Charles Manson and Helter Skelter

Charles Manson's interpretations of The Beatles' songs

Everybody was getting on the big Beatle bandwagon. The police and the promoters and the Lord Mayors - and murderers too. The Beatles were topical and they were the main thing that was written about in the world, so everybody attached themselves to us, whether it was our fault or not. It was upsetting to be associated with something so sleazy as Charles Manson.

Another thing I found offensive was that Manson suddenly portrayed the long hair, beard and moustache kind of image, as well as that of a murderer. Up until then, the long hair and the beard were more to do with not having your hair cut and not having a shave - a case of just being a scruff or something.

George Harrison
Anthology
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Five songs by The Beatles were particularly notable for Charles Manson, all from the White Album: Helter Skelter, Revolution 1, Revolution 9, Blackbird and Piggies.

Helter Skelter

Lines such as "Do you don't you want me to make you/I'm coming down fast but don't let me break you" and "Look out helter skelter" were, in Manson's eyes, a warning of the uprising. Helter Skelter was written on the refrigerator in the LaBianca family home.

Revolution 1

John Lennon's claim that "When you talk about destruction/Don't you know that you can count me out, in" was taken to be an endorsement of revolution. "We'd all love to see the plan" was confirmation that Manson should reveal his plans to the Family.

Revolution 9

Manson considered this sound collage as The Beatles' most significant message. It contains a number of audio clips including shouts, explosions, pigs, the repeated phrase "Number nine", and the word "Rise" (or, alternatively, "Right"). It ends with the sound of machine gun fire and screams, and was followed by Good Night. Manson believed the track was a parallel of the Bible's Revelation 9. The word "Rise" was daubed in blood on the walls of the LaBianca home.

Blackbird

Manson saw the lines "All your life, you were only waiting for this moment to arise" as The Beatles encouraging black people to rise up against the white establishment.

Piggies

Manson believed that Piggies was a reference to the establishment. "Clutching forks and knives" would have devastating consequences for the Family's victims - Leno LaBianca was left with a knife in his throat and a fork in his stomach. "Death to Pigs" was written in LaBianca's blood on a wall in his home, and "Damn good whacking" was a phrase particularly liked by Manson.

All that Manson stuff was built around George's song about pigs and this one [Helter Skelter], Paul's song about an English fairground. It has nothing to do with anything, and least of all to do with me
John Lennon, 1980
All We Are Saying, David Sheff

A number of other songs also had significance for Manson and the Family. Most were from the White Album, and all were from The Beatles' later period.

I Will

"And when at last I find you, your song will fill the air. Sing it loud so I can hear you, make it easy to be near you." These words were interpreted as a search for Jesus Christ, which Manson saw himself as personifying. In response he began writing songs in earnest, hoping to initiate revolution as a result.

Honey Pie

"Sail across the Atlantic to where you belong" was thought to signify that The Beatles were to join the Family in Death Valley. "The magic of your Hollywood song" was seen as a direct reference to Manson's music.

Glass Onion

The line about The Fool On The Hill ("I tell you, man, he living there still") was a warning against false prophets, including Maharishi Mahesh Yogi.

Don't Pass Me By

Much of the lyrics, in which Ringo Starr waits for an absent lover, were taken by Manson to mean The Beatles were waiting for their messiah.

Blue Jay Way

Manson believed that The Beatles belonged with him in California. Blue Jay Way, written about Derek Taylor becoming lost in fog, was seen as an admission by the group that they had "lost their way". The song ends with the mantra: "Please don't be long, please don't you be very long".

Sexy Sadie

Prior to the release of the White Album, Manson had renamed Susan Atkins, a member of the Family, Sadie Mae Glutz. When he heard the song it reinforced the belief that the group was sending him coded messages.

Rocky Raccoon

The only one of Manson's chosen songs to directly mention the Bible, Manson believed that Rocky Raccoon referred to 'coon', a derogatory term for a black person. "Rocky's revival" was thought to be an anticipation of an uprising by black people.

Happiness Is A Warm Gun

Although much of the song's lyrics are surrealist nonsense or references to heroin use, Manson believed the chorus was meant to encourage black people to arm themselves against whites.

20 responses on “Charles Manson and Helter Skelter

  1. Pat

    Let’s face it Charles Manson was evil and wanted revenge and picked the tate house. But I have to say this that I do believe a few of those songs on the White Album were written because of Charles Manson! Why do I believ that? Well Manson knew the Beach Boys and stood out in the crowd because of his weirdness. The Beach Boys probably spoke about Manson and his weird philosiphies and it got back to the Beatles. Also what is too strange is that they called the album the White album and meanwhile Manson hated blacks and wanted a race war. White album stood for the White race. Also Sexie Sadie is too directed to what Susan Atkins was doing. The Beach Boys proably played with her then later bragged to Beatles and music people that they had sexy sadie Susan Atkins. Beatles thought this is weird enough to write about. I don’t believe the Beatles wanted Charles Manson to do killing. I think they juste thought Charles Manson was strange but harmless. Anyway when Charles Manson turned out to be a mass murderer, the Beatles got shaken and tried to bluff their way out of some of those songs. I mean they did not know this horrible murder was going to happen.

