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2.54am
3 March 2012
Offlinepaulsbass said
Long John Silver said
Anyway Paul sang the "ahh" part on ADL? Now I am confused, it doesn't sound like him.
It's hard to tell in the whole mix, but the isolated vocal tracks reveal it's Paul.
Still, for many people that's evidence it's John.
We had quite an engaged discussion about that:
http://www.beatlesbible.com/fo…..l-or-john/
I got some of them convinced, at least
(I think Joe closed the thread at the end or something…)
That discussion is what got me to register and stop lurking here at the site! My opinion? It's both. Very diplomatic I am.
3.01pm
1 December 2009
Offline3.25pm
15 June 2011
OfflinePlease Please Me: John (2 pts) followed by Paul (1 pt)
With the Beatles: John (2 pts) followed by George (1 pt) (although my favourite song from the LP is Paul's All My Loving)
A Hard Day's Night: John (2 pts)
Beatles for Sale: Paul (2 pts)
Help!: Paul (2 pts) followed by John (1 pt)
Rubber Soul: John (Nowhere Man, In My Life), Paul (I'm Looking Through You, Michelle) and George (Think for Yourself, If I Needed Someone). It's a draw. 2 pts for all three.
Revolver: Paul (2 pts) followed by John (1 pt) and George (1 pt)
Sgt Pepper's: Paul (2 pts) followed by John (1 pt)
Magical Mystery Tour: Paul (2 pts) followed by John (1 pt)
White Album: Paul (2 pts) followed by John (1 pt) and George (1 pt)
Yellow Submarine: does not count
Abbey Road (my favourite album): Paul (2 pts) followed by George (1pt)
Let it Be: Paul (2 pts)
1st place: Paul with 19 points
2nd place: John with 13 points
3d place: George with 6 point
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9.06pm
24 July 2012
OfflinePlease Please Me - Paul
With The Beatles - John
A Hard Days Night - John
Beatles For Sale - John
Help! - TIE Paul and John
Rubber Soul - John
Revolver - John Paul and George Tied For 2nd
Sgt Peppers Lonely Hearts Club Band – Paul
Magical Mystery Tour – John
The White Album – TIE Paul and George
Yellow Submarine – George
Abbey Road – George
Let It Be – Paul
John 6 alone/13 1 Tie/13
Paul 3 alone/13 2 Ties/13
George 2 alone/13 1 Tie/13
Ringo 0/13
10.28pm
24 November 2011
OfflinePlease Please Me: John, followed closely by Paul
With The Beatles: John by far
A Hard Day's Night: John by far
Beatles for Sale: John
Help!: John, but Paul is very close (maily because of "Yesterday" and "I've Just Seen A Face", which is one of my favorites)
Rubber Soul: hard to decide – for me it's John ("Norwegian Wood" and "Nowhere Man" are the most important reasons), but followed closely by Paul
Revolver: Paul (mainly because of "Eleanor Rigby" and "Here, There And Everywhere"), followed by John
Sgt. Pepper's Lonely Hearts Club Band: clearly Paul, as this album was mostly his idea, but with important contributions by John (mainly in "A Day In The Life", and, of course, also for "Lucy In The Sky …" and "Good Morning Good Morning")
Magical Mystery Tour: too close to call between Paul and John. I'd vote for John, mainly because of "Strawberry Fields Forever" and "I Am The Walrus", which are two of my favorite songs in the Beatles' catalogue
The Beatles ("The White Album"): very, very hard to decide, too. Again John ("Dear Prudence", "Happiness Is A Warm Gun"), closely followed by Paul and with strong contributions by George.
Yellow Submarine: George, of course.
