“Can’t Buy Me Love: The Beatles, Britain, and America” by Jonathan Gould | Beatles books | Fab forum

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“Can’t Buy Me Love: The Beatles, Britain, and America” by Jonathan Gould
9 January 2013
8.15pm
Zig
The Toppermost of the Poppermost
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I just finished it and really enjoyed it. If you've read any Beatles books that cover their childhood(s) up to the breakup (i.e. "Anthology"), you won't learn any new earth-shattering facts you did not already know. However, you will learn how their actions were influenced by society/culture and how society/culture in Britain and the US and was influenced by them. It really is an interesting angle.

Mr. Gould, being a musician himself, also did a nice job of dissecting each album and most of the songs on them. Some of that was a bit dry for me when he started talking about keys and chords and what-not as I am not a musician and could not possibly care less what key was being played or sung. But I know there are many of you here in the Forum that get all of that so you will probably get more out of it. His take on some of the songs' meanings was interesting as well.

I also enjoyed his style of writing, although there were times when I thought he owned stock in the company that publishes "Roget's Thesaurus". He seemed to strive for the rarely used word versus the simple one. That still did not stop me from enjoying this fine opuscule…I mean, book.

I know I will read it again sometime because there was a lot of info (606 pages) and I'm sure I may have glossed over some of it. If I did not like it all, I wouldn't bother with a second read. I hope you enjoy it as much as I did.

To the fountain of perpetual mirth, Let it roll for all its worth.

Can buy Joe love! If you're going to buy that song, album, or T-shirt anyway; please consider using these links to support the Beatles Bible: Amazon | iTunes

9 January 2013
8.27pm
meanmistermustard
Apple rooftop
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1 May 2011
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Its a book i had to keep putting down, not because it was difficult reading, far from it, but to utilise a theasaurus/dictionary to know what the hell he was talking about. Thank goodness for ipods and free apps.

Certainly the highlight for me was putting the albums into context with what was happening in the UK and US at the time of their releases, gave a greater appreciation of how much impact they had on society but also how much the changing times influenced the Beatles and their output. Its easy to separate the Beatles music from the times so to have some of them linked up was quite something. Pepper is an obvious example, Gould really made me understand just how huge the album was aside from the music contained.

"Well, probably we'll sell less records, less people'll go to see the film, we'll write less songs, and we'll all die of failure" (John Lennon 8/64)
10 January 2013
12.44am
unknown
ay, qué pesado
Apple rooftop
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5 November 2011
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I got Can't Buy Me Love this summer, but I haven't gotten around to reading it yet. I heard some bad things about it, and that made me lose my interest in getting around to it.

All living things must abide by the laws of the shape they inhabit
10 January 2013
5.13pm
Zig
The Toppermost of the Poppermost
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Give it a go, unknown. I think you will be glad you did.

Just keep a dictionary handy!

To the fountain of perpetual mirth, Let it roll for all its worth.

Can buy Joe love! If you're going to buy that song, album, or T-shirt anyway; please consider using these links to support the Beatles Bible: Amazon | iTunes

11 January 2013
7.38pm
Von Bontee
A Hole In The Road
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14 December 2009
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Yes, read this around last Thanksgiving and liked it a lot – the 2nd-best Beatles book I've read in recent memory, after Doggett's YOGMYM. Extraneous as it may seem to some, I really enjoyed his take on such things as the psychology of groups and the mini-history of U.S. radio.

One anomaly, considering how obsessively he seems to cover practically EVERY other Beatles track, is his almost total-avoidance of the "Yellow Submarine" material. It's as if he felt that the Beatles' semi-disposal of those tracks made them unworthy of his time.

One day, a tape-op got a tape on backwards, he went to play it, and it was all "Neeeradno-undowarrroom" and it was "Wow! Sounds Indian!" -- Paul McCartney
10 September 2013
6.25am
LadyBay
Following The Sun
London Palladium
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16 July 2013
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I stumbled on this book when lovely ( and well-trained! ) husband found it and brought it home from the library and I have to say,  I'm very glad he did.  This has been one of the best I've read (with the qualifier that I still have many to go!).

Gould's musical analysis sometimes went beyond my understanding ( which is not saying much! ) but was exceptionally well done and his contextualizing of the music, and the personalities of the boys themselves, in the social and political environment of the 60's was very thought provoking.

I particularly liked the way he dealt with the people at the centre of things – no vindictive nastiness and no sycophantic sugar-coating either.  It approaches everyone even-handedly and as non-judgementally as anyone reasonably can.

I also really liked the way Gould covered the break-up and the end-game legal wrangles, though it never gets any easier to read about that awful time.  For me, it was presented in a way that leaves me feeling I have a much better handle on all the elements that were in play and the things that were driving each of the four at the time.

"Try to realise it's all within yourself - no-one else can make you change"

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