    1. Deadman

      Your theory falls down, for a start, with your incorrect assumption that the Beatles called their album, “The Beatles”, the White Album. Your deluded belief is unsupported by any evidence other than your assertion that “The Beach Boys probably spoke about Manson and his weird philosiphies [sic] and it got back to the Beatles”, and further anachronistic, alleged probabilities piled on silly suppositions. “Sexy Sadie” was inspired by Maharishi Mahesh Yogi.
      “Album”, by the way, is Latin for “white thing”.

    2. BeatleFreak2

      Pat, I know this is a very late reply but as others have already said, Sexy Sadie was about the Maharishi. John wrote it & said as much. Sexy Sadie, what have you done? You made a fool of everyone……John got disillusioned with the Maharishi, as did Paul and Ringo. George got sour on him too but George always believed in the philosophy.

      And another thing. The Beatles didn’t call the White Album, the white album at first. Everyone else called it that and it stuck.

      The only song on the white album that I would like to hear how it came about is “Piggies.” Fit right in with what Manson thought, but the Beatles didn’t have a clue to who Manson was. Some dirty weird hippie guy in California. Young people were very anti-establishment at that time, so “Piggies” was probably just a dig at the establishment. Manson used it all to his advantage. The White Album came out in late 1968. The Manson murders happened in August, 1969.

  2. Jan

    Manson was one disturbed creature. Could you blame him for ending up like that though? Had a pretty rough life. Not defending him, or making excuses for him – because a lot of people have tough childhoods and don’t become murdering monsters. Just saying if your mom sold you to a pedophile for a glass of beer, how would you turn out?

  3. Jane

    To the above comments that the theory that charles manson sick theories were spoken and the Beach Boys heard it is not impossible. First of all the Beach Boys were working with Manson. Charles was strange. The Beach boys spoke alot with the Beatles and Charles Manson stood out. Why couldn’t a few of those songs in the White Album be about Charles? He was an odd character and stood out. Songwriters write about other people. So it makes sense. I don’t believe they directed Charles to kill no but it seems too much of a coincidence when I listen to the album.

    1. William

      Charles Manson and Dennis Wilson were acquaintances. The rest of the band thought Manson was crazy.

      It’s a leap in logic to say that they were “working together”.

  4. DrTomoculus

    Charles Manson received a visit from one George E. Shibley in March 1967 at his parole. Shibley was a very prominent Beverly Hills lawyer, with rich clientele, and some oil companies as clients. At this time, Manson was in for 10 years on forgery and parole offences. He wanted to stay in jail. One has to ask, why is a petty crook, mainly in for Dyer Act convictions, one count of prostitution, getting visits from a Beverly Hills lawyer.

    2 years later that same lawyer is representing Sirhan Sirhan, the assassin who did not assassinate RFK. When the Manson Murder trials began, Shibley was on board as “an old friend of Charlie”.

    It’s also funny how Sexy Sadie Susan Atkins was offered $150,000 to turn state’s evidence and say it was all done for Charlie.

    Never mind Terry Melcher, Derek Taylor and all that. Or Melcher and McCartney being on the board of directors of Monterey Pop. Or the Esalen Institute, where Manson and Family played 3 days before the murders, which should be called the Watson Murders.

    There’s a lot to that man and how he got to where he got, that you probably DON’T want to know, and how The Beatles played a part in it, knowingly or unknowingly, is anyone’s guess. C I A, you know, those guys who experimented with LSD before anyone ever heard of it in Haight Ashbury. You might want to ask them. Or how Polanski miraculously avoided prison when sodomising and drugging an underage girl.

    You just don’t want to know.

  5. Bill

    Black men being deprived of white women would go out & commit violent acts? Where did this come from? I don’t remember reading that in Vincent Bugliosi’s book…

  6. perjensen01

    Frankly, this article about Manson should be removed. It’s rather garish seeing his face (and story) on page 1 of a nice Beatles site, and in no way deserving of debate all these years later. The Beatles were so popular and influential that millions were deeply affected by it, enough to play albums backwards to reveal ‘hidden messages’, even play the record covers, analyze lyrics, emulate their hair, clothes, and Lennon’s glasses, as well as popularizing Indian classical music (sitar), including a little known religion (Hinduism), the idyllic self-search called meditation, even helped advance electronic technology considering their endless studio work. Manson was just one of these millions. His story is fascinating, but does not belong on a Beatles website.

    1. joe

      Well there are supposed to be hidden messages hidden in songs,ant The Beatles songs are what you make of them,thats pretty much the magic of them,because they are kinda weird i guess…idk my opinion…

  7. James M

    What is the source of the “November 25″ date for the Beatles door?
    There is testimony from one of the trials, claiming that specific people connected to Manson had an “advance copy of Abbey Road.” However this is not verifiable.

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