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6.01am

13 February 2010
Offline8.42am

13 February 2010
Offline6.53pm

13 February 2010
OfflineI don't think I can picture Joey Lawrence saying, "I am a mocker." HA! And I can't picture Hollywood remaking it…nobody can imitate that movie, ever. And if Hollywood did remake it, it would definitley be a crappy movie because I mean you cannot imitate a Beatle, eh?
9.41pm
13 November 2009
OfflineHehe. I was trying to think of the most cringe-worthy remake possible, short of adding Captain Planet or Urkel to the mix. That's just cruel. I wouldn't put it passed Hollywood. They did remake The Pink Panther. Twice. 
They're giving it a try with the Yellow Submarine remake. Based on little information out there, I've decided to keep my torches and pitchforks in the shed – for now.
12.36am

13 February 2010
Offline1.21am
13 November 2009
Offline8.03pm
13 November 2009
Offline3.38am
Sunii said:
But I do agree that the Can't Buy Me Love scene would look fab in color!
Which one? There were two "Can't Buy Me Love" scenes… the field and the police chase. 
I'm sure you mean the "Sorry we hurt your field, Mister!" scene… and I agree, it would look cool in color. I also love the black and white feel of the film… really makes it feel like it came from another era.
Speaking of the police chase, I love when they make it into the police station just to catch their breath… when the sergeant asks John, "You all right?" and he nods and they just take off again. Hehehe.. adorable!
iCaramba said:
Speaking of the police chase, I love when they make it into the police station just to catch their breath… when the sergeant asks John, "You all right?" and he nods and they just take off again. Hehehe.. adorable!
I love that part!
Very cute!
Oh, and btw, I was talking about the field scene. But either one would look fab in color, of course!
5.37pm
21 August 2009
OfflineiCaramba said:
Sunii said:
But I do agree that the Can't Buy Me Love scene would look fab in color!
Which one? There were two "Can't Buy Me Love" scenes… the field and the police chase.
I'm sure you mean the "Sorry we hurt your field, Mister!" scene… and I agree, it would look cool in color. I also love the black and white feel of the film… really makes it feel like it came from another era.
Speaking of the police chase, I love when they make it into the police station just to catch their breath… when the sergeant asks John, "You all right?" and he nods and they just take off again. Hehehe.. adorable!
Ah! Adorable.
I rewind that part too many times in one showing… aiyee!
On the whole colour front, I think it would make the film more present and maybe give it a better or more broad audience today as I know too many people have a thing against black and white films… over my head, I don't know why.
Though, I myself love the black n' white. Hello, early 60s! That's what it's all about.
1.28am
21 August 2009
OfflineThought I'd revive this thread with a question:
I re-watched to movie today for about the 90th time, and sang along as per usual. I noticed I was having a bit of trouble reaching some of the notes as they are noticeably lower than studio recordings! Why is that? Not quite by an octave, but If I Fell, I'm Happy Just to Dance with You, Tell Me Why and And I Love Her especially (and probably others, didn't take note of those) are all notes below.
Someone enlighten me? 
2.46am
13 November 2009
OfflineI think I might have to watch it again (how terrible), because I listened to my regular copy and my soundtrack version of If I Fell, and I didn't hear much of difference. (Smooth.
)
Edit: OK, did a little youtube research. Not surprising, you're right!
Here's the BBC version:
The 'other' version:
Still have no idea why, but at least I could confirm your findings. (Right?)
I might be able to help here. Tapes of the mono mixes were given to United Artists and Capitol to be used in the film and soundtrack in the US.
As United Artists (UA) made the film, George Martin and EMI weren't responsible for how the songs were used in the film beyond recording and mixing them. The playback of the songs in the film was, presumably, down to UA. Perhaps when they assembled the film versions their tape machines were set to play at a different speed, or they thought for some reason it sounded better.
Here are some links about the mixes for the soundtrack, which were given to UA:
http://www.beatlesbible.com/19…..your-name/ (mixes for both EMI and UA/Capitol)
http://www.beatlesbible.com/19…..ays-night/
http://www.beatlesbible.com/19…..aid-today/ (tape compiled for UA/Capitol)
I've never heard the United Artists version of the AHDN soundtrack. If anyone here has a copy, could they let us know whether the songs are at different speeds/pitches as well?
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