Let It Be: Paul by far
Abbey Road: again Paul (mainly because of the Abbey Road Medley), with strong contributions by John ("Come Together" and parts of the Medley) and George
Score:
Winner: John (8/13)
Paul (4/13)
George (1/13)
Ringo (0/13)
11.54pm

12 April 2012
OfflineI'm goin to do a ranking of george, paul and john per album (no ringo because he would always be the last place (the place they are is also their points, the heatles with the fewest points wins if there are two first places both get 1.5 points, if there are two second places both get 2.5
Please Please Me:
1.5. Paul
1.5. John
3. George
With The Beatles:
1. John
2. George
3. Paul
A Hard Days Night:
1.5. Paul
1.5. John
3. George
Beatles For Sale:
1.5. Paul
1.5. John
3. George
Help!:
1.5. Paul
1.5. John
3. George
Rubber Soul:
1. John
2. Paul
3. George
Revolver:
1. Paul
2. George
3. John
Sgt. Pepper's Lonely Heart's Club Band:
1. Paul
2. George
3. John
Magical Mystery Tour:
1. Paul
2. John
3. George
White Album:
1. Paul
2.5 George
2.5 John
Yellow Submarine:
1. John
2. George
3. Paul
Abbey Road:
1. Paul
2. George
3. John
Let It Be:
1. Paul
2. George
3. John
Paul: 20
John: 25,5
George: 32,5
Score:
1. Paul
2. John
3. George
My real ranking of all their songs:
1. Paul
2. George
3. John
9.40am
1 December 2009
Offline10.51pm
26 July 2011
OfflineThis has been a fascinating thread to read…. and certainly shows how passionate people can be for The Beatles -- and for their favourite member of the band. But I always think that it sort of reduces the enjoyment and understanding of The Beatles' magic to a sporting competition ("who 'won' this album or that album?"). Not surprising, I suppose, since the band members themselves (especially John and Paul) admitted they were highly competitive.
I have been a Beatles' fan since the Ed Sullivan days, and my favourite Beatles have always been John Lennon & George Harrison. Yet I cannot deny how huge Paul McCartney was to pretty much every recording.
Convincing arguments can always be made for either Lennon or McCartney being the most important member of the band. But what made The Beatles the biggest rock band in history was the incredible four-way chemistry. If you don't believe it, then imagine how successful "Paul and the Pacemakers" or "John and the Pacemakers" would have been. I doubt any of us would be talking about them the way we are today. They'd have been big.. but not the biggest of all time.
A HARD DAY'S NIGHT and SGT PEPPER are perfect examples of what I mean. Based on quantity, John clearly "won" HARD DAY'S NIGHT -- Paul only sang lead on three compositions. But those three ("And I Love Her", "Can't Buy Me Love" and "Things We Said Today") rank among the best songs on the album (along with John's "If I Fell", "You Can't Do That", "I'll Be Back" and the stunning title track).
Likewise, Paul was clearly the "winner" of SGT PEPPER based on song output (and the whole concept of it). But without John's contributions ("A Day in the Life", "Mr Kite", "Lucy in the Sky", "Good Morning" and his Greek chorus thing on "She's Leaving Home"), the album becomes VERY ordinary, in my opinion.
As for George, I could easily argue that the most memorable songs on ABBEY ROAD and THE BEATLES were his ("Something", "Here Comes The Sun" & "Guitar Gently Weeps") so perhaps George "won" those albums, despite being vastly outnumbered, as always, by Paul & John.
And when we're talking about George's contribution to the songs, it's interesting (and very heartwarming) to read what Paul had to say about them in an interview with "Mojo" last year. For instance, George came up with the memorable acoustic intro to one of Paul's great ballads "And I Love Her" -- Paul's concept of the song is the version you hear on ANTHOLOGY 1. As Paul said, the released version wouldn't be the same without George's contribution.
(Read interview: http://www.mojo4music.com/blog…..n_eye.html ).
(Part two is also very interesting: http://www.mojo4music.com/blog…..harri.html )
And then there's Ringo, who rarely gets the appreciation he deserves for his inventive and distinctive drumming. Again, I don't think The Beatles would have had the same magic or impact with Pete Best occupying the drummer's stool.
11.31pm
1 May 2011
OfflineThe Beatles catalogue wouldnt have anywhere as good with any other drummer. I realise that the band wasnt fully developed for the Sheridan, Decca or first Parlophone recordings but there is something lacking in the drumming, a drive/impetus that Ringo provided. Most people point to Please Please Me as the earliest example but Love Me Do has also been highlighted for how different a feel Ringo gave, very different to what was around at the time (probably in hindsight tho as a) the Ringo drumming single was substituted for the White drumming early on and b) the single made little wave outside of Liverpool). Even omitting all that Ringo was viewed as the best drummer in all of Liverpool ahead of Pete.
Any idea that Ringo isnt an excellent drummer is borne out of stubborn refusal bordering on stupidity – like denying Hendrix was an excellent guitarist or saying Usain Bolt is a mediocre athlete.
