Studio Three, EMI Studios, Abbey Road Engineer: Jeff Jarratt On 22 April 1969, John Lennon and Yoko Ono had recorded the track John And Yoko, which which became side two of their Wedding Album.
Posts Categorized: Studio
Mixing: Oh! Darling
Studio Two (control room), EMI Studios, Abbey Road Producer: Chris Thomas Engineer: Jeff Jarratt Stereo mixes of Oh! Darling were made on this day, in the control room of Studio Three.
Recording, mixing: Let It Be, You Know My Name (Look Up The Number)
Studio Two (control room), EMI Studios, Abbey Road Producer: Chris Thomas Engineer: Jeff Jarratt This session began with a lead guitar overdub onto the best take of Let It Be from the 31 January session. This solo featured on the single release, but an alternative one was used for the Let It Be.
Recording, mixing: Octopus's Garden
Studio Three, EMI Studios, Abbey Road Producer: Chris Thomas Engineer: Jeff Jarratt The Beatles continued the recording of Ringo Starr's second-recorded composition, Octopus's Garden, during this 7.30pm-1am session.
Recording: John And Yoko
Studio Two, EMI Studios, Abbey Road Producer: John Lennon Engineer: Jeff Jarratt On 22 April 1969, John Lennon and Yoko Ono had recorded the track John And Yoko, which which became side two of their Wedding Album.
Recording: Oh! Darling, Octopus's Garden
Studio Two, EMI Studios, Abbey Road Producer: Chris Thomas/The Beatles Engineer: Jeff Jarratt The Beatles began work on Ringo Starr second-recorded composition, Octopus's Garden, taping 32 takes of the basic rhythm track.
Mixing: John And Yoko
Studio Three (control room), EMI Studios, Abbey Road Engineer: Jeff Jarratt On 22 April 1969, John Lennon and Yoko Ono had recorded the track John And Yoko, which which became side two of their Wedding Album.
Mixing: Two Of Us
Room 4, EMI Studios, Abbey Road Engineer: Peter Mew A rough mono mix was created of the Let It Be song Two Of Us during this hour-long late-night session.
Recording, mixing: John And Yoko
Studio Two, EMI Studios, Abbey Road Engineer: Jeff Jarratt Following the ceremony on the roof of Apple in which John Lennon changed his name to John Winston Ono Lennon, he and Yoko Ono recorded an experimental piece which made up the second side of their Wedding Album.
Recording, mixing: I Want You (She's So Heavy), Oh! Darling
Studio Three, EMI Studios, Abbey Road Producer: Chris Thomas Engineer: Jeff Jarratt Work continued on John Lennon's I Want You (She's So Heavy) during this 7pm-12.45am session, which also saw the recording of the backing track for Oh! Darling.
Recording, mixing: Old Brown Shoe, I Want You (She's So Heavy)
Studios Two and Three, EMI Studios, Abbey Road Producer: Chris Thomas Engineer: Jeff Jarratt The Beatles finished the recording of George Harrison's song Old Brown Shoe on this day, and continued work on the Abbey Road song I Want You (She's So Heavy).
Recording, mixing: Old Brown Shoe, Something
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineer: Jeff Jarratt John Lennon and Paul McCartney had recorded The Ballad Of John And Yoko on 14 April 1969. Two days later all four members of The Beatles met at Abbey Road to record its b-side, George Harrison's song Old Brown Shoe.
Recording, mixing: The Ballad Of John And Yoko
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick Just three days after the release of the Get Back single, John Lennon and Paul McCartney were back in the studio once again, for the recording of The Beatles' next single The Ballad Of John And Yoko.
Mixing: Get Back, Don't Let Me Down
Olympic Sound Studios, Barnes, London Producer: George Martin Engineer: Glyn Johns Mono mixes of Get Back had been made at Abbey Road on 26 March 1969, in preparation for its release as a single. However, when an acetate disc was played on BBC radio on 6 April, ahead of its release, Paul McCartney decided it... Read more »
Mixing: Get Back
EMI Studios, Abbey Road Producer: George Martin Engineer: Jeff Jarratt Two months after the Let It Be sessions ended, EMI was keen to release a new Beatles single from the recordings. Get Back was chosen, and was mixed in mono on this day.
Mixing: I've Got A Feeling, Dig It, Maggie Mae, Shake Rattle And Roll, Kansas City, Miss Ann, Lawdy Miss Clawdy, Blue Suede Shoes, You Really Got A Hold On Me
Olympic Sound Studios, Barnes, London Producer: George Martin Engineer: Glyn Johns This was the fourth day of stereo mixing for the unreleased Get Back album, and the last time it was worked on until 7 May 1969. Afterwards The Beatles turned their attentions to the single The Ballad Of John And Yoko and the album... Read more »
Mixing: The Long And Winding Road, Let It Be
Olympic Sound Studios, Barnes, London Producer: George Martin Engineer: Glyn Johns This was the third day of stereo mixing for the unreleased Get Back album, which John Lennon and Paul McCartney has asked engineer Glyn Johns to compile early in March 1969.
Paul McCartney and George Harrison produce a Jackie Lomax session
Jackie Lomax's debut single for Apple, Sour Milk Sea, was an unexpected chart failure. Ahead of the release of his album, Is This What You Want?, a hastily-arranged session took place for a follow-up single.
Mixing: Two Of Us, The Long And Winding Road, Lady Madonna
Olympic Sound Studios, Barnes, London Producer: George Martin Engineer: Glyn Johns This was the second mixing session for the unreleased Get Back album, which Glyn Johns had been asked to compile by John Lennon and Paul McCartney early in March 1969.
Mixing: Get Back, Teddy Boy, Two Of Us, Dig A Pony, I've Got A Feeling, The Long And Winding Road, Let It Be, Rocker, Save The Last Dance For Me, Don't Let Me Down, For You Blue, The Walk
Olympic Sound Studios, Barnes, London Producer: George Martin Engineer: Glyn Johns Early in March 1969, John Lennon and Paul McCartney invited engineer Glyn Johns to Abbey Road, where they gave him the eight-track tapes from the January 1969 Get Back/Let It Be recording sessions at Apple Studios.

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