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The Beatles: The Biography by Bob Spitz
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12 February 2011
3.22pm
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Joe
Pepperland
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http://www.beatlesnews.com/new.....rrors.html

Apparently he wrote the photo captions in a rush just before a deadline, and were corrected for a second edition. I don't know about the rest - I've not read the book.

Please don't spoil my day; I'm miles away

Can buy me love! Please consider using these links to support the Beatles Bible: Amazon | iTunes

14 February 2011
3.56pm
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deboraht
Casbah Coffee Club
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3 February 2011
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I think this is the book where he says Patti and George met on the set of Help...I found a few mistakes which quite annoyed me. He heavily used the official bio of the Beatles from 1968 by Hunter Davies for source quotes.

14 February 2011
7.34pm
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vonbontee
Inside an Apple Orchard in a Letterbox
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That's exactly the sort of silly, easily correctable error that plagues the book – I think at one point Spitz claims that Rubber Soul has 13 songs, or something equally flat-out wrong. But when I call the book a "real-life novel", I'm thinking specifically about dramatic passages like this one, depicting the recording of "Twist & Shout":

 

Everyone knew they’d have to get it on the first take — the band, the engineer, everybody had to do his job, without a missed note or a glitch.  There would be nothing left of John’s voice after that.

[. . .]

John tore open a wax carton and gargled noisily with milk.  He’d played most of the day in a rumpled suit, but sometime after dinner the jacket was removed and two fingers yanked down the tie.  Now, without a word, he stripped off his shirt.  He draped it over a bench, then walked over to the mike and nodded to the others: good to go.

It is obvious from the very first notes that John was straining for control.  “Shake it up bay-be-eee. . .” was more of a shriek than singing.  There was nothing left of his voice.  It was bone-dry, stripped bare, with all the resonance husked from the tone, and the sound it made was like an angry, hoarse-voiced fan screeching at a football match.  Between clamped jaws, contorting his face, he croaked, “Twist And Shout.”  He had been struggling all day to reach notes, but this was different, this hurt.  And it was painful to listen to.  Still, John held nothing in reserve.  Trancelike, as the band rocked harder, buliding excitement with their impetuous energy, the struggle grew more intense.  “C’mon, and twist a litle closer” broke up into an agonizing, demonic rasp, until on the last refrain of the tortured throatiness strangled every word before Paul, in admiration, shouted, “Hey,” celebrating, as they miraculously crossed the finished line.

John was wasted, near collapse, but the others already knew what he was about to find out from a playback: that for all its hairiness, “Twist And Shout” is a masterpiece . . .

 

 

That may not be entirely appropriate reporting – it's not as though Spitz was actually there, obviously – but it's good stuff. I'm not necessarily recommending Spitz's book (presumably everyone is going to wait for the Lewisohn's definitive works), just explaining what I liked about it.

I remember George saying 'Blimey, he's always talking about “Yesterday”, you'd think he was Beethoven or somebody' - Paul McCartney

14 February 2011
8.09pm
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mr. Sun king coming together
Nowhere Land
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vonbontee said:

That's exactly the sort of silly, easily correctable error that plagues the book – I think at one point Spitz claims that Rubber Soul has 13 songs, or something equally flat-out wrong. But when I call the book a "real-life novel", I'm thinking specifically about dramatic passages like this one, depicting the recording of "Twist & Shout"

 

That may not be entirely appropriate reporting – it's not as though Spitz was actually there, obviously – but it's good stuff. I'm not necessarily recommending Spitz's book (presumably everyone is going to wait for the Lewisohn's definitive works), just explaining what I liked about it.

I know that mistakes are inevitable, and that passage is great, but The story doesn't pass basic tests. 


As if it matters how a man falls down.'

'When the fall's all that's left, it matters a great deal.

15 May 2011
8.51pm
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GniknuS
Rain? I don't mind
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1 May 2010
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I read this book a few years ago and thought it was okay, but I'm leafing through it again at work and it appears as though Spitz let his imagination get the best of him at certain points. That's not necessarily a bad thing because it makes the book more interesting and readable, but I don't know how factual the book is, especially the White Album and Apple stuff where he really goes off the deep end. He seems to get most of his information from Anthology and various other places, but I get the feeling that he filled in a few areas with his own interpretations. He spends a lot of time talking about Brian's and John's personalities and how self destructive they both were.
It's tough to say about this one, it's a good book but it seems more like fiction in certain places.

I sat on a rug, biding my time, drinking her wine
15 May 2011
10.03pm
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PennyLane
Sitting singing songs for everyone by the mountain stream
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5 August 2014
5.17pm
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DrBeatle
Hershey via Boston
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I've made my thoughts on this book known here and elsewhere...it's putrid and not worth reading. Beyond that, Spitz is a grade-A asshole, as evidenced by how he responded to fans who pointed out some his numerous errors to him:

http://www.beatlesnews.com/new.....rrors.html

To give you an idea of what I think of this book, a few years ago our garage flooded and I lost several of my books that were ruined by water and mold damage...the Spitz book survived, to which I was incredibly disappointed. I threw it out with the lot anyway.

"I know you, you know me; one thing I can tell you is you got to be free!"

 

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