3.49pm

12 April 2012
OfflineI have another idea: strongest album per beatle. I'll do a ranking:
I don't count their first 4 albums and yellow submarine because on them all beatles are pretty weak
Paul:
1. Abbey Road
2. Let It Be
3. White Album
4. Revolver
5. Magical Mystery Tour
6. Sgt. Pepper's Lonely Heart's Club Band
7. Help!
8. Rubber Soul
John:
1. Rubber Soul
2. White Album
3. Abbey Road
3. Let It Be
5. Sgt. Pepper's Lonely Heart's Club Band
5. Magical Mystery Tour
7. Help!
8. Revolver
George:
1. Abbey Road
2. White Album
3. Let It Be
4. Rubber Soul
5. Sgt. Pepper's Lonely Heart's Club Band
6. Revolver
7. Magical Mystery Tour
8. Help!
Ringo:
1. Let It Be (because he didn't sing; sorry ringo)
1. Magical Mystery Tour (the same)
3. Abbey Road
4. Rubber Soul
5. Sgt. Pepper's Lonely Heart's Club Band
6. White Album
7. Help!
8. Revolver
Wow my 200th post
4.16pm
8 January 2012
Offlineplease please me : John his vocals on twist and shout are enough to show why
with the beatles: Paul; just edging it over john for me mainly due to all my loving and til there was you
a hards day night: John; well this album is really john lennon and the beatles with 9 of the 13 songs sang by john
beatles for sale: John; the opening trilogy of songs proves it
help: John; just edges it over paul mainly due to you've got to hid your love away
rubber soul: heres where it get difficult but im going to go for George; mainly because his songwriting has massively improved, bringing his indian interest to the band and i love his guitar solo on michelle
revolver: could argue for john, paul and george here (sorry ringo) but i will have to go for Paul; his song writing here is just amazing and the bass and guitar bit for taxman out of this world
sgt pepper: although its was pauls concept il go for John; the songs he contributed here are so experimental and different and his vocal on a day in the life possibly his finest ever
magical mystery tour: Paul; easily
the white album: oh boy who to choose, il think il go for John; just over paul
let it be: Paul; easily paul the only beatle at this stage who was interested
abbey road: the toughest one of the lot, you can easily argue for john for writing classics like i want you and come together, george for hitting his songwriting peak and paul for the fantastic medley and his outstanding bass playing so ima go for Paul and George
3.19am
3 September 2012
OfflineI think I may have posted here already, but if I have, we can disregard it..
PPM: Even John/Paul; no one of them came up as the strongest here.
WTB: John/George; I actually like all the songs on here sung by George, but I'm biased for him as is. These are my opinions after all.
HDN: John obviously takes this one, but Paul's contributions to this album don't leave him in the dust.
WTB: Paul, just because of some songs I don't especially love by John on this album.. (not a massive fan of No Reply or Moonlight)
RS: I'll give all three to Rubber Soul. This one is close to me. They all have great contributions to the album.
R: George, John/Paul tied right behind. All made amazing contributions, but not only George's compositions but his (along with John ((and Paul's)) guitar work are amazing.
SP: This is definitely Paul, but John had a fewer amount of compositions that were stronger individually. George's song deserves credit as well.
MMT: Paul.. his idea, and I don't think John or George cared that much about this project anyway.
TB: Wow, this is a hard one. This is another John/George tie.
YS: Both of George's contributions in this album are especially nice, but John's song qualifies as 2 or more. I give it to George.
AR: George deserves this one, but Paul's medley gives him the tie.
LIB: Almost forgot about this one. I would be more inclined to give it to John if Don't Let Me Down would have been included, so I'll do a Paul followed by John/George. Although I don't like 2 of the songs by Paul, I like the other 3 or so and I figure he deserves it.
So let's see, assuming the reward is 1pt for the full album, and half for part of it.
John: 3
Paul: 5.5
George: 4
Although this goes by which songs I like and dislike, instead of what I think are good or bad from an unbiased point-of-view. Paul did get a good lead due to having a lot of the albums by himself. I'm tempted now to make Revolver a three-way tie as well, or give all of Abbey Road to George, but I think this will work.
