Studio Two (control room), EMI Studios, Abbey Road Producer: George Martin Engineers: Geoff Emerick, Phil McDonald Three Abbey Road songs were mixed in stereo during this 7pm-2am session.
Posts Categorized: Studio
Recording, editing: I Want You (She's So Heavy), Oh! Darling, Here Comes The Sun
Studios Two and Three, EMI Studios, Abbey Road Producer: George Martin Engineers: Geoff Emerick, Phil McDonald Two Abbey Road songs were completed on this day: Oh! Darling and I Want You (She's So Heavy).
Recording: The End, I Want You (She's So Heavy), Oh! Darling
Studios Two and Three, EMI Studios, Abbey Road Producer: George Martin Engineers: Geoff Emerick, Phil McDonald The Beatles continued work on the Abbey Road album in the afternoon after the cover photography took place.
Recording, mixing: Come Together, The End
Studios Two and Three, EMI Studios, Abbey Road Producer: George Martin Engineers: Geoff Emerick, Phil McDonald Two separate sessions were held on this day at Abbey Road, for the recording and mixing of two Beatles songs.
Recording, mixing: Here Comes The Sun, Maxwell's Silver Hammer
Room 43, Studios Two and Three, EMI Studios, Abbey Road Producer: George Martin Engineers: Tony Clark, Phil McDonald Overdubs for two Abbey Road songs were recorded on this day, in two separate sessions.
Recording: You Never Give Me Your Money, Because, The End
Room 43, Studios Two and Three, EMI Studios, Abbey Road Producer: George Martin Engineers: Geoff Emerick, Phil McDonald Overdubs were added to three Abbey Road songs during this session: You Never Give Me Your Money, Because and The End.
Recording, mixing: Because, Something, Here Comes The Sun
Studios Two and Three, EMI Studios, Abbey Road Producer: George Martin Engineers: Geoff Emerick, Phil McDonald Three days after the backing track for Because was recorded, The Beatles added the song's distinctive vocal harmonies.
Paul McCartney produces The Iveys' Come And Get It
Studio Two, EMI Studios, Abbey Road Producer: Paul McCartney Paul McCartney had recorded a demo version of his song Come And Get It on 24 July 1969. On this day he produced a session in which the Apple group The Iveys recorded the song for release as a single.
Recording: Because
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineers: Geoff Emerick, Phil McDonald Although none of them knew it at the time, 1 August 1969 was a significant date for The Beatles: it marked the final time that all four members began recording a song together.
Recording: You Never Give Me Your Money, Golden Slumbers, Carry That Weight
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineers: Geoff Emerick, Phil McDonald Following the previous day's creation of a rough mix of the Abbey Road medley, recording continued on three of its songs during this 2.30pm-1.15am session.
Recording, mixing: You Never Give Me Your Money, Come Together, Polythene Pam, She Came In Through The Bathroom Window, Golden Slumbers, Carry That Weight, Sun King, Mean Mr Mustard, Her Majesty, The End
Studios Two and Three, EMI Studios, Abbey Road Producer: George Martin Engineers: Geoff Emerick, Phil McDonald Various overdubs and mixes were created during this long day and night, which saw the Abbey Road medley take shape.
Recording: Come Together, Sun King, Mean Mr Mustard
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineers: Geoff Emerick, Phil McDonald A day of overdubs onto three Abbey Road songs: Come Together and Sun King/Mean Mr Mustard.
Recording: Polythene Pam, She Came In Through The Bathroom Window
Studios Two and Three, EMI Studios, Abbey Road Producer: George Martin Engineers: Geoff Emerick, Phil McDonald The Beatles continued the recording of Polythene Pam and She Came In Through The Bathroom Window on this day.
Recording: Sun King, Mean Mr Mustard, Come Together, Polythene Pam, She Came In Through The Bathroom Window
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineers: Geoff Emerick, Phil McDonald This 12-hour session saw The Beatles begin two new songs for the Abbey Road medley, and a continuation of three others.
Recording, mixing: Come And Get It, Sun King, Mean Mr Mustard
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineers: Geoff Emerick, Phil McDonald This day began with an hour-long session in which Paul McCartney recorded a demo of his song Come And Get It for the group The Iveys, who later became Badfinger.
Recording: Oh! Darling, Come Together, The End
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineers: Geoff Emerick, Phil McDonald This day's session began with Paul McCartney finally recording a satisfactory lead vocal for Oh! Darling.
Recording: Oh! Darling, Come Together
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineers: Geoff Emerick, Phil McDonald Overdubs were added to two Abbey Road songs during this 2.30-9.30pm recording session.
Recording: Come Together
Studios Two and Three, EMI Studios, Abbey Road Producer: George Martin Engineers: Geoff Emerick, Phil McDonald The recording of John Lennon's main contribution to the Abbey Road album, Come Together, was begun on this day.
Recording, mixing: Oh! Darling, Octopus's Garden
Studios Two and Three, EMI Studios, Abbey Road Producer: George Martin Engineer: Phil McDonald The day began with Paul McCartney's second attempt at recording a lead vocal take for Oh! Darling.
Recording: Oh! Darling, Octopus's Garden
Studios Two and Three, EMI Studios, Abbey Road Producer: George Martin Engineer: Phil McDonald Paul McCartney had first recorded a lead vocal take for Oh! Darling on 26 April 1969. On this day, however, he arrived early at EMI Studios for the first of four new attempts at perfecting the part.

Things we said today