend because of difference of opinion. NEVER.
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