1.38am
12 November 2012
OfflineJohn was the strongest Beatle on most of the earlier albums, while Paul was the strongest on most of the later albums because of the change in leadership. Exceptions below:
With the Beatles-George sings 3 songs plus You Really Got a Hold on Me w/ John, so it's a tie between the two
Revolver-George also had 3 songs, and his songs improved greatly
White album-John went back to basic music, and George was better than ever
Yellow Sub-the new songs on the album were the Beatles idea of throwaway songs, but George's were the best
Abbey Road-John and Paul threw together some old stuff while George wrote Here Comes the Sun, and changed everyone's opinion about Something
I'm sorry…George is my favorite!![]()
8.20pm
14 October 2012
OfflinePlease Please Me- This is pretty close, but Lennon
With the Beatles- Much as I love All My Loving, Devil In Her Heart and Don't Bother Me, its gotta be Lennon again
A Hard Day's Night- Things We Said Today is fantastic, but for sheer output, Lennon
Beatles For Sale- Getting closer but Lennon again
Help!- Close…McCartney
Rubber Soul- Lennon
Revolver- McCartney
Sgt Pepper's Lonely Heart's Club Band- McCartney
The White Album- McCartney
Yellow Submarine- Umm…Lennon
Abbey Road- Pretty close, but McCartney
Let It Be- McCartney
6 each. I thought I'd come down more on the McCartney side. I feel a bit bad for not giving any to George but the fact is, he only has 2 or 3 songs per album, 4 at best so in my opinion he can never be the best on any album. But you're still my favourite Georgie ![]()
"I don't think we were actually swimming, as it were, with shirts on, 'cos we always wear overcoats when we're swimming,"-
George Harrison, Australia, June 1964
8.34pm

29 November 2012
OfflineAre we talking about who dominated with the songwriting? Or who had the best performances? If we're going by songwriting, it's pretty well known that John dominated until he got too addled by pot and LSD and Yoko and then Paul took the reins. Put Revolver down as the inflection point. In terms of performances and overall impact on an album, that's where you can get a bit more varied.
6.36pm
9 May 2012
Offline11.46am
26 March 2012
OfflineI initially gave AHDN to John by "miles", but I've re-evaluated a bit. Although John is clearly the dominant songwriter, it would be unfair to deny Paul the fact that his three contributions (And I Love Her, Can't Buy Me Love and Things We Said Today) are all superb and all rank among the best on the record. In terms of songwriting, Paul is miles more accomplished on it than on With The Beatles and for the first time finds more of an individual creative voice. Plus When I Get Home is notoriously weak and I've never been fond of I'll Cry Instead, so…
Please Please Me: John
With The Beatles: John
A Hard Day's Night: John/Paul equally
Beatles for Sale: John. Paul's got some very underrated songs on this record, namely I'll Follow the Sun and What You're Doing, but it opens with a Lennon triple knockout which defines the album to me.
Help!: John
Rubber Soul: John by a hair. I think I'd say John was at his absolute peak on this one, breaking a lot of new ground lyrically and musically, but Paul's extremely close behind in terms of pure pop craftsmanship.
Revolver: Paul by a hair. John and George's more psychedelic contributions are all top-quality but Paul's balladry and baroque style adds a lot of progression and diversity to the mix.
Sgt Pepper: Paul, mainly for the groundbreaking concept and all the hard work he put into masterminding the record, plus his absolutely unmatchable bass playing throughout. But I must admit, the finest moments are when John's presence is felt largely (mainly Lucy and ADitL).
Magical Mystery Tour: Paul
The White Album: Very hard to decide… John? I don't understand people who nominate George, obviously While My Guitar is godly and I am fond of Long Long Long; but Piggies and Savoy Truffle are very weak compared to the absolute majority of John and Paul's stuff here.
Abbey Road: I'm tempted to say Paul because of the medley and stuff, but George came into his own so much at this point that I think I'd give it to George.
Let It Be: Paul
3.59pm
8 November 2012
OfflineBen Ramon said
Plus When I Get Home is notoriously weak
It's interesting to hear it has a reputation for being weak, because that's been one of my favorite songs on AHDN since childhood. I was so blown away by the spirited intro, and it always brings back good memories of bopping along to the cartoon singalong.
Abbey Road: I'm tempted to say Paul because of the medley and stuff, but George came into his own so much at this point that I think I'd give it to George.
Absolutely agreed.
parlance
12.38pm
26 March 2012
Offlineparlance said
Ben Ramon said
Plus When I Get Home is notoriously weakIt's interesting to hear it has a reputation for being weak, because that's been one of my favorite songs on AHDN since childhood. I was so blown away by the spirited intro, and it always brings back good memories of bopping along to the cartoon singalong.
It's certainly a great rocker musically and I like the way it kicks in, but the lyrics are really banal and seem like a totally inferior and less interesting rewrite of the sentiments in AHDN: "I'm gonna love her til the cows come home." It's not awful per se, but I'd call it the worst track on the record.
4.53pm
8 November 2012
OfflineBen Ramon said
"I'm gonna love her til the cows come home."
Oh, yeah, that I will agree is not their best moment.![]()
I think in general I've been more forgiving of the lyrics in their earlier music as long as I've enjoyed the melody/beat.
parlance
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