Studio One, EMI Studios, Abbey Road Producer: George Martin Engineer: Ken Scott This session took place in Abbey Road's largest studio, where an orchestra and choir were recorded for two White Album songs.
Posts Categorized: Studio
Recording: Sexy Sadie
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Ken Scott The Beatles began recording Sexy Sadie, John Lennon's barbed tribute to Maharishi Mahesh Yogi, during this 7.30pm-4am session.
Recording: Cry Baby Cry, Helter Skelter
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Ken Scott The Beatles completed the recording of Cry Baby Cry during this day's two sessions, and also began work on Helter Skelter.
Recording: Cry Baby Cry
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick Following a six-hour rehearsal session on 15 July 1968, The Beatles began proper recordings of Cry Baby Cry on this day.
Recording, mixing: Revolution, Ob-La-Di, Ob-La-Da, Cry Baby Cry
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The Beatles completed work on two songs, and began another, during two sessions on this day.
Recording, mixing: Don't Pass Me By, Ob-La-Di, Ob-La-Da, Revolution
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick Ringo Starr's first published composition Don't Pass Me By was completed during the first of this day's sessions, which began at 3pm and lasted eight hours.
Recording, mixing: Revolution, Ob-La-Di, Ob-La-Da
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick Two separate recording sessions took place on this day at Abbey Road's Studio Three.
Recording: Revolution
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick Following a set of rehearsals on the previous evening, The Beatles began proper recording of Revolution, which was to feature on their next single Hey Jude.
Recording: Ob-La-Di, Ob-La-Da, Revolution
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick Although The Beatles had recorded a remake of Ob-La-Di, Ob-La-Da during the previous night's session, they began this day's work by starting a third version.
Ringo Starr performs on Solomon King's A Hundred Years Or More
Ringo Starr arrived early for The Beatles' session on this day, so he dropped in to Abbey Road's Studio Two where soul singer Solomon King was recording a ballad, A Hundred Years Or More.
Recording: Ob-La-Di, Ob-La-Da
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick Following three abortive days of work, The Beatles started afresh by starting a remake of Ob-La-Di, Ob-La-Da during this session.
Recording: Ob-La-Di, Ob-La-Da
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick This session, which took place from 5pm-1.30am, was an eventful one which saw numerous overdubs added to Ob-La-Di, Ob-La-Da.
Recording: Ob-La-Di, Ob-La-Da
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick This was the second recording session for Ob-La-Di, Ob-La-Da, and saw vocal overdubs added to the previous day's recordings.
Recording: Ob-La-Di, Ob-La-Da
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick One of the more complex recordings for the White Album, Ob-La-Di, Ob-La-Da was begun on this day. It was later subject to two remakes, and wasn't completed for another six sessions.
Recording: Good Night
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Peter Bown The Beatles continued work on Good Night on this day, following an initial session on 28 June 1968.
Paul McCartney records Thingumybob by Black Dyke Mills Band
The Black Dyke Mills Band, a brass band from Yorkshire, England, was nne of Apple Records' first signings. On this day Paul McCartney recorded them performing the Lennon-McCartney composition Thingumybob, which became their first single for the label.
Recording: Good Night
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Ken Scott The Beatles began work on Good Night, the White Album's final track, on this day.

Things we said today