Regent Sound Studio, London
Producer: George Martin
Engineer: Adrian Ibbetson
This was The Beatles’ first EMI recording session to take place in a British studio other than Abbey Road. The studios there were all booked on this day, so the group decamped to Regent Sound Studio at 164-166 Tottenham Court Road, London.
The Beatles’ normal engineer Geoff Emerick was unable to attend the session as he was an EMI employee, so Regent Sound’s chief engineer Adrian Ibbetson took his place.
They began by rehearsing the rhythm track for Fixing A Hole, at least six takes of which were recorded. They then taped three attempts, the last of which broke down, but takes one and two were both considered possible contenders for further overdubs.
The basic track featured Paul McCartney on bass guitar, Ringo Starr on drums and George Martin on harpsichord on track one, and McCartney’s guide vocals and John Lennon‘s rhythm guitar simultaneously taped onto track three.
Backing vocals were then overdubbed onto track four, and George Harrison added an eight-bar guitar solo onto track two.
While it wasn’t unusual for friends to visit The Beatles in the studio, this particular session had a notable guest.
The funny thing about that was the night when we were going to record it, at Regent Sound Studios at Tottenham Court Road. I brought a guy who was Jesus. A guy arrived at my front gate and I said ‘Yes? Hello’ because I always used to answer it to everyone. If they were boring I would say, ‘Sorry, no,’ and they generally went away. This guy said, ‘I’m Jesus Christ.’ I said, ‘Oop,’ slightly shocked. I said, ‘Well, you’d better come in then.’ I thought, Well, it probably isn’t. But if he is, I’m not going to be the one to turn him away. So I gave him a cup of tea and we just chatted and I asked, ‘Why do you think you are Jesus?’ There were a lot of casualties about then. We used to get a lot of people who were maybe insecure or going through emotional break downs or whatever. So I said, ‘I’ve got to go to a session but if you promise to be very quiet and just sit in a corner, you can come.’ So he did, he came to the session and he did sit very quietly and I never saw him after that. I introduced him to the guys. They said, ‘Who’s this?’ I said, ‘He’s Jesus Christ.’ We had a bit of a giggle over that.
Many Years From Now, Barry Miles
Work on Fixing A Hole continued back at EMI Studios, without Jesus, on 21 February 1967.